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act” must occur between the power supply
and the preamplifier input, however, since
naturally all three pins of the microphone must
still connect to its phantom or parallel power
supply. 

Simultaneous Connection to Multiple Inputs

If a microphone has to be connected to multiple
inputs simultaneously, an active micro phone
splitter should be used in order to preserve
the loading and powering conditions for the
microphone, and to prevent interference. 

Maximum Cable Length 

Cable lengths of up to 300 meters are possible,
but the practical limit depends on the electrical
capacitance of the cable, which is sometimes
an unknown quantity. The lower this capaci-
tance is per unit length, the longer the cable can
be. All 

SCHOEPS

cables have very low capaci-

tance (100 pF/m between the conductors). 

The main risks with excessively long micro-

phone cables are losses at high frequencies
due to cable capacitance, reduced ability to
handle very high sound pressure levels, and
increased likelihood of picking up interference.

Hints on Avoiding Interference 

Due to the wide dynamic range of studio
microphones, the smallest signal amplitudes
are in the microvolt range (1/1,000,000 Volt).
Cable shielding and the grounding scheme of
the preamp or mixer input are also crucial. 
A microphone can therefore never be expected
to be immune to all possible disturbances in
all circumstances, but the following suggestions
can help to reduce possible noise induction:
1) Keep both the microphone and the cable

away from sources of interference such as
monitors, digital equipment (computers), 
RF emitters (mobile phones and other per-
sonal communication devices that emit radio
frequency energy), power transformers,
power lines, SCR dimmers, switching power
supplies etc.

2) Use only high-quality cables with a high

degree of shield coverage.

3) Keep all cables as short as possible.

4) Dress audio cables away from power cables.

If they must cross, it should be at right angles.

5) At the preamp or mixer input, the shield of

the microphone cable should connect to
chassis ground in the shortest way possible.
If necessary, this coupling can be capacitive.

Care and Maintenance

Please take care to avoid placing the micro-
phone in a dusty environment. Keep it in its
case (e.g. the wood carrying case it comes with)
when not in use, since any dust that gets inside
the microphone can adversely affect its func-
tioning. Dust can affect the microphone in the
following way: In combination with humid ity
it can lead to condensation and thus popping
and crackling noises (often described as ”fry-
ing sounds”).

What to do if …
the microphone is noisy (clicks and pops) in high
humidity?

If the microphone is brought from the cold
outdoors into a warm (and humid) environ-
ment, snapping or clicking noises can result
from the condensation of moisture. In such a
case the microphone should be given time to
reach room temperature, and as a rule it will
then perform flawlessly.

If this does not eliminate the noise, it is

possible that dirt has gotten inside the micro-
phone itself – in which case it must be sent
back to the factory for cleaning. We strongly
urge customers not to open the microphone or
attempt to clean it themselves. Doing so would
also void all warrantees. 

Windscreens are recommended when

micro  phones have to be used in dirty or dusty
environments in order to avoid problems of
the kind described above.

SCHOEPS

GmbH · Spitalstr. 20 · D-76227 Karlsruhe (Durlach) · Tel: +49 721 943 20-0 · Fax: +49 721 943 2050

www.schoeps.de · [email protected]

Hints on Avoiding Interference / Care and Maintenance

16

English

Summary of Contents for CMXY 4V Ig

Page 1: ...g 5 Vermeidung von St reinstreuungen Pflege und Wartung 7 Wind und bersteuerungen 8 Garantie Konformit tserkl rung 9 Blockschaltbild 10 Table of Contents page Preface 11 Technical Specifications 12 Ho...

Page 2: ...es CMXY 4V auf einem Tisch oder Rednerpult Der Bau eines guten mit Mikrofonen ausge statteten Tischs beginnt mit der Wahl einer schweren Tischplatte An ihrer Stelle kann aber auch ein Lochblech verwen...

Page 3: ...schpegel 24dB CCIR 14dB Maximaler Schalldruckpegel 132dB SPL bei 0 5 THD Phantomspeisung P12 12V 1V 8mA P48 48V 4V 4mA automatische Umschaltung Impedanz 90 Ohm Max Ausgangsspannung ca 1 Volt L nge I V...

