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HOW TO USE THE PROFEX EFFECT:
- rotate the SELECTOR knob to choose the type of effect (preset) you want to use;
- to select a variation of the preset, press and hold the knob until the display flashes;
- rotate the knob and choose one of the 16 variations available;
- press and hold again the knob until the display stops flashing to confirm the selection and to return back to the
preset selection;
- set the FX1/2 SEND level at half position, this is the level of whole channels send to the internal effect,
- send the signal to the effect with the FX1/2 (AUX5/6) control of the channel you want to add the effect to;
- raise up the FX1/2 LEVEL fader until you hear the effect added to the original signal;
- adjust, if necessary, the whole FX1/2 SEND or FX1/2 (AUX5/6) controls just before the signal input clipping indicated
by the FX PEAK LED;
- re-adjust the FX1/2 LEVEL fader to combine the wet effected signal with the natural dry signal.
NOTE:
the preset and the variation selected in the PROFEX effect are kept in the memory even if you turn off the
mixer.
PRESET DESCRIPTIONS:
p 1. BRIGHT HALL
- This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with
long pre delay and a lot of high frequency reflections. Works well with vocals, electric and acoustic guitars, strings.
The VARIATIONS vary the decay time and the hall size from bigger [1] to smallest [16].
p 2. DARK HALL
- This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with long
pre delay and a few of high frequency reflections. Works well with vocals, guitars, woodwinds.
The VARIATIONS vary the decay time and the hall size from bigger [1] to smallest [16].
p 3. BRIGHT ROOM
- This type of reverb reproduces the more intimate ambience of natural room acoustics. Feature
a lot of early reflections with a lot of high frequency. Works well with vocals, woodwinds, strings, drums.
The VARIATIONS vary the decay time and the room size from bigger [1] to smallest [16].
p 4. DARK ROOM
- This type of reverb reproduces the more intimate ambience of natural room acoustics. Feature a
lot lot of early reflections with a few of high frequency. Works well with vocals, fingered guitars, drums.
The VARIATIONS vary the decay time and the room size from bigger [1] to smallest [16].
p 5. VOCAL 1 (STAGE REVERB)
- Amazing reverb designed for vocals with a long tail.
The VARIATIONS vary the decay time from long tail [1] to short tail [16], alternating plate, spring or hall types of
reverb.
p 6. VOCAL 2 (CLUB REVERB)
- Amazing reverb designed for vocals with a dense tail.
The VARIATIONS vary the decay time from long tail [1] to short tail [16], alternating tape, hall or spring types of
reverb.
p 7. PLATE
- This is a simulation of metal plate reverb, as used on classic recordings from the ‘70s and ‘80s.
The VARIATIONS vary the decay time from long tail [1] to short tail [16].
p 8. STEREO DELAY
- Echo effect with ping-pong of left and right channels.
The VARIATIONS vary from long delay times [1] to short delay times [16].
p 9. STEREO TAP DELAY
- Like STEREO DELAY above with time set by the user TAP button (22) just below.
The VARIATIONS vary from 5% [1] to 90% [16] of feedback quantity.
p 10. MONO TAP DELAY
- Typical mono delay with time set by the user TAP button (22) just below.
The VARIATIONS vary from 0% [1] to 75% [16] of feedback quantity.
p 11. CHORUS
- Typical modulation effect, provides a soft, ethereal sweeping effect. Perfect for enhancement of
electric and acoustic guitar and bass. Also adds a dramatic effect to vocals, particularly group harmonies and choirs.
The VARIATIONS increase the modulation frequency from 0.5Hz [1] to 5Hz [16].
p 12. FLANGER
- Typical modulation effect, creates a strong sweeping effect, particularly effective on rock electric
guitar, lead and rhythm.
The VARIATIONS increases the modulation frequency from 0.2Hz [1] to 3Hz [16].
p 13. DELAY 1
- Typical vocal hall reverb and stereo delay combined together.
The VARIATIONS vary from long tail [1] to short tail [16].
p 14. DELAY 2
- Typical vocal hall reverb and mono delay combined together.
The VARIATIONS vary from long tail [1] to short tail [16].
p 15. TAP DELAY
- Typical vocal hall reverb and mono TAP delay combined together.
The mono delay time is set by the user TAP button (22) just below.
The VARIATIONS vary from long tail [1] to short tail [16] and from 0% to 75% of feedback quantity [1-16].
p 16. REV+CHORUS -
Typical vocal reverb and chorus effect combined together.
The VARIATIONS vary from long tail [1] to short tail [16] and increases the modulation frequency from 0.5Hz to 5Hz
[1-16].
