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Manual-3

REAR PANEL DESCRIPTION

Figure 1. Dual Mono to Stereo TRS Wye Cable.

See 

2

 above.

1

 MASTER INPUTS

 are automatic balanced/unbalanced Inputs, which accept either a ¼" TRS (tip-ring-sleeve) plug for balanced 

operation, or a ¼" TS (tip-sleeve) plug for mono operation. You do nothing different when hooking up balanced or unbalanced 

lines. The HC6S is one smart dude. He 

knows

 what you are doing so you better watch out.

2

 Direct Stereo INs

 allow each stage to be driven separately, from any source. Whenever a plug is inserted into one of these Inputs, 

the MASTER INPUTS are disconnected from that stage (and only that stage). I told you the dude be smart!

These are ¼" TRS (tip-ring-sleeve) Input jacks, each accepting both left and right channels. If you plug a regular TS (tip-sleeve) 

into this jack, you will only connect the left channel.

To feed this input with an unbalanced mono signal, use a TRS plug and wire the tip and ring together.

To build a cable that will combine separate left and right cables into a single ¼" TRS, follow the diagram below, connecting all 

shields. RCA connectors can be substituted for the ¼" connectors.

To use balanced mono sources, set the internal jumpers as shown on page Manual-4.

3

 Stereo Headphone OUTs 

allow any headphone with an impedance from 32 to 600 Ω. Then kick back and enjoy. (Lower and 

higher impedance headphones may be used; they just won’t be very loud.)

4

 Universal Voltage Input:

 via a miniature IEC 60320 C6 appliance inlet. This mates with an IEC 60320 C5 line cord (USA 

domestic). Do 

not

 lift the ground connection! The wide voltage range of this input allows it to be powered almost anywhere in the 

world.

RIGHT

LEFT
RIGHT
SHIELD

T=LEFT
R=RING
S=SHIELD

LEFT

HC6S

RANE CORP.

Balanced

Tip = Positive (+), Ring = Negative (–),

Sleeve = Shield

Unbalanced Line Inputs: Tip = Left, Ring = Right, Sleeve = Ground.

All audio jacks are Class 2 wiring.

RIGHT

LEFT

IN

IN

IN

IN

IN

IN

OUT

OUT

OUT

OUT

OUT

OUT

MASTER

INPUTS

6

5

4

3

2

1

100-240 V

50/60 Hz 12 WATTS

COMMERCIAL AUDIO

EQUIPMENT 24TJ

R

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and 

(2) this device must accept any interference received, including interference that may cause undesired operation. CAN ICES-3 (B)/NMB-3(B)

1

2 3

3

Summary of Contents for HC6S

Page 1: ...stem Interconnection Warranty Declaration of Conformity 22340 MONO 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 PHONES PHONES PHONES PHONES PHONES PHONES...

Page 2: ...he power cord is the AC mains disconnect device and must remain readily operable To completely disconnect this apparatus from the AC mains disconnect the power supply cord plug from the AC receptacle...

Page 3: ...r le courant alternatif AC et doit absolument rester accessible Pour d connecter totalement l appareil du secteur d branchez le c ble d alimentation de la prise secteur 16 Cet appareil doit tre branch...

Page 4: ......

Page 5: ...ther components leave the power off This gives you a chance to make mistakes and correct them without damage 1 With the power switch in the off position plug the power line cord into the rear panel 2...

Page 6: ...using the front and rear panel headphone jacks together this control varies the level of each headphone simultaneously 4 MONO STEREO switch converts the MASTER INPUTS from stereo to mono so that a si...

Page 7: ...ting all shields RCA connectors can be substituted for the connectors To use balanced mono sources set the internal jumpers as shown on page Manual 4 3 Stereo Headphone OUTs allow any headphone with a...

Page 8: ...ath after the MASTER INPUTS and before the individual LEVEL controls This means that adjusting the MASTER LEVEL affects the SIG LEDs while adjusting the individual LEVEL controls does not When using a...