Page 4: ...dem Ver h ltnis b a und zugeh riger Aufnahmewinkel nach Michael Williams b a Achswinkel Aufnahme winkel 4 3 130 130 5 6 141 120 8 3 153 110 16 3 166 100 oo 180 90 a b H rer Abb 3b Der Aufnahmewinkel a...

Page 5: ...ist die Standard speisung f r Kondensatormikrofone Sie arbei tet mit einem zweiadrigen geschirmten Kabel Hierbei liegt auf beiden Adern die gleiche Spannung und es flie en exakt gleiche Str me in ihne...

Page 6: ...e verf gen jedoch nur ber unsymmetrische Eing nge In einem solchen Fall sollte ein hochwertiger Eingangs bertrager verwendet werden um aus dem unsymmetrischen einen symmetrischen Eingang zu machen So...

Page 7: ...en wie Monitoren digitalem Equipment Rechnern Sendern z B Handys Trans formatoren Starkstromkabeln Dimmern Schaltnetzteilen etc Verwenden Sie hochwertige Kabel hoher Bedeckungsgrad der Schirmung und h...

Page 8: ...s zwei Schaltungsstufen dem Schallwandler Kapsel und dem Verst rker Eine Kapsel wird praktisch kaum je bersteu ert au er durch Explosionen oder wenn sie ungesch tzt sehr starkem Wind ausgesetzt wird D...

Page 9: ...nbedingt den Kaufbeleg auf Ohne ihn werden Repara turen grunds tzlich kostenpflichtig ausgef hrt Die Garantieleistungen bestehen nach unserer Wahl in der unentgeltlichen Beseiti gung von Material oder...

Page 10: ...Mikro fone an andere Eing nge angeschlossen sind sollte dies die Ergeb nisse nicht wesentlich beeinflussen 1 Messen Sie die Leerlaufspannung zwischen Masse Pin 1 und Pin 2 4 oder Pin 3 5 der XLR Einga...

Page 11: ...icro phone Setting up the CMXY 4V on a table top A good speaker s desk or a table on which microphones are to be set up calls either for a rather heavyweight construction or for a per forated metal su...

Page 12: ...level 14 dB A 24 dB CCIR Maximum SPL 132 dB SPL at 0 5 THD Phantom powering 12 V 1 V 8 mA or 48 V 4 V 4 mA automatically switched Impedance 90 Ohms Max output voltage ca 1 Volt Length I version 110 m...

Page 13: ...e reophonic recording angle from the ratio of b to a according to Michael Williams b a angle between the microphones recording angle 4 3 130 130 5 6 141 120 8 3 153 110 16 3 166 100 oo 180 90 a b list...

Page 14: ...Phantom powering to standard DIN EN 61938 Correct powering is essential There have been various myths and misunderstandings about it Authoritative information is contained in the standards documents...

Page 15: ...from SCHOEPS which is why they should be operated with balanced inputs Otherwise the vulnerability to interference would be increased However some equipment only has unbalanced inputs in which case a...

Page 16: ...ansformers power lines SCR dimmers switching power supplies etc 2 Use only high quality cables with a high degree of shield coverage 3 Keep all cables as short as possible 4 Dress audio cables away fr...

Page 17: ...in unamplified sound though their equivalents can be caused by wind when directional capsules are used just as with the CMXY 4V In addi tion proper powering should not be taken for granted insufficie...

Page 18: ...ct with proof of purchase and a precise description of the malfunction at your expense either to SCHOEPS if you are a customer in Germany or to our representative if you are a customer outside of Germ...

Page 19: ...puts at the same time no substantial difference should occur in the results 1 Measure the open circuit voltage between ground pin 1 and either pin 2 4 or pin 3 5 of the XLR input Given the permitted t...

Page 20: ...ehalten Subject to change without notice Not responsible for errors or omissions 100301 Technik Schall SCHOEPS GmbH Spitalstr 20 D 76227 Karlsruhe Durlach Tel 49 721 943 20 0 Fax 49 721 943 2050 www s...

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