Pan Sync
A very pleasing audio effect may be heard when the Panning
effect is synchronized to the tempo of a musical piece. The
table on the Page 27 describes the musical timings available.
Set to
o F
and the Panning effect will be at the rate determined
by the Speed parameter. Set to any other selection, the
Panning will be in time with the selected musical timing. This
works in similar way to Delay sync (refer to Page 26 for infor-
mation on setting up this feature).
Panning LFO Initial Position
As well as being able to be synchronized to a MIDI clock
(tempo), the Panning LFO may have it’s initial position set after
a specific MIDI event is received (see page 53- Global menu
options).
The initial positions are shown in the table below. For example,
if the Panning initial position sync is set to
R t
(Right), after a
MIDI event the sound will begin in the right output audio chan-
nel and then move to the left.
EQ Filter
As well as being able to boost low or high frequencies, the final
output EQ Filter may be used to create automatic sweeps of
EQ and filtering. It may be synchronized to tempo and locked to
musical timings from 32nd triplets through to several bars.
EQ Amount
An EQ amount control is provided to give the sound a boost or
cut at any chosen frequency. Positive amounts boost the vol-
ume of frequencies above the FREQUENCY POINT (see next
page) and cut the volume of frequencies below it. Negative
settings do the opposite. To change the EQ amount, ensure the
function switch is set to SHIFT. Repeatedly press KEY 4 until
the display shows
E A
and an alternating value. Adjust the
PORTA/DATA knob for the desired boost / cut.
NOTE: The settings of the EQ FREQUENCY control will deter-
mine where in the spectrum the boost / cut appears. Operate
this control in conjunction with EQ frequency.
Advanced features
32
Effects - Panning - EQ Filter
Panning LFO Initial Position
Description
o F
Off
L t
Left
C t
Centre
R t
Right
EQ set to -10 (.10)
EQ set to 63
Volume
Boost
Volume
Boost
EQ Frequency Point (50)
EQ Frequency Point (50)
Unchanged volume level
Volume
Cut
Volume
Cut
