Chapter
Adjustments
and
Settings
for
Recording
Recording time codes and user bits
System setting status
Recorded TC
Output TC
Displayed TC
Recorded UB
Output UB
SYSTEM
MODE
REC
SIGNAL
REC FORMAT CAMERA
MODE
FRAME
RATE
LTC
VITC
TC OUT
LTC and VITC
embedded in
HD SDI
TC tc
(24/30
conversion)
LTC UB
VITC UB
TC OUT
connector
UB
*1
LTC UB
embedded
in HD SDI
*1
VITC UB
embedded
in HD SDI
1080
-59.94i
CAMERA
DVCPROHD/60i
60i,
30P
—
R-RUN/F-RUN
*3
DF/NDF
30 frames
Same as LTC
value
Outputs LTC Outputs LTC TC: 30 frames
tc: 24 frames Follows UB
MODE.
In ‘EXT’
slaves to
UB in TC IN
connector
Frame rate
data
Outputs
LTC UB
Outputs
LTC UB
Frame rate
data
24P, 24PA
—
R-RUN/F-RUN
*5
NDF locked
30 frames
AVC-I100/60i
AVC-I50/60i
AVC-I100/30PN
AVC-I50/30PN
—
—
R-RUN/F-RUN
*3
DF/NDF
30 frames
AVC-I100/24PN
AVC-I50/24PN
—
—
R-RUN/F-RUN
*7
NDF locked
24 frames
Converted
to 30 frames
based on
LTC
Converted
to 30 frames
based on LTC
Recording
TC: 24 frames
Playback
TC: 24 frames
tc: 30 frames
Output
adjusted
to Over 60i
based on
LTC UB
Output
adjusted
to Over 60i
based on
LTC UB
1394
DVCPROHD/60i
—
—
R-RUN/F-RUN
*2
DF/NDF
30 frames
Records VAUX
TC in 1394
input at all
times
*6
Outputs LTC Outputs LTC TC: 30 frames
tc: 24 frames
Follows UB
MODE.
In ‘EXT’
slaves to LTC
UB in 1394
input
Records
VITC UB in
1394 input
at all times
Outputs
LTC UB
Outputs
LTC UB
Outputs
VITC UB
720
-59.94P
CAMERA
DVCPROHD/60P
AVC-I100/60P
AVC-I50/60P
—
Other than
24 frames
R-RUN/F-RUN
*3
DF/NDF
30 frames
Same as LTC
value
Outputs LTC Outputs LTC
TC: 30 frames
tc: 24 frames
Follows UB
MODE.
In ‘EXT’
slaves to
UB in TC IN
connector
Frame rate
data
Outputs
LTC UB
Outputs
LTC UB
Frame rate
data
—
24 frames
R-RUN/F-RUN
*5
NDF locked
30 frames
DVCPROHD/30PN
AVC-I100/30PN
AVC-I50/30PN
—
30 frames
R-RUN/F-RUN
*4
DF/NDF
Every active
frame
30 frames
—
Other than
30 frames
R-RUN locked
DF/NDF
Every active
frame
30 frames
Matches
recorder TC
at start of
recording
30 frames/s
Matches
recorder TC
at start of
recording
30 frames/s
DVCPROHD/24PN
AVC-I100/24PN
AVC-I50/24PN
—
24 frames
R-RUN/F-RUN
*7
NDF locked
Every active
frame
24 frames
Converts
and outputs
LTC to 30
frames
Ouputs LTC
Recording
TC: 24 frames
Playback
TC: 24 frames
tc: 30 frames
Output
adjusted to
Over 60P
based on
LTC UB
Output
adjusted to
Over 60P
based on
LTC UB
—
Other than
24 frames
R-RUN locked
NDF
Every active
frame
24 frames
Matches
recorder TC
at start of
recording
30 frames/s
Matches
recorder TC
at start of
recording
30 frames/s
1394
DVCPROHD/60P
—
—
R-RUN/F-RUN
*2
DF/NDF
30 frames
Records VAUX
TC in 1394
input at all
times
*6
Ouputs LTC Ouputs LTC TC: 30 frames
tc: 24 frames
Follows UB
MODE.
In ‘EXT’
slaves to LTC
UB in 1394
input
Records
VITC UB in
1394 input
at all times
Outputs
LTC UB
Outputs
LTC UB
Outputs
VITC UB
480
-59.94i
CAMERA
DVCPRO50/60i
DVCPRO/60i
DV/60i
60i, 30P
—
R-RUN/F-RUN
*3
DF/NDF
30 frames
Same as LTC
value
(but not for DV)
Outputs LTC
No input
TC: 30 frames
tc: 24 frames
Follows UB
MODE.
In ‘EXT’
slaves to
UB in TC IN
connector
Frame rate
data
Outputs
LTC UB
No input
No input
24P, 24PA
—
R-RUN/F-RUN
*5
NDF locked
30 frames
1394
—
—
R-RUN/F-RUN
*2
DF/NDF
30 frames
Records VAUX
TC in 1394
input at all
times (No DV)
*6
Follows UB
MODE.
In ‘EXT’
slaves to LTC
UB in 1394
input
Records
VITC UB in
1394 input
at all times
Ouputs
LTC UB
*1 When UB MODE is FRM. RATE, playback of native clips is the pulldown frame rate read from VITC UB.
*2 In free run mode, it is slaved to the value input to the DVCPRO/DV connector. It does not slave it to the time code from
the TC IN connector.
*3 In Free Run mode, it is slaved to the time code input to the TC IN connector.
*4 In Free Run mode, it is slaved to the time code input to the TC IN connector. But not slaved to it during recording.
*5 In Free Run mode, it is slaved when TC input to the TC IN connector is non-drop frame. But not slaved to it during
recording.
*6 VAUX TC is time code recorded in the video AUX area in the DVC format.
*7 In Free Run mode, it is slaved to the time code input to the TC IN connector, whose value is converted to 24 frames
when it was NDF 30 frames. But not slaved to it during recording.
