background image

 Surround  

 Rear

— Surround  

 Rear

— Surround  

 Rear

Figure 1  
6.1/7.1 System using
two Synchrony S Surrounds 

Figure 2
6.1/7.1 System using
three Synchrony S Surrounds 

Figure 3
6.1/7.1 System using
four Synchrony S Surrounds 

positioning relation to the listener to obtain the level of direct versus 
diffuse sound that you prefer.

Most people find it best to mount 
dedicated surround speakers like our 
Synchrony S Surrounds on the side 
walls slightly behind the prime 
listening position and two feet above 
ear height when seated (this typically 
places the bottom of the speaker 
about 5 feet (1.5 m) above the floor.) 
The surround speakers can also be 
mounted at ceiling level or on floor 
stands if this is preferred but 
remember to follow the wiring 
requirements outlined in Surround Speaker Connections below. Also, 
for those adding a rear center channel for 6.1 and 7.1 systems, the 
Synchrony S offers several rear center surround solutions. The 
Synchrony S Surround with both dual crossovers and speaker inputs, 
provides exceptional wiring and placement possibilities for achieving 
a diffuse soundstage. For example, the Synchrony S’s Tri-mode 
Surround Speaker Placement™  (TSSP) design allows for easy 
bipole or dipole wiring. In addition, it offers the possibility of using one 
pair of Synchrony S for 6.1/7.1 systems by wiring the forward firing 
baffles for the side surround channels and the rear firing baffles for 
the rear center surrounds. The illustrations below show several 
6.1/7.1 speaker placement options utilizing two, three or four 
Synchrony S surrounds. Your PSB audio/video specialist will be able 
to recommend the best placement options for your particular needs 
and budget.

Note that when you move from Figure 1 through to Figure 3 power 
handling improves, therefore the ability to produce wider dynamic 
range increases. Also positioning additional Synchrony S Surrounds 
allows for a more convincing, enveloping surround soundfield.

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Summary of Contents for 6919217

Page 1: ...Owner s Manual Synchrony Series Guide d utilisation Manual de Propietario...

Page 2: ......

Page 3: ...any other They are a blend of two very different materials aluminum and wood Front and back surfaces are from very solid double wall aluminum extrusions The strength and stiffness of aluminum allows a...

Page 4: ...of each driver and determines how seamlessly the units transition from one range to the next It sets the octave to octave balance that defines the personality of the system At PSB years of design expe...

Page 5: ...eliability Woofer magnets are 20mm thick 5mm higher than the normal 15mm magnets This prevents bottoming of the coil to the pole piece for widest dynamic range Warranty Registration We recommend you t...

Page 6: ...e may be attached to the system depending on the angle of tilt required An adhesive strip is provided to permanently attach the foot to the cabinet When placed below your viewing screen you can tilt t...

Page 7: ...These are intended for use in masonry only If a fastener does not tighten securely install another larger fastener 3 One of the brackets has already been installed on the cabinet Install the other ma...

Page 8: ...n most cases you ll need to adapt your speaker placement to a given room that s less than ideal Here are a few speaker placement basics to keep in mind as you get started A You will generally get the...

Page 9: ...onger wavelength lower frequencies Positioning the speakers near the intersection of two surfaces wall and wall wall and floor or wall and ceiling will produce more apparent bass than placement near a...

Page 10: ...speakers all tend to work together to deliver the best high frequency definition and imaging 3 You in Relation to Room Boundaries Changing your own position with respect to a room s boundaries may als...

Page 11: ...one of sound in the area along the 90 degree axis of the speaker DIPOLE SURROUNDS MUST BE PLACED ON THE SIDE WALLS DIRECTLY BESIDE THE LISTENING POSITION The effect is lost as soon as you move outside...

Page 12: ...chrony S offers several rear center surround solutions The Synchrony S Surround with both dual crossovers and speaker inputs provides exceptional wiring and placement possibilities for achieving a dif...

Page 13: ...inal to Red speaker terminal Black to Black This will ensure that the diaphragms of the speakers on both channels move forward and backward together in phase rather than in opposition out of phase In...

Page 14: ...t both ends of your connection Assure all wiring terminals are tightened firmly but be careful not to over tighten and damage the connectors Bi Wiring or Bi Amping Options PSB Synchrony speakers can b...

Page 15: ...ns Speaker Connection Options For Synchrony S Surrounds The captioned illustrations below show the following multi channeled configurations 1 Bipole or direct radiating surround mode 2 Dipole surround...

Page 16: ...nt Dipole surround mode Null Zone Replace gold plated jumpers with supplied wire jumpers and connect crisscrossed as shown Red From amp left SURROUND channel Black From amp left SURROUND channel First...

Page 17: ...annel First remove jumpers First remove jumpers Black From amp right REAR channel First remove jumpers Front Red From amp left SURROUND channel Black From amp left SURROUND channel Black From amp righ...

Page 18: ...Synchrony Surround Rear Front Red From amp left SURROUND channel Black From amp left SURROUND channel Black From amp right SURROUND channel Red From amp right SURROUND channel First remove jumpers Bl...

Page 19: ...t SURROUND channel Black From amp left SURROUND channel Red From amp right SURROUND channel Black From amp right SURROUND channel Front Red From amp right REAR channel Black From amp right REAR channe...

Page 20: ...hrony One and Two We invite the listener to try plugging any one or multiple ports to better integrate the system in their room because any adjustment of the bass balance could be a welcome improvemen...

Page 21: ...into clipping and can do severe damage especially to tweeters Often the damage is done by underpowered amplifiers which may reach their limits very soon When such units begin to clip the audio wavefo...

Page 22: ...but in the electronics C Another component or very often a cable or connection problem between components may be at fault If the problem stays in the same speaker irrespective of the channel to which...

Page 23: ...Owner s Manual 23...

Page 24: ...aker 88dB 90dB 20 300 Watts 300 Watts 1 25mm Titanium Dome with Ferrofuild 3 x 6 1 2 165mm Fine Weave Fibreglass Natural Fiber Cone Rubber Surround 2 200HZ LR4 500Hz 2 4 cu ft 67 liter Bass Reflex 8 3...

Page 25: ...3 4 614mm x 221mm x 325mm 37 lb 17 kg each 42 lb 19 kg each Black Ash or Dark Cherry 55 23 000Hz 55 20 000Hz 55 10 000Hz 49Hz 87dB 89dB 15 200 Watts 200 Watts 1 25mm Titanium Dome with Ferrofuild 2 x...

Page 26: ...26...

Page 27: ...PSB Speakers 633 Granite Court Pickering Ontario L1W 3K1 CANADA www psbspeakers com 888 772 0000 North America 905 831 6555 International Fax 905 837 6357 OM S Rev F 0108...

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