Page 9: ...s from a common mono source Six individual unbalanced stereo Inputs are available to drive any individual amplifier from a separate stereo source These Inputs can be converted to mono balanced Inputs...

Page 10: ...el 20 1 dBu Outputs Type 6 Stereo Amplifiers 6 Outs front 6 Outs rear Connectors TRS Tip Left Ring Right Impedance 0 25 typ Headphone Outputs Overall Gain Range Off to 20 1 dB LED Threshold Signal Pre...

Page 11: ...adphone monitor mixing system You now can give each vocalist more of their voice for increased clarity or add more kick drum to the bassist without giving everyone else a headache or let the producer...

Page 12: ...specifications subject to change without notice 9 2015 Headphone Sensitivity Headphone manufacturers specify a sensitivity rating for their products that is very similar to loudspeaker sensitivity rat...

Page 13: ...onnections Grounding and EMC practices Shields of connectors in audio equipment containing active circuitry Rane s policy is to accommodate rather than dictate However this document contains suggestio...

Page 14: ...connect is not compat ible with unbalanced The small physical nature and short cable runs of completely unbalanced systems home audio also contain these ground loop noise currents However the currents...

Page 15: ...CTICE RECOMMENDED PRACTICE OPTIONAL CASE 1 2 3 3 1 2 CHASSIS GROUND SIGNAL GROUND CHASSIS GROUND CHASSIS GROUND The Next Best Right Way To Do It The quickest quietest and most foolproof method to con...

Page 16: ...ounded and therefore immune to ground loop hums and buzzes Ground lifts are simply another Band Aid to try in case of grounding problems It is true that an entire system of properly grounded equipment...

Page 17: ...guarantee that a hum free intercon nect can be achieved nor is there a definite scheme that will assure noise free operation in all configurations References 1 Neil A Muncy Noise Susceptibility in An...

Page 18: ...20 24 24 19 18 17 B B B B A A A A A A FEMALE BALANCED XLR NOT A TRANSFORMER NOR A CROSS COUPLED OUTPUT STAGE FEMALE BALANCED XLR EITHER A TRANSFORMER OR A CROSS COUPLED OUTPUT STAGE BALANCED TRS NOT A...

Page 19: ...RED SHIELD RED SHIELD SHIELD RED RED BLACK N C N C N C RED BLACK RED SHIELD N C BLACK RED BLACK RED 3 NC 2 RED 1 SHIELD 2 RED 1 SHIELD 3 BLACK 2 RED 1 NC 3 BLACK 2 RED 1 NC 3 BLACK 2 RED 1 SHIELD SHIE...

Page 20: ...3 BLACK 2 RED 1 SHIELD 3 BLACK 2 RED 1 SHIELD SHIELD BLACK SHIELD RED BLACK SHIELD RED BLACK RED SHIELD SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD RED...

Page 21: ...ECTS IN MATERIAL OR WORKMANSHIP THE SPECIFIC PERIOD OF THIS LIMITED WARRANTY SHALL BE THAT WHICH IS DESCRIBED TO THE ORIGINAL RETAIL PURCHASER BY THE AUTHORIZED RANE DEALER OR DISTRIBUTOR AT THE TIME...

Page 22: ...IN THE USA If the product is being sent to Rane for repair please call the factory for a Return Authorization number We recommend advance notice be given to the repair facility to avoid possible need...

Page 23: ...compliance with the LV directive and EMC directive in the event that the equipment is modified without written consent of the manufacturer This declaration of conformity is issued under the sole respo...

Page 24: ...N IN OUT OUT OUT OUT OUT OUT MASTER INPUTS 6 5 4 3 2 1 100 240 V 50 60 Hz 12 WATTS COMMERCIAL AUDIO EQUIPMENT 24TJ R This device complies with Part 15 of the FCC Rules Operation is subject to the foll...

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