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MU1002X
These ports are for the inclusion of a momentary foot
switch, used to remotely adjust properties of the built-
in Digital Effect processor, to the mixer. The left jack is
used to adjust the tap delay properties, where the right
jack is used for turning the effects on and off.
11. Power Connector
This port is for the addition of the external power supply,
allowing power to be supplied to the mixer. Please use
the power supply that is included with the mixer only.
CONTROLS AND SETTINGS
Rear Panel
12. Power Switch
This switch is used to turn the mixer on and off. Ensure
all volume controls are down to a minimum before turning
the MU1002X on.
13. Phantom Power Switch
When this switch is in the on position
it act48V of phantom power
for both microphone inputs of the
MU1002X, allowing condenser
microphones to be used on these
channels.
NB. Phantom Power should be used in
conjunction with condenser microphones
only. Do not engage Phantom Power if a condenser microphone is
not being used, to avoid causing damage to the mixer’s circuitry.
14. Line/Mic Gain Control
This controls the input sensitivity of the Line/Microphone
inputs on channels 1 and 2. The gain should be adjusted
to a level that allows the maximum use of the audio,
while still maintaining the quality of the feed. This can be
accomplished by adjusting it to a level that is just below
the point that will cause the peak indicator to illuminate.
15. High Frequency Control
This control is used to give a shelving boost or cut of ±15
dB to high frequency (12 kHz) sounds. This will adjust
the amount of treble included in the audio of the channel,
adding strength and crispness to sounds such as guitars,
cymbals, and synthesizers. This control is featured on
channels 1 and 2 only.
16. Middle Frequency Control
This control is used to provide
a peaking style of boost and cut
to the level of middle frequency
audio at a range of ±15 dB.
Changing middle frequencies
of an audio feed can be
rather difficult when used in a
professional audio mix, as it is
usually more desirable to cut
middle frequency sounds rather
than boost them – soothing
overly harsh vocal or instrument
sounds in the audio. This control
is featured on channels 1 and 2
only.
17. Low Frequency Control
This control is used to give a
shelving boost or cut of ±15 dB
to low frequency (80 Hz) sounds.
This will adjust the amount of
bass included in the audio of the channel, and bring
more warmth and punch to drums and bass guitars. This
control is featured on channels 1 and 2 only.
18. High-Pass Filter (75 Hz)
This button will activate a high-pass filter that reduces
all frequencies below 75 Hz at 18 dB per octave, helping
to remove any unwanted ground noise or stage rumble.
This button is featured on channels 1 and 2 only.
19. EFX Control
This control can be found on all channel strips, and is
used to alter the signal level that is sent to the effect
mixing bus, which allows users to apply one of the 16
built-in digital effects to it. The signal from each channel
(adjusted by this control) can also be sent dry through
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