background image

8

IMPACT 8.4/12.4/16.4/24.4/8.4X/12.4X/16.4X/24.4X

DIGITAL EFFECT ENGINE

The following refers to Impact X models only. 

32. Digital Effect Display

This 2-digital numeric display shows the program num-

ber that is currently applied to your EFX audio signal. 

When you rotate the Program control, you can scroll 

through different program numbers; however the dis-

play will revert back to the original program if a new 

program is not selected within a few seconds. For a list 

of available effects, please observe the Digital Effect 

Table.

33. Sig and Clip Indicators

Located within the Digital Effect Display are Clip and 

Sig LEDs. The Sig LED will light up when any signal 

is received by the effect processor, and the Clip LED 

will  light  up  shortly  before  excessive  signals  are  dy-

namically clipped. If the Clip LED lights up too often, it 

may be advisable to turn down one or all EFX controls 

on input channels to ensure the signal level is not too 

high.

34. Program Control

This  control  is  used  to  scroll  through  the  various  ef-

fects.  Turning  the  control  clockwise  will  allow  users 

to ascend into higher program numbers, and turning 

it  counter-clockwise  will  allow  users  to  descend  into 

lower program numbers.  Pushing this control will ap-

ply the new effect. When a tap-delay effect is selected, 

pressing this control will allow users to select the tap-

delay time.
By pushing the button several times, the effect proces-

sor  interprets  the  time  between  last  two  pushes  and 

remembers this as the delay time, until the button is 

pushed  again  (this  is  kept,  even  after  the  power  is 

turned  off).  When  the  tap  delay  effect  is  selected,  a 

small LED will flash within the digital effect display win

-

dow at the selected intervals.

35. To Aux 1 and 2 Controls

These  controls  allow  users  to  adjust  the  signal  level 

that is being sent from the Effects Engine to the auxil-

iary 1 and 2 mixing buses, the signal of which is suit-

able for connecting stage monitors, allowing artists or 

engineers to listen to the music that is being played.

36. Mute Button

This button mutes the EFX channel, effectively stop-

ping the signal processed by the built-in Effects Engine 

from being sent to the Main L/R mixing bus.

37. PFL Button

The PFL – or Pre-Fader Listen – button is pushed to 

allow the signal of the Effects Engine to be sent to the 

CTRL RM / PHONES mix. This allows easier tracking 

of audio by sound engineers.

38. DSP Effects Fader

This 60mm fader will alter the signal level that is sent 

from the Effects Engine to the Main L/R mix.

Summary of Contents for IMPACT 12.4

Page 1: ...User s Manual Manual del Usuario IMPACT 8 4 12 4 16 4 24 4 IMPACT 8 4X 12 4X 16 4X 24 4X MIXING CONSOLE CONSOLA DE MEZCLA English Espa ol IMPACT 8 4X...

Page 2: ...ION 9 MASTER CONTROL SECTION 9 SPECIFICATIONS 11 DIGITAL EFFECT TABLE 31 APPLICATIONS 32 DIMENSIONS 34 BLOCK DIAGRAM 35 INTRODUCCI N 14 CARACTERIST CAS 14 CONFIGURACI N B SICA 14 INICIANDO 14 CONFIGUR...

Page 3: ...hting storms or when unused for long periods of time 14 Refer all servicing to service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug...

Page 4: ...ower supply with universal connec tor 100 240VAC 50 60Hz Optional Rack mounting kit for Impact 8 4 and Impact 8 4 X only model name ER8IM Impact X models further feature 32 bit DSP digital multi effec...

Page 5: ...lude XLR Mic inputs and 1 4 TS phone jacks They can be used in conjunction with various stereo devices such as synthesizers and keyboards Also by connecting a mono signal to the left phone jack the Im...

Page 6: ...t allows you to attach a 12 Volt 7 Watt gooseneck lamp allowing better visability in areas with poor light 13 Power Connector This is for the addition of an AC power cable allowing power to be supplie...

Page 7: ...n the audio of the channel and bring more warmth and punch to drums and bass gui tars 24 AUX Controls These two AUX controls alters the signal level that is be ing sent to the auxiliary 1 and 2 mixing...

