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•    Press the FBM switch and use the Data Wheel to  and 

•    Press the FBM switch and use the Data Wheel to  and 

select FBM: ON.

•   Now, engage the effect by pressing the IN / OUT switch 

until the yellow LED lights.

•   To access the Feedback Sensitivity parameter, press the 

FBM switch until you see the menu, Sensitivity.  The 
Feedback Sensitivity is used to set the threshold that the 
D2500 uses to recognize feedback. Now you can select a 
Sensitivity of 0 – 10.

•   To access the Feedback Hold Time parameter, press the 

FEEDBACK switch until you see the menu, FB Hold.  The 
D2500’s Feedback management system uses HOLD time 
to keep a filter cut after the system identifies feedback. 
Now you can select a Hold time of 5– 300 seconds.

•    To access the Feedback Release Time parameter, press 

the FEEDBACK switch until you see the menu, FB Rel.. 
Now you can select a Release time of 20 – 300 seconds. 
If the feedback is temporary, the D2500 will attempt 
to restore the fader back to the original position. The 
Release time, is the time the D2500 takes to return the 
fader back to the original level.

Using the Internal Noise GATE

The D2500 digital effect section includes a digital noise 
gate that can be very useful in eliminating the system 
hums and buzzes that may occur, especially when you 
moveyour system from venue to venue.  A noise gate is a 
powerful dynamics processor that works like an automatic 
mute. Simply put, when the desired signal is present, the 
gate is open and the sound can be heard. When the signal 
is soft, like when the music stops, and all you hear are the 
hums, buzzes and system noise floor, the gate is closed.  
The D2500 GATE has variable control over Threshold and 
Release time. Threshold is the level you set at which the 
noise gate will close (mute the sound). You want to set a 
level in between the noise floor and the normal operating 
level of your program. Release Time is the amount of time 
the D2500’s Gate takes to return the signal to the original 
level after the signal rises above the Threshold level.

The Noise Gate Switch Has Two Clicks!
Click  Menu 

Function 

Value

Gate Rel. 

Release Time 

50 - 100 %

Gate Th. 

Threshold Level 

0 -  -100 dB

To operate the D2500 digital noise GATE, follow these 
simple steps:

•  Press the GATE switch so that the yellow LED is lit.

•   Now, engage the effect by pressing the IN / OUT 

switch until the yellow LED lights.

•    To access the Threshold parameter, press the GATE 

switch once or twice until you see the menu, Gate Th.  
The Gate Threshold can be set from –100 dB to 0 dB. 

•   To access the Release parameter, press the GATE 

switch until you see the menu, Gate Rel.  The Gate 
Release time can be set from 50 to 100 %, which is the 
equivalent to 2 to 15 seconds.

Using the Internal DELAY

The D2500 offers an on board Digital Delay to time align 
speakers for phase correction and for setting up delay 
clusters in large venue sound systems.  The Delay can 
be set from 0 to 85 milliseconds. (Optional memory can 
be added for longer delay times.)  Setting the delay is a 
simple procedure which can be accomplished by follow-
ing the next few steps:

•  Press the DELAY switch so that the yellow LED is lit.

•   Engage the effect by pressing the IN / OUT switch until 

the yellow LED lights.

•   Now,  use the Data Wheel to select the correct delay 

time for your application.

Using the Internal ENHANCER

The D2500 has unique digital Enhancer, which can help 
sweeten a sound system, and at the same time, reduce 
unwanted noise.  The D2500’s Enhancer uses several 
powerful algorithms to analyze the signal content and 
then decide how to enhance the signal; based on that 
content.  If the D2500 Enhancer senses that there is 
music playing with good high frequency content, it will 
slightly boost these frequencies creating sweet and 
airy top-end response.  When the D2500 Enhancer sees 
that there is little or no high-frequency content, it will 
slightly reduce the high-frequency response of the sys-
tem. This can be especially useful since often when the 
high-frequency content is very low, or off, the only thing 
you hear is system hiss. The Enhancer will recognize the 
noise and reduce it by cutting the associated EQ filters 
automatically. 

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Summary of Contents for D-2500

Page 1: ...DIGITAL DUAL 31 BAND EQUALIZATION SYSTEM...

Page 2: ...r objects have fallen into the unit the unit has been exposed to rain or moisture does not operate normally or has been dropped PRECAUCION Para reducir el riesgo de incendios o descargas no permita qu...

Page 3: ...D2500 Faders 11 Using the Process Switches 12 Using the EQ section 12 Using the FEEDBACK Management Function 12 Using the Internal Noise GATE 13 Using the Internal DELAY 13 Setting up and Using the Hi...

Page 4: ...n 99 pre set locations Using the large easy to read LCD display and conve nient data wheel it s possible to save your favorite equalization curves and recall them in the future Or when using the D2500...

Page 5: ...and suppression Manual or Auto mode with Automated Filter Restoration The D2500 s fader can be set for either 3 6 or 12 dB of gain and attenuation for each of the frequency bands An onboard programmab...

Page 6: ...alizer to the physical controls 10 LINK switch Used to control the left and right CH1 and CH2 equalizer simultaneously with the one set of physi cal controls Controls and Functions Front Panel Layout...

