• Includes Serato Scratch Live, ASIO and
Core Audio Drivers.
• Independently control Library, Cues,
Loops and Samples on two computers
with more than 40 software controls.
• Each of the two USB ports support 6
stereo record and 4 stereo playback
channels.
• Record channels support:
•
Vinyl control signal for 2 Virtual Decks.
•
Record PGM 1 and PGM 2 post-fader.
•
Record the Main Mix or the Mic.
•
FlexFX USB Insert Send to computer.
• Playback channels support:
•
Playback for 2 Virtual Decks.
•
USB Aux playback for sample player.
•
FlexFX USB Insert Return from
computer.
• 32-bit floating point audio sampled at 48
kHz.
• PGM controls include:
•
Level, 3-band full-cut EQ, L/R Pan.
•
HP/LP Filter with resonance adjust.
•
FlexFX and Headphone Cue assigns.
•
Magnetic faders with contour and
reverse.
• Mic input with FlexFX, tone and On/Over.
• Advanced post-fader FlexFX Loop:
•
Internal Effects engine with:
•
Filter, Flanger, Phaser, Echo, Robot,
Reverb.
•
MIDI Beat-Clock track and generate.
•
BPM effects sync with Scratch Live.
•
TAP time encode and beat multiply.
•
External analog insert for effects.
•
USB Insert for post-fader soft effects.
• USB Aux input for SP-6 sample player.
• Main Mix, Booth and Session In/Out.
• Headphone monitor with split cueing.
Sixty-
Two Mixer
Overview
Power Supply
The Sixty-Two features an internal
universal switching power supply that
operates on any AC mains 100 to 240
VAC, 50 or 60 Hz (most places in the
world). All that is required when traveling
is the appropriate IEC line cord which is
usually readily available. The universal
supply is a major plus for the traveling
DJ.
Leave the power unplugged until
everything else is connected!
Analog Inputs
Four Phono / CD inputs are provided
by RCA jacks. These may be set for PH
or CD using rear panel slide switches.
Analog inputs 1 and 2 are used by
Program 1 (PGM 1). Analog inputs 3
and 4 are used by Program 2 (PGM 2).
Analog Input 1 or 2 may be selected in
Scratch Live software as the Digital Vinyl
Simulation (DVS) signal for the Left Virtual
Deck or for recording on USB stereo pair
5-6. Analog Input 3 or 4 may be selected
in software as the DVS signal for the Right
Virtual Deck or for recording on USB
stereo pair 7-8. Set any unused inputs to
CD. Connect your turntable ground wires
to the ground posts provided on the rear
panel when using PH inputs.
One stereo Session Input is available
on a pair of RCA input jacks. This input
may be used for connecting two mixers
together or as a general purpose auxiliary
input to the mixer.
The Mic Input will accept an XLR
3-pin plug, a balanced ¼˝ TRS (tip-ring-
sleeve) plug or an unbalanced TS (tip-
sleeve) plug. This input may be set for
Connecting
the Mixer
Microphone or Line level using the Mic /
Line switch on the rear panel. Set this to
Line when connecting a wireless receiver.
A stereo FlexFX Loop Return input is on
a pair of unbalanced ¼˝ TS jacks. These
inputs are automatically configured for
mono when only one cable is connected
to the left or right Return input. The
FlexFX Return input is normally used in
conjunction with the FlexFX Send output
to connect an outboard analog effects
processor.
Analog Outputs
There are five stereo analog outputs
available on the mixer: Main Out, Booth
Out, Session Out, FlexFX Send and
Headphone Monitor.
•
Main Out
is on a pair of balanced
XLR jacks with pin 2 “hot” per AES
standards.
•
Booth Out
is on a pair of balanced ¼˝
TRS jacks.
•
Session Out
is available on a pair of
unbalanced RCA jacks.
•
FlexFX Loop Send
output is available
on a pair of unbalanced ¼˝ inch TS
jacks. For a mono FlexFX Send, use the
Left
output. The FlexFX Send output is
normally used in conjunction with the
FlexFX Loop Return
input to connect
outboard effects.
•
Headphones
output is available on both
¼˝ TRS and 3.5 mm jacks.
The Main, Booth and Session outputs
come from the same “Main Mix” signal.
Main, Booth and Session outputs each
have their own Level control. Because all
signals are identical, users may use any
of these outputs as the “Main” output if a
different cable type is required for system
connection.
Rane recommends balanced wiring for
the strongest signal and rejection of hum
and noise. If your cable to the destination
is less than 10 feet (3 meters), you can
often get away with an unbalanced
cable. See the RaneNote “
Sound System
Interconnection
” at rane.com for cable
wiring recommendations.
RANE SIXTY-TWO MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.4.4
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