Appendix
E-60/E-50 Music Workstation
r
205
29. OD‰ Delay
This effect connects an overdrive and a delay in series.
●
Overdrive Drive (0~127)—
Degree of distortion. Also
changes the volume.
●
Overdrive Panpot (L64~0~63R)—
Stereo location of the
overdrive sound.
●
Delay Time (0.0~500.0ms)—
Adjusts the time until the
delay is heard.
●
Delay Feedback (–98%~0~98%)—
Adjusts the amount of
the delay sound that’s fed back into the effect. Negative (–)
settings invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—
Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don’t want to filter out any high frequencies, set
this parameter to BYPASS.
●
Delay Balance (D100:0W, D50:50W, D0:100W)—
Adjusts
the volume balance between the sound that is sent
through the delay (W) and the sound that is not sent
through the delay (D).
●
Level (0~127)—
Output level.
30. DST‰ Chorus
This effect connects distortion and a chorus in series.
●
Distortion Drive (0~127)—
Degree of distortion. Also
changes the volume.
●
Distortion Panpot (L64~0~63R)—
Stereo location of the
distortion sound.
●
Chorus Pre Delay (0.0~100.0ms)—
Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
●
Chorus Rate (0.05~10.0Hz)—
Frequency, i.e. modulation
speed.
●
Chorus Depth (0~127)—
Modulation intensity.
●
Chorus Balance (D100:0W, D50:50W, D0:100W)—
Vol-
ume balance between the direct sound (D) and the chorus
sound (W).
●
Level (0~127)—
Output level.
31. DST‰ Flanger
This effect connects distortion and a flanger effect in series.
●
Distortion Drive (0~127)—
Degree of distortion. Also
changes the volume.
●
Distortion Panpot (L64~0~63R)—
Stereo location of the
distortion sound.
●
Flanger Pre Delay (0.0~100.0ms)—
Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
●
Flanger Rate (0.05~10.0Hz)—
Frequency, i.e. modulation
speed.
●
Flanger Depth (0~127)—
Modulation intensity.
●
Flanger Feedback (–98%~0~98%)—
Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
●
Flanger Balance (D100:0W, D50:50W, D0:100W)—
Volume balance between the direct sound (D) and the
flanger sound (W).
●
Level (0~127)—
Output level.
32. DST‰ Delay
This effect connects distortion and a delay effect in series.
●
Distortion Drive (0~127)—
Degree of distortion. Also
changes the volume.
●
Distortion Panpot (L64~0~63R)—
Stereo location of the
distortion sound.
●
Delay Time (0.0~500.0ms)—
Adjusts the time until the
delay is heard.
●
Delay Feedback (–98%~0~98%)—
Adjusts the amount of
the delay sound that’s fed back into the effect. Negative (–)
settings invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—
Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don’t want to filter out any high frequencies, set
this parameter to BYPASS.
●
Delay Balance (D100:0W, D50:50W, D0:100W)—
Adjusts
the volume balance between the sound that is sent
through the delay (W) and the sound that is not sent
through the delay (D).
●
Level (0~127)—
Output level.
33. EH‰ Chorus
This effect connects an enhancer and a chorus in series.
●
Enhancer Sens (0~127)—
Sensitivity of the enhancer.
●
Enhancer Mix Level (0~127)—
Level of the overtones gen-
erated by the enhancer.
●
Chorus Pre Delay (0.0~100.0ms)—
Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
●
Chorus Rate (0.05~10.0Hz)—
Frequency, i.e. modulation
speed.
●
Chorus Depth (0~127)—
Modulation intensity.
●
Chorus Balance (D100:0W, D50:50W, D0:100W)—
Vol-
ume balance between the direct sound (D) and the chorus
sound (W).
●
Level (0~127)—
Output level.
34. EH‰ Flanger
This effect connects an enhancer and a flanger in series.
●
Enhancer Sens (0~127)—
Sensitivity of the enhancer.
●
Enhancer Mix Level (0~127)—
Level of the overtones gen-
erated by the enhancer.
●
Flanger Pre Delay (0.0~100.0ms)—
Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
●
Flanger Rate (0.05~10.0Hz)—
Frequency, i.e. modulation
speed.
●
Flanger Depth (0~127)—
Modulation intensity.
●
Flanger Feedback (–98%~0~98%)—
Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
●
Flanger Balance (D100:0W, D50:50W, D0:100W)—
Volume balance between the direct sound (D) and the
flanger sound (W).
●
Level (0~127)—
Output level.
35. EH‰ Delay
This effect connects an enhancer and a delay in series.
●
Enhancer Sens (0~127)—
Sensitivity of the enhancer.
●
Enhancer Mix Level (0~127)—
Level of the overtones gen-
erated by the enhancer.
●
Delay Time (0.0~500.0ms)—
Adjusts the time until the
delay is heard.
E-60_50_OM_UK.book Page 205 Thursday, June 22, 2006 10:06 AM