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Manual-1

HC6S

HEADPHONE CONSOLE

OPERATORS MANUAL

QUICK START

Okay, you’re in a hurry. Well this section’s just for you. It explains enough of the HC6S’s workings to keep you out of trouble. It al-

lows operation without reading the whole manual. Please read at least this section to ensure reasonable operation of the unit.

The HC6S operates from either a common stereo or mono source, or from individual stereo sources. For a common stereo source, 

plug the left and right input plugs into the respective 

MASTER INPUTS 

jacks. The Inputs accept balanced or unbalanced sources. 

Just plug them in. This source is now routed to each of the six input channels to drive all of the Outputs.

For a single mono source feeding all headphones, connect it to one of the 

MASTER INPUT

 jacks and engage the 

STEREO/

MONO

 switch. Set the overall input level with the 

MASTER LEVEL

, and use the channel

 LEVEL

 controls for individual head-

phones. These Inputs may also be converted to balanced mono inputs by moving internal jumpers. See page Manual-4.

Use the separate stereo 

IN

 jacks when driving a pair of headphones with different program material than what is on the 

MASTER INPUTS

. Connecting a plug into these jacks automatically disconnects that channel from the Master Input program 

material.

HC6S CONNECTION

When first connecting the HC6S to other components, 

leave the 

power off

. This gives you a chance to make mistakes and correct 

them without damage.

1. With the power switch in the 

off

 position, plug the power line 

cord into the rear panel.

2. Plug the outputs from a mono or stereo source into the 

MASTER INPUTS. For unbalanced systems use a standard 

¼" TS cable. For balanced operation, use a stereo ¼" TRS 

connector with pin 2 (+) wired to the Tip; pin 3 (–) wired 

to the Ring; and pin 1 (ground) wired to the Sleeve. Please 

consult the RaneNote, “Sound System Interconnection” 

(enclosed) for additional wiring arrangements.

3. When rack mounting the HC6S, you may wish to permanent-

ly wire the rear headphone Outputs to remote jack locations, 

such as in walls of a studio or other rooms. Use the front panel 

Outputs for local or control room monitoring.

4. You might also consider wiring the six direct stereo INs 

permanently to a patch bay or monitor mixer, but 

only

 if you 

do not plan to use the MASTER INPUTS as well. Whenever 

a plug is inserted into any individual stereo IN, the MASTER 

INPUTS are bypassed for that particular channel. So for 

maximum flexibility, we suggest that only the MASTER 

INPUTs be permanently wired and that the direct stereo INs 

be patched as necessary.

WEAR PARTS:

 This product contains no wear parts.

MONO

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

PHONES

PHONES

PHONES

PHONES

PHONES

PHONES

SIG

1

LEVEL

LEVEL

SIG

2

LEVEL

SIG

3

LEVEL

SIG

5

LEVEL

SIG

6

LEVEL

SIG

4

STEREO

LEVEL

MASTER

HC6S

HEADPHONE

CONSOLE

POWER

Summary of Contents for HC6S

Page 1: ...stem Interconnection Warranty Declaration of Conformity 22340 MONO 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 PHONES PHONES PHONES PHONES PHONES PHONES...

Page 2: ...he power cord is the AC mains disconnect device and must remain readily operable To completely disconnect this apparatus from the AC mains disconnect the power supply cord plug from the AC receptacle...

Page 3: ...r le courant alternatif AC et doit absolument rester accessible Pour d connecter totalement l appareil du secteur d branchez le c ble d alimentation de la prise secteur 16 Cet appareil doit tre branch...

Page 4: ......

Page 5: ...ther components leave the power off This gives you a chance to make mistakes and correct them without damage 1 With the power switch in the off position plug the power line cord into the rear panel 2...

Page 6: ...using the front and rear panel headphone jacks together this control varies the level of each headphone simultaneously 4 MONO STEREO switch converts the MASTER INPUTS from stereo to mono so that a si...

Page 7: ...ting all shields RCA connectors can be substituted for the connectors To use balanced mono sources set the internal jumpers as shown on page Manual 4 3 Stereo Headphone OUTs allow any headphone with a...

