9
11.
FADER LEVEL control (ch. 1 / 2 / 3-4 / 5-6 / 7-8 / 9-10)
It adjusts the level of the channel signal and send it to the MAIN MIX outputs.
12.
PEAK detector (ch. 1 / 2 / 3-4 / 5-6)
The PEAK LED indicates that the input signal is near to the CLIPPING point.
IMPORTANT: if the LED PEAK flashes reduce the level of the input signal using the GAIN control.
13.
MIC-XLR / LINE-JACK L MONO combo input (ch. 3-4 / 5-6)
This is a female JACK/XLR combo connector that accepts a balanced microphone XLR input from almost any
type of microphone or a balanced or unbalanced line level JACK input signal from almost any line source. If
the LINE R jack is not inserted, this channel operates like a MONO channel with this input as a single signal
source. Wiring is the same of previous paragraphs.
14.
LINE-JACK R Input (ch. 3-4 / 5-6)
This is a JACK connector that accepts a balanced or unbalanced line level input signal from almost any line
source. This is used only in presence of LINE L jack input to use the channel as STEREO.
15.
BAL control (ch. 3-4 / 5-6 / 7-8 / 9-10)
It adjusts the amount of channel signal sent to the left versus the right outputs if the channel is used as
MONO, or it fades the LEFT or RIGHT signal amount if the channel is used as STEREO.
16.
LINE LEFT/MONO jack input (ch. 7-8 / 9-10)
This is a female JACK connector that accepts a balanced or unbalanced line level input signal from almost any
line source. If the RIGHT jack is not inserted, this channel operates as a MONO channel with this input as a
single signal source. Wiring is the same of previous paragraphs.
17.
LINE RIGHT jack input (ch. 7-8 / 9-10)
This is a JACK connector that accepts a balanced or unbalanced line level input signal from almost any line
source. This is used only in presence of LEFT jack input to use the channel as STEREO.
18.
LINE RCA L & R inputs (ch. 7-8 / 9-10)
These RCA inputs can be used instead of the jack inputs: they accept an unbalanced line level input signal
from almost any line source.
19.
FX MUTE pedal jack input
You can connect a footswitch (normally open) to MUTE the internal effect (suggested footswitch is PROEL
model GF29).
20.
FX SEND jack output
This jack connector sends out unbalanced line-level signals made of the sum of the input channel’s FX sends,
usually for connecting to an external effect devices or a stage monitor. This signal is post-fader or, in other
words, it depends on the position of the channel’s FADER.
21.
FX PRESETS selector
The internal Digital Effect Processor is built around a powerful 24bit DSP. It includes 100 different presets of
studio-grade effect algorithm.
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