Peavey ESCORT 3000, Operating Manual

Page: 84 / 108

Escort ®
설치 방법은 대부분 다른 사운드 시스템과 유사하며 많은 부분이 일반 상식만으로도 충분히 설치할 수 있습니다
.
항상 안전을
최우선으로 고려해야 합니다
.
반드시 접지 콘센트와
3
선 확장 코드를 사용하십시오
.
사운드 시스템 케이블은 미끄러짐 사고가 발생하지
않도록 테이프로 한데 묶어 두십시오
.
스피커 스탠드와 믹서는 튼튼한 평면에 설치하십시오
.
설멍서에 기재된 지침을 따르면 부상이나 장비
손상을 방지할 수 있으며 장기간 최상의 상태로 사용할 수 있습니다
.
안전이 가장 중요합니다
!
설치 방법
믹서 및 스피커 설치
장치를 바닥에 놓고 스피커를 그 위에 올려 놓습니다
.
래치를 끝까지 들어올려 풉니다
.
케이스에서 스피커를 제거합니다
.
참고
:
스피커를 제거한 후 래치를 잠글 수 있습니다
.
이는 다른 소스를 제거할 때 방해가 되지 않도록 하는 방법입니다
.
또한 래치 손상을 방지하는 역할도
합니다
.
래치를 케이스측과 높이가 같아질 때까지 안쪽으로 밀어 래치를 닫은 다음 아래로 밀어 잠급니다
.
케이스에서 스피커 스탠드를 제거합니다
.
스피커가 안정된 자세로 평면에 놓일 수 있도록 스탠드 다리를 완전히 펴 줍니다
.
베이스에 있는 나비 나사를
너무 세게 조이지 말고 꼭 맞게 조입니다
(
그림
1).
스피커 스탠드를 원하는 높이까지 올리고 나비 나사를 조인 다음 안전 핀을 끼웁니다
(
그림
2).
경고
!
믹서에는 반드시 당사의
Escort
스피커만 연결하십시오
. Escort
스피커는 파워 믹서에 맞는 최적의 부하를 제공하기 때문에 다른
스피커를 사용하면 기기가 손상될 수 있습니다
.
스피커를 스탠드에 놓은 다음 스피커 앞면을 관객쪽으로 향하게 하고 마이크와 멀리 떨어진 위치에 둡니다
(
그림
3).
스피커 앞면 하단에 스피커 케이블
잭을 믹서 뒷면에 있는 스피커 출력에 연결합니다
.
왼쪽 스피커를
LEFT OUTPUT
에 연결하고 오른쪽 스피커는
RIGHT OUTPUT
에 연결합니다
(
그림
4).
그림
3
그림
4
그림
1
그림
2
7
The FLS
®
(Feedback Locating System) LED indicators are invaluable tools in helping to reduce/eliminate feedback. To
use the FLS feature, start by setting all graphic EQ sliders (Fig. 9) to 0. Then, before the audience arrives, increase the
MASTER VOLUME and/or CHANNEL GAIN until feedback occurs. Note which LED illuminates and slightly lower
the corresponding slider. This reduces the gain at the feedback frequency, and can be repeated if necessary to improve
gain before feedback. However, only lower the sliders in small amounts to avoid adversely affecting sound quality.
Fig. 9
Avoiding Acoustic Feedback
Acoustic feedback is the loud howl or squealing sound heard through sound systems as the result of sound from the
speakers re-entering the microphones. Although it does an excellent job of getting the audience’s attention, feedback
should be avoided. When trying to deal with acoustic feedback it is always best to start looking at the placement of the
mics and speakers in the system before resorting to equalization (EQ) adjustment. Make sure that the speakers are
positioned to direct the sound toward the audience and away from the microphones. Position mics as close to the sound
source as reasonable. Moving the mic closer increases the volume of the sound through the system without having to
turn up the gain.
Microphone Usage Guidelines
When practical, a single microphone is preferred. Additional microphones pick up more sound from the speakers and
each mic has to be turned down a little to prevent feedback. However, if you have difficulty balancing the level of
different individuals with one mic, or if you still cannot get sufficient gain, using more mics can offer an advantage.
Giving several singers their own microphones, for example, allows placement of the microphones much closer to each
singer. This increases the volume of the sound at the mic and far outweighs any detrimental effect from using multiple
mics. It also allows the volume of each mic to be adjusted separately for proper balance.
Reverb
Adding reverberation to music can enhance the sound of that music. To add reverb to a microphone, simply turn up the
REVERB control (Fig. 7) on the appropriate input channel. Add reverb in moderation because too much reverb makes
vocals hard to understand. In most cases, it is best not to add reverb to the spoken word.
Stereo / Mono Operation
The Escort
™
2000 powered mixer has two input channels (4 & 5) for stereo line sources. If the speakers are situated so
that most of the audience can hear both speakers (Fig. 10 A), it can be advantageous to run the system in stereo. If the
audience primarily hears just one speaker (Fig. 10 B), or if you are using one speaker for the audience and the other for
the stage performers, then it is best to run the system in mono.
Fig. 10
Stereo
Mono
Stereo
Mono
A B
7
The FLS
®
(Feedback Locating System) LED indicators are invaluable tools in helping to reduce/eliminate feedback. To
use the FLS feature, start by setting all graphic EQ sliders (Fig. 9) to 0. Then, before the audience arrives, increase the
MASTER VOLUME and/or CHANNEL GAIN until feedback occurs. Note which LED illuminates and slightly lower
the corresponding slider. This reduces the gain at the feedback frequency, and can be repeated if necessary to improve
gain before feedback. However, only lower the sliders in small amounts to avoid adversely affecting sound quality.
Fig. 9
Avoiding Acoustic Feedback
Acoustic feedback is the loud howl or squealing sound heard through sound systems as the result of sound from the
speakers re-entering the microphones. Although it does an excellent job of getting the audience’s attention, feedback
should be avoided. When trying to deal with acoustic feedback it is always best to start looking at the placement of the
mics and speakers in the system before resorting to equalization (EQ) adjustment. Make sure that the speakers are
positioned to direct the sound toward the audience and away from the microphones. Position mics as close to the sound
source as reasonable. Moving the mic closer increases the volume of the sound through the system without having to
turn up the gain.
Microphone Usage Guidelines
When practical, a single microphone is preferred. Additional microphones pick up more sound from the speakers and
each mic has to be turned down a little to prevent feedback. However, if you have difficulty balancing the level of
different individuals with one mic, or if you still cannot get sufficient gain, using more mics can offer an advantage.
Giving several singers their own microphones, for example, allows placement of the microphones much closer to each
singer. This increases the volume of the sound at the mic and far outweighs any detrimental effect from using multiple
mics. It also allows the volume of each mic to be adjusted separately for proper balance.
Reverb
Adding reverberation to music can enhance the sound of that music. To add reverb to a microphone, simply turn up the
REVERB control (Fig. 7) on the appropriate input channel. Add reverb in moderation because too much reverb makes
vocals hard to understand. In most cases, it is best not to add reverb to the spoken word.
Stereo / Mono Operation
The Escort
™
2000 powered mixer has two input channels (4 & 5) for stereo line sources. If the speakers are situated so
that most of the audience can hear both speakers (Fig. 10 A), it can be advantageous to run the system in stereo. If the
audience primarily hears just one speaker (Fig. 10 B), or if you are using one speaker for the audience and the other for
the stage performers, then it is best to run the system in mono.
Fig. 10
Stereo
Mono
Stereo
Mono
A B
또는
스피커 잭 삽입