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User’s Guide ADI-2/4 Pro SE - v 1.0
34.3 USB Audio
An ADI-2/4 Pro SE can achieve a performance similar to a PCI or PCI Express based soundcard
when used with an optimal PC. Low CPU load and click-free operation even at 64 samples buffer
size are indeed possible on current computers. However, using older computers a simple stereo
playback will begin to cause a CPU load of more than 30%.
A computer blocked for a short time
– no matter if ASIO or WDM – will lose one or more data
packets. Such problems can only be solved by increasing the buffer size (and with this the la-
tency).
The ADI-2/4 Pro SE features a unique data checking, detecting errors
during transmission via USB and displaying them in the Settings dia-
log. Additionally the ADI-2/4 Pro SE provides a special mechanism to
continue recording and playback in case of drop-outs, and to correct
the sample position in real-time.
Like any audio interface the ADI-2/4 Pro SE should have a data transmission to the computer as
undisturbed as possible. The easiest way to guarantee this is to connect it to its own bus, which
should be no big problem as most USB 2.0 interfaces are a double bus design. A check in the
Device Manager can be done as follows:
Connect the ADI-2/4 Pro SE to a USB port
Start the Device Manager, View set to Devices by Connection
Select ACPI x86-based PC, Microsoft ACPI-Compliant System, expand PCI Bus
This branch normally includes two entries of a
USB2 Enhanced Host Controller
. A USB Root Hub
can be seen, which then connects all USB devices, including the ADI-2/4 Pro SE. By reconnecting
to a different port this view immediately shows at which of the two controllers the ADI-2/4 Pro SE
is connected. With multiple devices it can also be checked if they are connected to the same
controller.
Furthermore this information can be used to operate an external USB drive without disturbing the
ADI-2/4 Pro SE, by simply connecting the drive to the other controller. The information is also
valid for USB 3 ports.
Especially with notebooks it can happen that all internal devices and all the sockets/ports are
connected to the same controller, with the second controller not used at all. In that case all devices
have to use the same bus and interfere with each other.
Experienced RME users remember the above text from the manuals of our other interfaces with
lots of channels. Compared to these the ADI-2/4 Pro SE has two advantages:
It can be switched into Stereo mode, using an isochronous audio stream of only two channels
(pretty ridiculous)
In most of its use cases it is not required to work at lowest latency. Setting the ASIO buffers
to their highest value offers a much less critical and more stable recording and playback ex-
perience.
But even the 6/8 channel Multi-channel mode is, compared to the up to 70/70 channels that RME
supports via USB 2.0, still a minimal load.
One should not underestimate the effect on higher sample rates with PCM and DSD, though.
Those require to transfer data of multiples of the amount typical for a channel at 48 kHz:
Base
48 kHz
96 kHz
192 kHz/DSD64
384 kHz/DSD128 768 kHz/DSD256
Channels
2
4
8
16
32
Summary of Contents for ADI-2 Pro
Page 18: ...18 User s Guide ADI 2 4 Pro SE v 1 0...
Page 51: ...User s Guide ADI 2 4 Pro SE v 1 0 51 User s Guide ADI 2 4 Pro SE Inputs and Outputs...
Page 66: ...66 User s Guide ADI 2 4 Pro SE v 1 0...
Page 69: ...User s Guide ADI 2 4 Pro SE v 1 0 69 User s Guide ADI 2 4 Pro SE Technical Reference...
Page 92: ...92 User s Guide ADI 2 4 Pro SE v 1 0 34 16 Loudness 34 17 Bass Treble...
Page 97: ...User s Guide ADI 2 4 Pro SE v 1 0 97...
Page 110: ...110 User s Guide ADI 2 4 Pro SE v 1 0 34 28 Block Diagram...
Page 111: ...User s Guide ADI 2 4 Pro SE v 1 0 111 User s Guide ADI 2 4 Pro SE Miscellaneous...