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Effects
DISTORT
This control sets the amount of overdrive distortion applied to the sound.
All the way to the left, there is no distortion. All the way to the right, the sound is fully
distorted.
This distortion is a wave-shaping overdrive, which can be used to add harmonics and warmth
to a sound, as well as compressing it and making it very loud and distorted.
DELAY
This parameter affects the Dry/Wet mix of the of the delay audio effect at the end of the audio
signal chain. When set to minimum, only the dry signal will be heard. When set to maximum,
only the delayed signal will be heard.
TIME
TIME controls the delay time of the delay effect, from 0 to 250ms.
If an incoming MIDI Clock signal is detected, the Delay time will snap to divisions of the host
clock. This feature can be disabled or enabled via midi CC (See the MIDI section).
FEEDB
This parameter sets the amount of delayed audio signal fed back into the delay input.
When at the fully position, only the first delayed signal will be heard. All the way to the right,
almost the entire level of the delayed signal is fed back into the delay.
This can be used to create a wide array of effects from an echo or reverb-type effect, to noise
and metallic sounds.
Filter
CUTOFF
This affects the cut-off frequency of the filter, from 0Hz up to 20kHz.
The filter is a low-pass type by default, but is actually a state-variable filter. Through MIDI CC
or the CRAFT App, the filter type can be ‘morphed’ from low-pass, through band-pass and
into high-pass.
The cut-off frequency can be modulated by the LFO and the filter envelope.
RESO
The RESO parameter sets the resonance of the filter around the cutoff frequency.
Note: If the audio output seems unusually quiet, check the resonance is not turned up.
To compensate for feedback occurring when the filter cutoff approaches the
fundamental frequency, turning up the resonance will attenuate the level of the
signal and introduce gentle soft limiting. This is common practice to avoid clipping or
sudden large changes in signal level.
