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MONITOR outputs acting on the SOLO button in PFL mode only (see SOLO MODE).
59. 1-2 switch
Engaging this switch you assign the channel signal to the GROUPS 1-2 bus regulated by the GROUPS 1-2 faders. You can
use the GROUPS 1-2 as separate outputs or, engaging the correspondent MAIN MIX switch, to create a submix for a set
of channels (all the drums channels, for instance): in this case you can control the assigned GROUPS 1-2 signals together
and independently from the rest of the mix.
60. 3-4 switch
Engaging this switch you assign the channel signal to the GROUPS 3-4 bus regulated by the GROUPS 3-4 faders. You can
use the GROUPS 3-4 as separate outputs or, engaging the correspondent MAIN MIX switch, to create a submix for a set
of channels (all the voices channels, for instance): in this case you can control the assigned GROUPS 3-4 signals together
and independently from the rest of the mix.
61. MAIN switch
Engaging this switch you assign the channel signal to the MAIN MIX bus regulated by the MAIN MIX fader. Typically, the
MAIN switch will be engaged on all channels except those assigned separately to the GROUPS.
62. SOLO indicator
If the SOLO LED lights this means that you have activated the SOLO switch of this channel.
63. SOLO switch
This switch allows you to hear signals through your headphones or MONITOR outputs and to display the level on LED
meters. Use the SOLO in live sets to pre-listen channels before they are fed into the mix or just to check out a particular
channel anytime during a session. You can solo as many channels at a time as you like.
IMPORTANT:
The solo signal is pre-fader if SOLO MODE is in PFL position, so what you check is the signal entering the
channel. The solo signal is post-fader if SOLO MODE is in AFL position, so what you check is the signal sent from the
channel fader to the MAIN MIX or GROUPS.
64. FADER LEVEL control
It adjusts the level of the channel signal and sends it to the MAIN MIX and/or to the GROUPS buses.
65. AUX RETURN jack input
Unbalanced jack connectors of the auxiliary stereo input (note: the L input can be used as MONO if R input is left
unconnected). This input can be used for the return signal from outboard effects or for connecting any instrument or
equipment with a line output.
66. AUX RETURN LEVEL control
It adjusts the level of the AUX RETURN inputs and send it to the MAIN MIX and/or GROUPS.
67. MUTE indicator
When the MUTE switch is engaged this LED lights.
68. MUTE switch
When you engage a return channel’s mute switch, its signal disappears from these outputs: MAIN MIX, GROUP, AUX.
NOTE:
the input channel signal is not completely muted by this switch, so you can listen to it thru headphones and
MONITOR outputs acting on the SOLO button in PFL mode only (see SOLO MODE).
69. SOLO indicator
If the SOLO LED lights this means that you have activated the SOLO switch of this channel.
70. SOLO switch
This switch allows you to hear signals through your headphones or MONITOR outputs and to display the level on LED
meters. Use the SOLO in live sets to pre-listen channels before they are fed into the mix or just to check out a particular
channel anytime during a session. You can solo as many channels at a time as you like.
IMPORTANT:
The solo signal is pre-fader if SOLO MODE is in PFL position, so what you check is the signal entering the
channel. The solo signal is post-fader if SOLO MODE is in AFL position, so what you check is the signal sent from the
channel fader to the MAIN MIX or GROUPS.
71. AUX RETURN TO AUX 1 level control
It adjusts the level of the AUX RETURN inputs and send it to the AUX 1 output (pre).
72. AUX RETURN TO AUX 2 level control
It adjusts the level of the AUX RETURN inputs and send it to the AUX 2 output (pre).
73. AUX RETURN TO AUX 3 level control
It adjusts the level of the AUX RETURN inputs and send it to the AUX 3 output (pre).
74. AUX RETURN TO AUX 4 level control
It adjusts the level of the AUX RETURN inputs and send it to the AUX 4 output (pre).