Page 7: ...Electronically balanced XLR jack output 19 LIMITER switch This switch is used to page through the LIMITER parameters When selected the amber LED will illuminate and the LIMITER parameters will be disp...

Page 8: ...NG UP THE D2500 to work in MANUAL mode The D2500 is simple to use In fact you can use it just like a standard analog graphic equalizer by simply set ting the unit to MANUAL mode Setting up your D2500...

Page 9: ...lizer D2500 Quick Start 7 12 Apply an input signal to the D2500 if sending signal from a mixer output bus drive the mixer s output meters at approximately 0 VU While the input signal is present slowly...

Page 10: ...The D2500 function switch sections are arranged on the front panel as follows First is the BYPASS switch that enables you to turn the equalizer and all effects on or off Next is the A B switch that l...

Page 11: ...dwidth for either 1 4 1 3 1 2 of an octave or to AUTO which will allow each of the 31 filters to be set to an individual bandwidth calculated by the onboard DSP To access the Filter band width setting...

Page 12: ...and control either one or both sides The state of these switches will determine which of the left and right signals are affected by the hardware control surface Using the LINK switch If you want to s...

Page 13: ...loading in preset 00 If you are not very familiar with working with the presets just stay on preset 00 Preset 00 can not be overwritten so don t worry about erasing anything Press the MANUAL button to...

Page 14: ...zer filters as well as the Master Fader filters are displayed in the LCD window You can use the Data Wheel to scroll through the frequencies and display the filter levels in the main LCD window It is...

Page 15: ...al rises above the Threshold level The Noise Gate Switch Has Two Clicks Click Menu Function Value 1 Gate Rel Release Time 50 100 2 Gate Th Threshold Level 0 100 dB To operate the D2500 digital noise G...

Page 16: ...your system When equal izing a monitor system you may use both the HP and LP filters to roll off the high and lows for a vocal eq contour Any good high and low pass filter will allow you to choose the...

Page 17: ...set from 50 to 100 which is the equivalent to 2 to 15 seconds Using the A B Feature The A B switch lets you compare the actual modified program to the last program recalled or stored in memory After...

Page 18: ...tion go on to the next step If you want to choose a new memory location use the Data Wheel to scroll through the 99 preset num bers until you reach the number you want to recall into memory Once you s...

Page 19: ...hese modes and their associated parameters Setting the D2500 to Transmit and Receive MIDI To enable the D2500 to send and receive MIDI data follow these steps Press the MIDI switch until that LCD read...

Page 20: ...l to select SysEx T R Use the Data Wheel to select SysEx OFF and the D2500 will not transmit or receive any system exclusive mes sages To keep the new changes press the STORE button and you will exit...

Page 21: ...e or for any EQ response curve that you may have saved in memory THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES CLASS B OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS 1 THIS DEVICE MUST NOT...

Page 22: ...ORE NOTE You may need to come back to this to make the final mic gain adjustment once you start generating the PINK NOISE at the desired operating level AUTO EQ YOUR SYSTEM Once you have the Mic Input...

Page 23: ...reads F R Now turn the Data Wheel until the dispay reads 12 dB Press the D2500 s Global switch a few times until the display reads F Bw Then turn the Data Wheel until the display reads 1 3 Oct Press...

Page 24: ...ting the D2500 with the D1500 RTA Press RES and use the Data Wheel to select 2 0 dB which will correspond to the D2500 provided that the Frequency Range Global Menu of the D2500 is set to the default...

Page 25: ...wise until the LED indicators are oper ating in a range approximately halfway up the display Operating the D2500 with the D1500 RTA Operating the D2500 with the D1500 RTA Using the signal Generator Th...

Page 26: ...outputs are connected to the inputs of each active self powered loudspeaker Using the D2500 with Passive Speakers In this example the mixer s stereo output is connected to the D2500 s inputs Then the...

Page 27: ...n D2500 is used for both the main PA speakers running a mono mix and for the monitor mix also in mono For the main PA the mixer s MONO output is connected to the D2500 s Channel 1 input Then the D2500...

Page 28: ...peakers Then the outputs are connected to the inputs of the power amplifier connected to passive loudspeakers For the monitor mix the mixer s AUX1 output is connected to the second D2500 s channel 1 i...

Page 29: ...g set up Follow the cable diagrams below for connecting your monitor system 27 XLR Insert Cable Balanced 1 4 to FEMALE XLR Cable Unbalanced XLR to 1 4 Cable Balanced MALE XLR to 1 4 Cable Unbalanced M...

Page 30: ...p 4 dBu 1 kHz unity gain Digital Processing Converter 24 bit Delta Sigma 64 128 oversampling Sample rate AIO1 AIO2 32 44 1 48 64 88 2 96 kHz DIO1 96 kHzType digital 31 band equalizer DIO1 96 kHzType d...

Page 31: ......

Page 32: ...Samson Technologies Corp 575 Underhill Blvd P O Box 9031 Syosset NY 11791 9031 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 516 364 3888 www samsontech com...

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