Page 8: ...ll allow users to descend into lower program numbers Pushing this control will ap ply the new effect When a tap delay effect is selected pressing this control will allow users to select the tap delay...

Page 9: ...post fader signal to the Control Room Phones mixing bus 46 Phantom Power Button and Indicator When this button is pushed in 48V of Phantom Power is activated for all microphone inputs al lowing conden...

Page 10: ...lanced and the PEAK indica tor illuminates about 1 5 dB before the signal is dynami cally clipped To make the maximum use of audio set the various level controls so that it sits steadily around 0 dB t...

Page 11: ...ster Aux Send Solo AFL 4 4 4 4 Stereo Aux Returns 2 2 2 2 Effects Return to Monitor 3 3 3 3 Faders 60 mm Efx Rtn Aux 1 Aux 2 Mono Main L R Metering Number of Channels 2 2 2 2 Segments 12 12 12 12 Phan...

Page 12: ...s 100 ohms RCA 2T Output 1 1 K ohms 1 1 K ohms 1 1 K ohms 1 1 K ohms Equalization 3 band 15dB 3 band 15dB 3 band 15dB 3 band 15dB Low EQ 80Hz 80Hz 80Hz 80Hz Mid EQ mono channel 100 8k Hz sweepable 100...

Page 13: ......

Page 14: ...taje para rack opcional para las Impact 8 4 e Impact 8 4X solamente modelo ER81M Modelos ImpactX presentan procesador digital multiefectos DSP a 32 bits con 99 programas CONFIGURACI N B SICA INICIANDO...

Page 15: ...s en conjunto con varios dispositivos est reo como sintetizadores y teclados Tambi n conectando una se al mono al jack de aud fono izquierdo la Impact copiara autom ticamente la se al sobre el canal d...

Page 16: ...Este puerto es para agregar un cable de energ a AC alimentando as a la mezcladora Por favor utilice el cable incluido con esta mezcladora nicamente El portafusible localizado debajo de conector de en...

Page 17: ...el nivel de se al que est siendo enviada a los buses de mezcla auxiliar 1 y 2 cuya se al es adecuada para conectar monitores de escenario permitiendo a los artistas escuchar la m sica que se est toca...

Page 18: ...permitir a los usuarios descender a los n meros menores del programa Pulsando este control se aplicar el nuevo efecto Cuando se selecciona un efecto con tap delay presionando este control permitir a l...

Page 19: ...os usuairios enviar la se al post fader al bus de mezcla de Control Room Phones 46 Bot n Fuente Fantasma e Indicador Cuando se presiona este bot n se activar Fuente Fantasma de 48V para todas las entr...

Page 20: ...de 4dBU balanceado y el indicador de pico se ilumina alrededor de 1 5 dB antes de que la se al sea din micamente recortada Para el uso m ximo de audio setee varios controles de nivel para que se teng...

Page 21: ...torno de Efectos a Monitor 3 3 3 3 Faders 60mm Efx Rtn Aux 1 Aux 2 Mono Main L R Medici n N mero de Canales 2 2 2 2 Segmentos 12 12 12 12 Fuente de Alimentaci n Fantasma 48V DC 48V DC 48V DC 48V DC Se...

Page 22: ...s 100 ohms 100 ohms Salidas 2T RCA 1 1 K ohms 1 1 K ohms 1 1 K ohms 1 1 K ohms Ecualizaci n 3 bandas 15dB 3 bandas 15dB 3 bandas 15dB 3 bandas 15dB EQ Grave 80 Hz 80 Hz 80 Hz 80 Hz EQ Medio Canal Mono...

Page 23: ...1 2 3 4 5 6 7 8 9 10 11 12 13 14 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN PHONIC CORPORATION...

Page 24: ...mpact 12 4X Impact 16 4X Impact 24 4X 2 4 10 14 18 26 Impact8 4 8 4X 12 4 12 4X 16 4 16 4X 24 4 24 4X 18dB oct 75Hz 4 AUX AUX 1 2 XLR 1 4 2 AUX PAD Main Stereo Mono Output XLR 1 4 Tape AUX 1 AUX 2 MD...

