KORE 2 – 102
in reach for the host. In the case of Ableton Live, the Pages you want to
automate have to sit in slots lower than 128.
If you tend to think your VST automation from the host (choosing the
parameters in the host, and not automating by recording parameter changes
in KORE 2) the a
utoMation
l
iSt
can also be of help. You can organize it
in the way that suits you best, i.e. first all
C
Hannel
P
ageS
, and then all the
u
Ser
P
ageS
of the FX and the synthesis stuff last.
Use the S
ound
t
ree
to navigate the S
ound
M
atrix
and to select the different
components for accessing their C
ontrol
P
ageS
. You will notice that some
of the rows on the list are highlighted. These entries belong to the node
currently selected on the S
ound
t
ree
(see chapter 3.6.1).
Use the a
dd
to
a
utoMation
l
iSt
button below the P
age
l
iSt
to add the
currently selected Page to the a
utoMation
l
iSt
. This means that all the
parameters residing on the respective Page will be accessible to the host.
Each of the added Pages shows up on the a
utoMation
l
iSt
.
The first 32 rows of the
a
utoMation
l
iSt
are reserved for the X+Y-Parameters
controlling the S
ound
M
orPHing
of the KoreSounds. You cannot move any
other Pages into this upper part of the list.
This also means that there is a maximum of 16 KoreSounds for which you
can automate the S
ound
M
orPHing
– which normally should be enough.
The left column of the a
utoMation
l
iSt
displays the name of the parameter
while the right column shows the a
utoMatiion
id. The order of the
Automation IDs is fixed, as they are defined by the VST standard.