Page 8: ...ath after the MASTER INPUTS and before the individual LEVEL controls This means that adjusting the MASTER LEVEL affects the SIG LEDs while adjusting the individual LEVEL controls does not When using a...

Page 9: ...s from a common mono source Six individual unbalanced stereo Inputs are available to drive any individual amplifier from a separate stereo source These Inputs can be converted to mono balanced Inputs...

Page 10: ...el 20 1 dBu Outputs Type 6 Stereo Amplifiers 6 Outs front 6 Outs rear Connectors TRS Tip Left Ring Right Impedance 0 25 typ Headphone Outputs Overall Gain Range Off to 20 1 dB LED Threshold Signal Pre...

Page 11: ...adphone monitor mixing system You now can give each vocalist more of their voice for increased clarity or add more kick drum to the bassist without giving everyone else a headache or let the producer...

Page 12: ...specifications subject to change without notice 9 2015 Headphone Sensitivity Headphone manufacturers specify a sensitivity rating for their products that is very similar to loudspeaker sensitivity rat...

Page 13: ...onnections Grounding and EMC practices Shields of connectors in audio equipment containing active circuitry Rane s policy is to accommodate rather than dictate However this document contains suggestio...

Page 14: ...connect is not compat ible with unbalanced The small physical nature and short cable runs of completely unbalanced systems home audio also contain these ground loop noise currents However the currents...

Page 15: ...CTICE RECOMMENDED PRACTICE OPTIONAL CASE 1 2 3 3 1 2 CHASSIS GROUND SIGNAL GROUND CHASSIS GROUND CHASSIS GROUND The Next Best Right Way To Do It The quickest quietest and most foolproof method to con...

Page 16: ...ounded and therefore immune to ground loop hums and buzzes Ground lifts are simply another Band Aid to try in case of grounding problems It is true that an entire system of properly grounded equipment...

Page 17: ...guarantee that a hum free intercon nect can be achieved nor is there a definite scheme that will assure noise free operation in all configurations References 1 Neil A Muncy Noise Susceptibility in An...

Page 18: ...20 24 24 19 18 17 B B B B A A A A A A FEMALE BALANCED XLR NOT A TRANSFORMER NOR A CROSS COUPLED OUTPUT STAGE FEMALE BALANCED XLR EITHER A TRANSFORMER OR A CROSS COUPLED OUTPUT STAGE BALANCED TRS NOT A...

Page 19: ...RED SHIELD RED SHIELD SHIELD RED RED BLACK N C N C N C RED BLACK RED SHIELD N C BLACK RED BLACK RED 3 NC 2 RED 1 SHIELD 2 RED 1 SHIELD 3 BLACK 2 RED 1 NC 3 BLACK 2 RED 1 NC 3 BLACK 2 RED 1 SHIELD SHIE...

Page 20: ...3 BLACK 2 RED 1 SHIELD 3 BLACK 2 RED 1 SHIELD SHIELD BLACK SHIELD RED BLACK SHIELD RED BLACK RED SHIELD SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD BLACK RED SHIELD RED...

Page 21: ...ECTS IN MATERIAL OR WORKMANSHIP THE SPECIFIC PERIOD OF THIS LIMITED WARRANTY SHALL BE THAT WHICH IS DESCRIBED TO THE ORIGINAL RETAIL PURCHASER BY THE AUTHORIZED RANE DEALER OR DISTRIBUTOR AT THE TIME...

Page 22: ...IN THE USA If the product is being sent to Rane for repair please call the factory for a Return Authorization number We recommend advance notice be given to the repair facility to avoid possible need...

Page 23: ...compliance with the LV directive and EMC directive in the event that the equipment is modified without written consent of the manufacturer This declaration of conformity is issued under the sole respo...

Page 24: ...N IN OUT OUT OUT OUT OUT OUT MASTER INPUTS 6 5 4 3 2 1 100 240 V 50 60 Hz 12 WATTS COMMERCIAL AUDIO EQUIPMENT 24TJ R This device complies with Part 15 of the FCC Rules Operation is subject to the foll...

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