Page 25: ...1 4 TRS 1 4 TS 3 TRS Phone Mono Y TRS 4 Impact XLR 1 4 TS Phone Phone 5 1 4 TS Impact AUX 1 4 Phone 6 AUX 1 2 XLR 1 4 TS Phone 7 EFX 1 4 TS Impact 8 Impact X Impact X 9 1 4 Phone Control Room 10 Mono...

Page 26: ...Control Room Phones 17 Power Switch 18 75Hz Low Cut Filter 75Hz 18dB oct 19 Impact 4 20dB 20 21 12KHz 15dB 22 15 dB 100Hz 8KHz 800Hz 3KHz 23 8 0 H z 15dB 24 AUX AUX 1 2 25 EFX 1 2 EFX1 2 EFX 2 26 PAN...

Page 27: ...8 DSP 60mm Main L R Impact X 32 EFX 33 Sig Clip Clip EFX 34 Program Control LED 39 Control Room Phones Main L R 40 CTRL RM MAIN Control Room Main L R Main Mix Record Out MAIN 41 To AUX 1 2 AUX 1 2 42...

Page 28: ...AFL Mono Control Room 12dB oct Mono 60 160Hz 49 Control Room Phones Impact Control Room Phones Control Room Phones Main L R AFL Main L R PFL AFL Main L R PFL PFL Main L R 50 12 0dB 4dBu 1 5dB PEAK 0dB...

Page 29: ...4 4 Solo PFL LED PFL 60mm 60mm 60mm 60mm 4 4 4 4 Solo AFL 4 4 4 4 2 2 2 2 3 3 3 3 60mm EFX RTN AUX1 AUX2 Mono Main L R 2 2 2 2 12 12 12 12 48VDC 48VDC 48VDC 48VDC 32 DSP Impact X 16 20Hz 60KHz 0 1dB 0...

Page 30: ...3 15dB 3 15dB 80Hz 80Hz 80Hz 80Hz 100 8KHz 100 8KHz 100 8KHz 100 8KHz 800 3KHz 800 3KHz 800 3KHz 800 3KHz 12KHz 12KHz 12KHz 12KHz 75Hz 18dB oct 75Hz 18dB oct 75Hz 18dB oct 75Hz 18dB oct 60 160Hz 12dB...

Page 31: ...1 5 1 2 53 HEAVY PHASER 2 6 2 8 54 WILD PHASER 1 7 4 0 8 55 WILD PHASER 2 9 6 4 8 NO PARAMETER SETTING PROGRAM NAME PAN SPEED TYPE 56 SLOW PAN 0 1 R L 57 SLOW PAN 1 0 1 R L 58 SLOW PAN 2 0 4 R L 59 MI...

Page 32: ...LIFICADOR AMPLIFIER MONITORES DE ESCENARIO STAGE MONITORS AMPLIFICADOR INTERRUPTOR DE PEDAL GRABADORA DE 2 PISTAS 2 TRACK RECORDER 2 AUD FONOS MICROPHONES MICR FONOS BASS GUITAR GUITARRA BASS EFECTOS...

Page 33: ...CR FONOS ACTIVE MONITORS CASSETTE RECORDER GRABADORA DE CASSETTE MONITORES ACTIVOS SPEAKERS ALTAVOCES ALTAVOCES ACTIVOS FOH CD AMPLIFIER 70V AMPLIFICADOR ALTAVOCES 70 V DISTRIBUIDOS POR EDIFICIO DRUM...

Page 34: ...CT 16 4 X IMPACT 24 4 X X mm inches 440 17 3 572 22 5 704 27 7 968 38 1 Y mm inches 510 20 642 25 3 774 30 5 1038 40 9 473 22 17 2 Y X 106 50 4 2 88 50 3 5 49 94 1 97 measurements are shown in mm inch...

Page 35: ...35 IMPACT 8 4 12 4 16 4 24 4 8 4X 12 4X 16 4X 24 4X BLOCK DIAGRAM DIAGRAMA DE BLOQUE...

Page 36: ...support Ah podr encontrar respuestas a las preguntas m s frecuen tes consejos t cnicos descarga de drivers instruc ciones de devoluci n de equipos y m s informaci n de mucho inter s Nosotros haremos t...

Reviews: