![Roland E-50, E-60 Owner'S Manual Download Page 202](http://html1.mh-extra.com/html/roland/e-50-e-60/e-50-e-60_owners-manual_1480822202.webp)
Appendix
202
r
E-60/E-50
Music Workstation
●
Balance (D100:0W, D50:50W, D0:100W)—
Volume bal-
ance between the direct (D) and the effect sound (W).
●
Level (0~127)—
Output level.
14. Space-D
This is a multiple chorus that applies two-phase modulation
in stereo. It gives no impression of modulation, but produces
a transparent chorus effect.
●
Chorus Pre Delay (0.0~100.0ms)—
Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
●
Chorus Rate (0.05~10.0Hz)—
Frequency, i.e. modulation
speed.
●
Chorus Depth (0~127)—
Modulation intensity.
●
Chorus Phase (0~180deg)—
Spatial spread of the sound.
●
EQ Low Gain (–15dB~0~15dB)—
Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—
Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—
Volume bal-
ance between the direct (D) and the effect sound (W).
●
Level (0~127)—
Output level.
15. St. Chorus
This is a stereo chorus. A filter is provided so that you can
adjust the timbre of the chorus sound.
●
Filter Type (OFF, LPF, HPF)—
Type of filter.
OFF
: no filter is
used.
LPF
: cuts the frequency range above the Cutoff value.
HPF
: cuts the frequency range below the Cutoff value.
●
Cutoff Frequency (200~8000Hz)—
Basic frequency of the
filter.
●
Chorus Pre Delay (0.0~100.0ms)—
Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
●
Chorus Rate (0.05~10.0Hz)—
Frequency, i.e. modulation
speed.
●
Chorus Depth (0~127)—
Modulation intensity.
●
Chorus Phase (0~180 deg)—
Spatial spread of the sound.
●
EQ Low Gain (–15dB~0~15dB)—
Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—
Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—
Volume bal-
ance between the direct (D) and the effect sound (W).
●
Level (0~127)—
Output level.
16. St. Flanger
This is a stereo flanger. It produces a metallic resonance that
rises and falls like a jet airplane taking off or landing.
●
Filter Type (OFF, LPF, HPF)—
Type of filter. OFF: no filter is
used. LPF: cuts the frequency range above the Cutoff value.
HPF: cuts the frequency range below the Cutoff value.
●
Cutoff Frequency (200~8000Hz)—
Basic frequency of the
filter.
●
Flanger Pre Delay (0.0~100.0ms)—
Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
●
Flanger Rate (0.05~10.0Hz)—
Frequency, i.e. modulation
speed.
●
Flanger Depth (0~127)—
Modulation intensity.
●
Flanger Phase (0~180 deg)—
Spatial spread of the sound.
●
Flanger Feedback (–98%~0~98%)—
Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
●
EQ Low Gain (-15dB~0~15dB)—
Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—
Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—
Volume bal-
ance between the direct (D) and the effect sound (W).
●
Level (0~127)—
Output level.
17. Step Flanger
A Step Flanger is a flanger effect with clearly noticeable steps
rather than continuous pitch changes.
●
Flanger Pre Delay (0.0~100.0ms)—
Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
●
Flanger Rate (0.05~10.0Hz)—
Frequency, i.e. modulation
speed.
●
Flanger Depth (0~127)—
Modulation intensity.
●
Flanger Feedback (–98%~0~98%)—
Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
●
Step Rate (0.10~20.0Hz, note)—
Rate (period) of pitch
change
●
Flanger Phase (0~180deg)—
Spatial spread of the sound.
●
EQ Low Gain (–15dB~0~15dB)—
Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—
Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—
Volume bal-
ance between the direct (D) and the effect sound (W).
●
Level (0~127)—
Output level.
18. St. Delay
Delay is an effect that allows you repeat the input signal, thus
creating echoes (repetition).
●
Delay FBK Mode (Normal, Cross)—
Select the way in which
delay sound is fed back into the effect.
NORMAL
: The left
delay sound will be fed back into the left delay and the
right delay sound into the right delay.
CROSS
: The left
delay sound will be fed back into the right delay and the
right delay sound into the left delay.
●
Delay Left (0.0~500.0ms)—
Adjust the time from the direct
sound until when the left delay sound is heard.
●
Delay Right (0.0~500.0ms)—
Adjust the time from the
direct sound until when the right delay sound is heard.
●
FBK Phase Left (Normal, Invert)—
Select the phase of the
left delay sound.
NORMAL
: Phase is not changed.
INVERT
:
Phase is inverted.
●
FBK Phase Right (Normal, Invert)—
Select the phase of the
right delay sound.
NORMAL
: Phase is not changed.
INVERT
:
Phase is inverted.
●
Delay Feedback (–98%~0~98%)—
Adjusts the amount of
the delay sound that’s fed back into the effect. Negative (–)
settings invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—
Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don’t want to filter out any high frequencies, set
this parameter to
BYPASS
.
●
EQ Low Gain (–15dB~0~15dB)—
Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—
Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—
Volume bal-
ance between the direct (D) and the effect sound (W).
●
Level (0~127)—
Output level.
E-60_50_OM_UK.book Page 202 Thursday, June 22, 2006 10:06 AM