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POWERPOD 1460
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17. Mains Power Inlet
This port is used to plug the socket end of the included
AC cable. The other end should be connected to an
appropriate power source.
18. Speaker Outputs
These jacks are used to connect to speakers, fed from the
internal power amp. The total loading for speakers should
be no more than 4 ohms per channel, or 8 ohms for a
bridge mono connection.
Stereo Connection:
When connecting a single speaker
to each channel’s output, speakers with impedances
between 4 and 8 ohms should be used.
Bridge Mono:
When using bridge mono mode, the
“bridge” output connector should be used only. The total
loading should be no less than 8 ohms. When using bridge
mode, do not connect anything to the A and B speaker
outputs.
NB. Only use passive speakers in conjunction with the Speaker
outputs, as to avoid damaging any equipment.
CONTROLS AND SETTINGS
Channel Controls
19. Gain Control
This controls the sensitivity of the input signal, which is
sent to the corresponding input channel. The gain should
be adjusted to a level that allows the maximum use of the
audio, while still maintaining the quality of the feed. This
can be accomplished by adjusting it to a level that will
allow the peak indicator occasionally illuminate.
20. High-Pass Filter (75 Hz)
This button will activate a high-pass filter that reduces all
frequencies below 75 Hz at 18 dB per Octave, helping to
remove any unwanted ground noise or stage rumble.
21. HF (High Frequency) Control
This control is used to give a shelving boost or cut of 15
dB to high frequency (12 kHz) sounds. This will adjust
the amount of treble included in the audio of the channel,
adding strength and crispness to sounds such as guitars,
cymbals, synthesizers and Michael Jackson.
22. MF (Middle Frequency) Control
This control is used to provide a peaking style of boost
and cut to the level of middle frequency sounds at a range
of 15 dB. The center frequency of this EQknob is set at
2.5 kHz.
23. LF (Low Frequency) Control
This control is used to give a shelving boost or cut of 15
dB to low frequency (80 Hz) sounds. This will adjust the
amount of bass included in the audio of the channel, and
bring more warmth and punch to drums, bass guitars and
other low-frequency sounds.
24. Auxiliary Controls 1 and 2
These controls alter the signal level that is being sent to
the auxiliary 1 and 2 mixing buses, the signal of which is
suitable for connecting stage monitors, allowing artists to
listen to the music that is being playing.
25. Effect (EFX) Control
This control adjusts the level of audio that is sent to the
built-in digital effect panel.
