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INSTALLATION & OPERATION

15

You can verify that the LED meters are indicating correctly
by connecting an AC voltmeter to the LEFT  PRE (TP7) and
RIGHT PRE (TP8) test points located on the bottom side of
the front of the main circuit board between connectors J1
and J2.  Ground (TPG1) is located to the left of J1.  You
should read between 300 to 325mVAC at these test points.

Bypass Setup

Bypass mode generates  mono sound in the Center channel.
It is activated by pressing the red rocker switch to the
BYPASS position.

1. Run a film soundtrack.

2. Listen to the CENTER channel on the booth monitor.

3. Switch from Normal to Backup.

The red Backup Switch (SW2) is mounted on the front right
of the main board, behind the front panel.  Pushing the
switch to the right is BYPASS mode, to the left is NORMAL
mode.

4. Adjust the BYPASS level pot (on the left front side of the
main board) to achieve equal levels while switching from
Normal mode to Bypass mode.

B-CHAIN CALIBRATION

The B Chain Calibration is generally considered to be the
signal path from the processor’s master fader to the speak-
ers.  This signal path includes the equalizers and output
stage.  Before continuing with the B Chain Calibration,
check the wiring of all auditorium speakers to make sure
the phase is correct.

Preliminary
Special Note: If you will be installing an external digital
decoder, do so AFTER setting house levels.  See the DIGI-
TAL LEVEL SETTINGS at the end of the B CHAIN CALI-
BRATION section for more information.

1. Select STEREO A by pushing the appropriate button on
the front panel.

2. Set the FADER to the one o’ clock position.

Equalization and House Levels

The equalizers are normally shipped with the individual
trimpots set for a flat frequency response.  The octave
equalizers used for the stage channels are capable of

cutting and boosting each frequency ±10 dB.  The indi-
vidual trimpots are single turn types, with the mid position
of each pot being flat (unity gain).

The MOD 7 has a built in Pink Noise Generator on the
Circle Surround Matrix Board.  See pages 8 and 9 for a
description of the pink noise and time delay switches

Set the pink noise channel switches (SW2) on the Circle
Surround Matrix Card to the correct setting for the channel
you wish to equalize. Select the STEREO SR format.

Perform the channel equalization using the trimpots
located inside the front panel.  The LO trimpot in each EQ
section mainly affects frequencies below 100Hz, and the HI
trimpot mainly affects frequencies above 10kHz.

After equalization of the each stage channel,  adjust its
output level using the LC, and R output trimpots on the
right front of the main circuit board so that 79 dBc spl is
measured in the auditorium for each channel.

If you are NOT using the EX feature, follow this procedure
for the Left Wall Surround and Right Wall Surround
channels. Adjust equalization as you normally would. Then
set the LW and RW level trimpots to obtain 76 dBc spl in
the auditorium for each channel.

If you ARE using the EX feature, follow this procedure for
the Left Wall Surround, Right Wall Surround, and EX
channels. Turn OFF the rear channel amplifier (or discon-
nect the rear speakers from the rear amplifier). Adjust
equalization as you normally would. Then set the LW and
RW 

level trimpots to obtain 76 dBc spl in the auditorium

for each channel.

Right side trimpots (Music, Digital, and Main output levels)

 and Emergency Bypass switch

Summary of Contents for MOD 7

Page 1: ...Seven Channel Plus Overhead Channel Cinema Stereo Processor With Circle Surround Analog Matrix Seven channel stereo processor plus overhead channel Digital EX format included Easy interface to digita...

Page 2: ...ctive parts must be shipped freight prepaid to us by the dealer or customer Our limited warranty doesn not cover damages resulting from accident misuse or abuse lack of responsible care or failures no...

Page 3: ...matrix 8 Time Delay Setup 9 INSTALLATION 10 Processor Placement 10 Power Supply Connections 10 Backup Power Supply 10 Soundhead Connections 10 Solar Cell 10 Reverse Scan 10 Two Projector Systems 11 N...

Page 4: ...ave to add an external ex channel proces sor This saves rack space and money EX mode may be set to come on or off at power up and it can be switched on and off easily with a front panel pushbutton The...

Page 5: ...lit surround and subwoofer channels from an external digital decoder Music Inputs The MOD 7 processes both stereo and mono music sources from tape CD or cartridge players The music is processed throug...

Page 6: ...serDisc VCR Factory setting Preamp Configuration The MOD 7 preamps can be configured through the use of shunts placed on header pins The drawing below shows the shunt locations and the purpose of each...

Page 7: ...hen place this shunt in the OFF position The MOD 7 can be configured to deliver an overhead channel from digital soundtracks If you are using a digital player and have installed overhead speakers and...

Page 8: ...rs The STATUS LEDs indicate some of the operating condi tions of the matrix The RUN LED blinks once per second if the microcontroller is operating properly If it is not blinking then press the RESET p...

Page 9: ...t the time delay as you would for any stereo processor Time Delay Setup The rotary switch is for setting the Surround Delay Time The switch is labeled as shown in this drawing POSITION DELAY in mSec 0...

Page 10: ...pe BACKUP Black GROUND Remember to check all connections before applying power to the system A wire that is reversed could be very destructive to the system Soundhead Connections Solar Cell Using thre...

Page 11: ...pulse toggled input TWO PROJECTOR SYSTEMS NO AUTOMATION Rig a single pole single throw switch between the CHANGEOVER terminal and a GROUND terminal When the switch is open Projector 1 will be active...

Page 12: ...the optical format The information pertaining to which format to default to is encoded in the digital soundtracks on DTS prints On Dolby Digital the default is SR Monitor Interface The MONITOR INTERFA...

Page 13: ...connectors TPG GROUND is located to the left of J1 also on the bottom side Turn Gain controls fully clockwise Turn Slit Loss controls fully counterclockwise The Preamp Gain controls are R1 and L1 for...

Page 14: ...EAMP for optimum flat high frequency response Do not over adjust the slit loss correction in an effort to obtain extended response This will result in an undesir able frequency response peak While adj...

Page 15: ...qualization and House Levels The equalizers are normally shipped with the individual trimpots set for a flat frequency response The octave equalizers used for the stage channels are capable of cutting...

Page 16: ...impact playback in the auditorium for pre show entertainment Although all 2 channel commercial stereo recordings contain hidden extra channel information due to multiple microphone record ing or multi...

Page 17: ...impot is located on the back panel by the power connector This will only need adjustment if you are employing overhead speakers and amplifier The Hearing Impaired level and Backup Level adjustments ar...

Page 18: ...ER control is used to set the system level for any format The system was calibrated with the FADER at the one o clock position which is where most prints will play at a normal level MUSIC LEVEL CONTRO...

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