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Congratulations on purchasing your new PSB Synchrony loudspeaker.  
We hope that you enjoy our product for many years to come.  This 
owner's manual will give you many useful tips about connecting, placing 
and using your loudspeaker.  We recommend you read it thoroughly and 
it should answer all of your product related questions.  If not, feel free to 
contact us through our website: www.psbspeakers.com

Synchrony design background

A little technical background might give you an appreciation of the 
technology that went into the design of your Synchrony product.

Our intention in designing the PSB Synchrony range of products was to 
bring to bear all that we have learned in 35 years of crafting fine 
loudspeakers to create a line of high performance systems of truly 
elegant design. 

The Synchrony models use advances in three core technologies, the 
cabinet, the drivers, and crossover design.

THE CABINET

Cabinets for a high performance loudspeaker must be heavy, rigid and 
vibration free.  Sound must come from the drivers only, never from the 
cabinet itself.  

Cabinets for Synchrony models are unlike any other.  They are a blend of 
two very different materials: aluminum and wood.  Front and back 
surfaces are from very solid double wall aluminum extrusions.  The 
strength and stiffness of aluminum allows a very rigid structure that can 
be precisely machined to accept drivers and other components.  Special 
contours can be achieved in aluminum that preserve the sonic 
characteristics of the drivers. 

The curved side panels are made from multiple layers of wood.  Wood is 
stiff relative to its weight and has inherently high damping properties to 
absorb sonic energy that might otherwise color the sound.  The sides of 
the Synchrony models are made from seven layers of 3mm MDF 
individually laminated/formed onto a curved surface which improves the 
panel's stiffness.  Additionally, the sides are clad in finely finished 
veneers to enhance the beauty of the systems.

DRIVERS

Drivers (woofers and tweeters) are a key component to the performance 
of the new Synchrony models.  A number of enhancements elevate them 
over previous components.

Distortion Reduced Motor

The field generated by a signal driving the voice coil reacts with the field 
in the magnetic structure's air gap.  A long four layer voice coil normally 
results in high self induction and impedance that varies with excursion. 

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Summary of Contents for 6919217

Page 1: ...Owner s Manual Synchrony Series Guide d utilisation Manual de Propietario...

Page 2: ......

Page 3: ...any other They are a blend of two very different materials aluminum and wood Front and back surfaces are from very solid double wall aluminum extrusions The strength and stiffness of aluminum allows a...

Page 4: ...of each driver and determines how seamlessly the units transition from one range to the next It sets the octave to octave balance that defines the personality of the system At PSB years of design expe...

Page 5: ...eliability Woofer magnets are 20mm thick 5mm higher than the normal 15mm magnets This prevents bottoming of the coil to the pole piece for widest dynamic range Warranty Registration We recommend you t...

Page 6: ...e may be attached to the system depending on the angle of tilt required An adhesive strip is provided to permanently attach the foot to the cabinet When placed below your viewing screen you can tilt t...

Page 7: ...These are intended for use in masonry only If a fastener does not tighten securely install another larger fastener 3 One of the brackets has already been installed on the cabinet Install the other ma...

Page 8: ...n most cases you ll need to adapt your speaker placement to a given room that s less than ideal Here are a few speaker placement basics to keep in mind as you get started A You will generally get the...

Page 9: ...onger wavelength lower frequencies Positioning the speakers near the intersection of two surfaces wall and wall wall and floor or wall and ceiling will produce more apparent bass than placement near a...

Page 10: ...speakers all tend to work together to deliver the best high frequency definition and imaging 3 You in Relation to Room Boundaries Changing your own position with respect to a room s boundaries may als...

Page 11: ...one of sound in the area along the 90 degree axis of the speaker DIPOLE SURROUNDS MUST BE PLACED ON THE SIDE WALLS DIRECTLY BESIDE THE LISTENING POSITION The effect is lost as soon as you move outside...

Page 12: ...chrony S offers several rear center surround solutions The Synchrony S Surround with both dual crossovers and speaker inputs provides exceptional wiring and placement possibilities for achieving a dif...

Page 13: ...inal to Red speaker terminal Black to Black This will ensure that the diaphragms of the speakers on both channels move forward and backward together in phase rather than in opposition out of phase In...

Page 14: ...t both ends of your connection Assure all wiring terminals are tightened firmly but be careful not to over tighten and damage the connectors Bi Wiring or Bi Amping Options PSB Synchrony speakers can b...

Page 15: ...ns Speaker Connection Options For Synchrony S Surrounds The captioned illustrations below show the following multi channeled configurations 1 Bipole or direct radiating surround mode 2 Dipole surround...

Page 16: ...nt Dipole surround mode Null Zone Replace gold plated jumpers with supplied wire jumpers and connect crisscrossed as shown Red From amp left SURROUND channel Black From amp left SURROUND channel First...

Page 17: ...annel First remove jumpers First remove jumpers Black From amp right REAR channel First remove jumpers Front Red From amp left SURROUND channel Black From amp left SURROUND channel Black From amp righ...

Page 18: ...Synchrony Surround Rear Front Red From amp left SURROUND channel Black From amp left SURROUND channel Black From amp right SURROUND channel Red From amp right SURROUND channel First remove jumpers Bl...

Page 19: ...t SURROUND channel Black From amp left SURROUND channel Red From amp right SURROUND channel Black From amp right SURROUND channel Front Red From amp right REAR channel Black From amp right REAR channe...

Page 20: ...hrony One and Two We invite the listener to try plugging any one or multiple ports to better integrate the system in their room because any adjustment of the bass balance could be a welcome improvemen...

Page 21: ...into clipping and can do severe damage especially to tweeters Often the damage is done by underpowered amplifiers which may reach their limits very soon When such units begin to clip the audio wavefo...

Page 22: ...but in the electronics C Another component or very often a cable or connection problem between components may be at fault If the problem stays in the same speaker irrespective of the channel to which...

Page 23: ...Owner s Manual 23...

Page 24: ...aker 88dB 90dB 20 300 Watts 300 Watts 1 25mm Titanium Dome with Ferrofuild 3 x 6 1 2 165mm Fine Weave Fibreglass Natural Fiber Cone Rubber Surround 2 200HZ LR4 500Hz 2 4 cu ft 67 liter Bass Reflex 8 3...

Page 25: ...3 4 614mm x 221mm x 325mm 37 lb 17 kg each 42 lb 19 kg each Black Ash or Dark Cherry 55 23 000Hz 55 20 000Hz 55 10 000Hz 49Hz 87dB 89dB 15 200 Watts 200 Watts 1 25mm Titanium Dome with Ferrofuild 2 x...

Page 26: ...26...

Page 27: ...PSB Speakers 633 Granite Court Pickering Ontario L1W 3K1 CANADA www psbspeakers com 888 772 0000 North America 905 831 6555 International Fax 905 837 6357 OM S Rev F 0108...

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