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MU1202 / MU1202X
CONTROLS AND SETTINGS
Channel Controls
12. Line/Mic Gain Control
This controls the sensitivity of the input signal of the Line/Micro-
phone input. The gain should be adjusted to a level that allows
the maximum use of the audio, while still maintaining the quality
of the feed. This can be accomplished by adjusting it to a level
that will allow the peak indicator occasionally illuminate. All 4
mono channels feature this control.
13. High Frequency Control
This control is used to give a shelving boost or cut of ±15 dB to
high frequency (12 kHz) sounds. This will adjust the amount of
treble included in the audio of the channel, adding strength and
crispness to sounds such as guitars, cymbals, and synthesizers.
14. Middle Frequency Control
This control is used to provide a peaking style of boost and cut to
the level of middle frequency (2.5 kHz) sounds at a range of ±15
dB. Changing middle frequencies of an audio feed can be rather
difficult when used in a professional audio mix, as it is usually
more desirable to cut middle frequency sounds rather than boost
them, thereby soothing overly harsh vocal and instrument sounds
in the audio.
15. Low Frequency Control
This control is used to give a shelving boost or cut of ±15 dB to
low frequency (80 Hz) sounds. This will adjust the amount of bass
included in the audio of the channel, and bring more warmth and
punch to drums and bass guitars.
16. Low Cut Filter (75 Hz)
This button, located on channels 1 through to 4, will activate a
low-cut / high-pass filter that reduces all frequencies below 75
Hz at 18 dB per Octave, helping to remove any unwanted ground
noise or stage rumble.
17. AUX / EFX Control
The AUX control on the MU1202 allows the user to send the
corresponding signal to the AUX mixing bus, the final level of
which is controlled by the AUX Send control on the main mixing
panel. This signal is then sent to the AUX Send output, which
can be used in conjunction with an amplifier and studio or stage
monitors, or simply as an auxiliary output for any means re-
quired. The EFX control on the MU1202X alters the signal level
that is sent to the EFX mixing bus, which makes its way to the
built-in Digital Effects Processor and is in-turn sent through the
EFX send output. These controls are pre-fader, therefore any
changes made to the corresponding channel level control are
not applied to the AUX or EFX signals.
18. Pan / Balance Controls
This alternates the degree or level of audio that the left and right
side of the main mix should receive. On mono channels, this
control will adjust the level that the left and right should receive
(pan), where as on a stereo channel, adjusting the BAL con-
trol will increase the left or right audio signals accordingly (bal-
ance).
19. Peak Indicator
This LED indicator will illuminate when the device hits high
peaks, 6 dB before overload occurs. It is best to adjust the gain
of the channel so that the PEAK indicator lights up on intervals
only, if at all. This will ensure a greater dynamic range of audio.
20. Level Control
This rotary control will alter the signal level that is sent from the
corresponding channel to the main mixing bus.
21. +4 / -10 Switch
This button, located on all stereo channels, is used adjust the
input sensitivity of the corresponding channels, which will adapt
the MU1202 or MU1202X to external devices which may use dif-
ferent operating levels. If the input source is -10 dBV (consumer
audio level), it is best to engage the switch, allowing the signal
to be heard. The +4 dBu level is suitable for Professional Audio
signals, which are considerably higher than the consumer level.
However, if you are unsure of the source’s operating level, we
suggest leaving the switch disengaged until you test the source’s
signal. You can then engage if necessary (if the level of the input
signal is obviously too low).
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