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- 10 -

Recording drums

•   There are various ways to record drum kits. Single 

mics ‘overhead’, multiple mics (X/Y or spaced pair) 

or multiple mics close to individual drums and 

cymbals (‘close miking’).

•   To record a kit using a single microphone we 

suggest that you begin by placing the mic above 

the direct centre of the kit at the same height as 

the kit is wide (see below), with the front of the 

microphone (gold dot) facing down.

•   To record a kit using two overhead microphones 

they should be placed at a similar height to the 

single technique and, depending on the kit size, 

approximately 1-2m (3-6’) apart. The mics should 

generally be equi-distant from the snare drum.

•   To record a kit using a matched pair of 

microphones in X/Y stereo technique, the 

microphones should be placed in the location of 

the single mic technique, with the front of each 

microphone (gold dot) pointing down and at an 

angle of 90 - 110 degrees to each other.

Drum kit width = 

x

Ideal mic position

X

Id

e

a

l m

ic h

e

ig

h

t = 

x

Summary of Contents for NT1-A

Page 1: ...EMC LVD NT1 A Instruction Manual www rodemic com...

Page 2: ...rdings the world s quietest studio microphone a studio grade popshield and shock mount premium cable dust cover and of course s industry leading ten year warranty The NT1 A is an exceptional vocal mic...

Page 3: ...quency Range 20Hz 20 000Hz see graph Output Impedence 100 Sensitivity 31 9dB re 1V Pa 1kHz 25mV Pa 94dB SPL 2dB 1kHz Equivalent Noise 5dBA SPL per IEC651 Maximum Output 13 7dBu 1kHz 1 THD into 1k Dyna...

Page 4: ...4 Specifications Frequency Response Polar Response Accessories i 6 n n n x i 6 x i i V x SM6 shock mount including studio grade pop shield Premium XLR cable Microphone sleeve dust cover...

Page 5: ...and never remove the microphone cable while the power is connected The NT1 A requires P48 volts or P24 volts phantom power If the mixer or preamp does not contain this phantom power requirement then...

Page 6: ...rded Changing the acoustic properties of the space around the microphone is our recommended initial approach for obtaining best sound quality Remember you cannot change a room s acoustic properties wi...

Page 7: ...icrophone and pop shield relative to the vocalist may be varied on several factors including room acoustics the vocal performance and whether the vocalist has a high or deep voice An ideal reference i...

Page 8: ...piano To record a piano using a single microphone you should place the mic approximately 60cm 2 above the centre of the sound board aimed slightly towards the front of the piano To record a piano usi...

Page 9: ...distance and position to finely tune the desired response This will depend on the instrument style of playing and the desired sound An alternative technique is to combine a small capsule microphone li...

Page 10: ...crophone gold dot facing down To record a kit using two overhead microphones they should be placed at a similar height to the single technique and depending on the kit size approximately 1 2m 3 6 apar...

Page 11: ...mply be slipped over while the mic is still in the shock mount Be sure to place the moisture absorbent crystals supplied at the head of the microphone s so as to absorb any moisture present Eventually...

Page 12: ...ctory authorised service return will be organised by that dealer We have an extensive distributor dealer network but if you have difficulty getting the advice or assistance you require do not hesitate...

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