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Manual-1

MLM 82

MIC/LINE MIXER

OPERATORS MANUAL

MLM 82 CONNECTION

When connecting the MLM 82 to other components in

your system for the first time, leave the power supply for last.
This gives you a chance to make mistakes and correct them
without damage to your fragile speakers, ears and nerves.

INPUTS

The sixteen jacks at the Inputs of the MLM 82 are

balanced. They will also accept unbalanced connectors. Use
only shielded cable for Inputs. For best noise rejection use
two-conductor-plus-shielded wire, even for unbalanced
operation. Connect the shield at both ends to help insure
proper grounding. See the Sound System Interconnection
RaneNote included with this manual for all cable adaptations.

MONO INPUTS 1-4. 

Connect up to 4 sources to these

XLR jacks. Rane follows the AES recommended practice of
pin 2 postive, pin 3 negative, and pin 1 to shield. Switch any
Input connected to a microphone to the 

mic 

position by the

associated “limited access” switches on the front panel (LED

off

). When connecting line level signals, switch the input to

the LINE position (LED 

on

). Use a small probe such as a #0

Phillips screwdriver to actuate the switch.

STEREO INPUTS 5-8.

 The ¼" connectors are line level

stereo/mono balanced/unbalanced Inputs. If the MLM 82 is to
be used with unbalanced sources (such as CD players),

QUICK START

This section is provided as a convenience for those in a rush. If you are experienced with this unit or other Rane

products, these few words will refresh your memory.

INPUTS 1

 through 

4

 may be microphone or line level. The choice between the two is made by setting the 

LINE 

push-

buttons through the access holes on the front of the unit near the 

INPUT LEVELS

. Follow the silk-screening on the rear

for proper wiring hookup.

Choose between 

MIC 

or 

LINE 

output levels at each of the XLR 

OUTPUT 

connectors. If the MLM 82 is connected

directly to a power amplifier, equalizer or recorder input, choose 

LINE 

level. If the MLM 82 is connected to a microphone

jack of an existing sound system, choose 

MIC 

level. Follow the silk-screening on the rear for proper wiring hookup.

Once Inputs, Outputs, and power are properly connected, with the 

OUTPUT LEVELS

 counterclockwise (

off

), set the

Input 

LEVELS 

as high as possible without causing the 

SIG/OL

 indicators to blink red more than occasionally during

extreme signal peaks. Now slowly raise the 

OUTPUT LEVELS

 as desired.

Never connect anything except an approved Rane power supply to the red thing that looks like a telephone jack on

the rear of the MLM 82.

 This is an AC input and requires special attention if you do not have a power supply 

exactly 

like

the one that was originally packed with your unit. See the full explanation of the power supply requirements on page
Manual-3.

consult the Sound System Interconnection RaneNote included
with this manual for proper wiring using ¼" TRS input
connectors. Stereo Inputs use both RIGHT and LEFT jacks at
each INPUT.

INPUTS 5 through 8 also serve as mono Inputs by either

using the XLR inputs (always mono) or by plugging into only
one of the ¼" jacks. Automatic switching occurs when only
one of these ¼" jacks are used at any Input, splitting the mono
signal to both Outputs. Connect to just one of these jacks and
the MLM 82 does the rest. If you only want the signal to
come out of one channel and not the other, plug an unwired
“dummy” ¼" plug into the other channel.

OUTPUTS

The MLM 82’s OUTPUTS are balanced. The same wiring

conventions as the XLR Inputs apply. The type of device
following the MLM 82 must be considered when setting the
Output Level switch. Choose between LINE (0 dB) or MIC
(-40 dB) output levels. If the MLM 82 is connected directly to
a power amplifier input, choose LINE level. If the MLM 82 is
connected to a microphone jack on an existing sound system,
choose MIC level. For unbalanced OUTPUT connections do
not tie pin 3 (i.e. “–”) to ground.

WEAR PARTS:

 This product contains no wear parts.

Summary of Contents for MLM 82

Page 1: ...d directly to a power amplifier equalizer or recorder input choose LINE level If the MLM 82 is connected to a microphone jack of an existing sound system choose MIC level Follow the silk screening on the rear for proper wiring hookup Once Inputs Outputs and power are properly connected with the OUTPUT LEVELS counterclockwise off set the Input LEVELS as high as possible without causing the SIG OL i...

Page 2: ...d for this Input Use a small probe such as a 0 Phillips screwdriver to actuate the switches 햵 STEREO LINE INPUT LEVEL controls 5 8 determine the amount of stereo or mono line Input to be delivered to the Outputs 햶 OUTPUT OverLoad LED illuminates within 3 dB of an approaching overload condition To avoid this the associated OUTPUT LEVEL control may be decreased or the problem causing individual Inpu...

Page 3: ...evel compatible with microphone preamp inputs Put these in the out position when LINE level Outputs are desired and depress them in for MIC level Outputs 햸 POWER supply input This is not a telephone jack The MLM 82 is supplied from the factory with an RS 1 remote power supply suitable for connection to this input jack The power requirements call for an 18 volt AC center tapped transformer only Cal...

Page 4: ...o clipping is occuring or immi nent Check these conditions A The LEVEL control may be turned too high B The output of the preceding device may need to be reduced C The Input may be switched to mic but the source may be line level Switch the Input to LINE LED on The STEREO LINE INPUTS 5 through 8 do not have overload indicators because they are unity gain and can t be overloaded by a 20 dBu signal ...

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