28
29
Algorithms
•
Ring Mod Triangle:
Ring mod applied to two triangle waves, with quantised ratio
control (A) that snaps through a series of useful ratios, and a fine control (B), which cross-
fades between these ratios allowing precise control across the whole range
•
Ring Mod Triangle / Square:
Ring mod applied to a triangle and a square wave, with
quantised ratio control (A) that snaps through a series of useful ratios, and a fine control
(B), which cross-fades between these ratios allowing precise control across the whole
range
•
Ring Mod Saw / Square:
Ring mod applied to a saw and square wave, with quantised
ratio control (A) that snaps through a series of useful ratios, and a fine control (B), which
cross-fades between these ratios allowing precise control across the whole range
•
Ring Mod Saw / Triangle:
Ring mod applied to a saw and triangle wave, with quantised
ratio control (A) that snaps through a series of useful ratios, and a fine control (B), which
cross-fades between these ratios allowing precise control across the whole range
•
Chaos Saw:
Un-quantised ring modulation (A) combined with randomisation (B)
•
Chaos Square:
Un-quantised ring modulation (A) combined with randomisation (B)
•
Chaos Triangle:
Un-quantised ring modulation (A) combined with randomisation (B)
•
Fold Triangle:
Triangle wave-folding (A) with DC offset (B)
•
Filtered Noise:
Noise generator combined with a morphable filter with full control over
Cutoff (A) and Morph (B)
•
FM Saw:Square:
Frequency Modulation using a Sawtooth as the carrier and a Square as
the modulator with full control over FM Depth (A) and Modulator Frequency Ratio (B)
•
FM Square:Square:
Frequency Modulation using a Square as both the carrier and
modulator with full control over FM Depth (A) and Modulator Frequency Ratio (B)
•
FM Tri:Square:
Frequency Modulation using a Triangle as the carrier and a Square as the
modulator with full control over FM Depth (A) and Modulator Frequency Ratio (B)
•
Noise AM Saw:
Sawtooth Wave amplitude modulated by a filtered noise source with full
control over AM Depth (A) and Noise filter cutoff (B)
•
Noise AM Square:
Square Wave amplitude modulated by a filtered noise source with full
control over AM Depth (A) and Noise filter cutoff (B)
•
Noise AM Tri:
Triangle Wave amplitude modulated by a filtered noise source with full
control over AM Depth (A) and Noise filter cutoff (B)
Note: The oscillator spread controls function as follows:
•
0 - all oscillators are perfectly in tune
•
1 - 63 - increasing oscillator detune
•
64 - 127 - oscillators detuned in musical intervals
Algorithms
•
Fractal Saw:
Complex sync with un-quantised control over ratio (A) and and an
asymmetry control (B) that allows every second cycle of the wave to have a different sync
ratio to the first
•
Fractal Square:
Complex sync with un-quantised control over ratio (A) and and an
asymmetry control (B) that allows every second cycle of the wave to have a different sync
ratio to the first
•
Fractal Triangle:
Complex sync with un-quantised control over ratio (A) and and an
asymmetry control (B) that allows every second cycle of the wave to have a different sync
ratio to the first
•
Reverse Saw:
Periodically reverses the direction of the waveform and changes the
playback rate (A), asymmetry control (B) changes the period length (I.e the switch point
within a cycle)
•
Reverse Square:
Periodically reverses the direction of the waveform and changes the
playback rate (A), asymmetry control (B) changes the period length (I.e the switch point
within a cycle)
•
Reverse Triangle:
Periodically reverses the direction of the waveform and changes the
playback rate (A), asymmetry control (B) changes the period length (I.e the switch point
within a cycle)
•
Window Amp Sync:
Applies amplitude modulation to a sine wave using a hard synced
waveform. Features an un-quantised sync ratio control (A) and the ability to morph
between multiple window shapes (B)
•
Metal Saw:
Creates ring modulation/amplitude modulation like effects by syncing a
waveform to two separate signals, one at the base rate and one at the sync rate. Features
un-quantised control over sync rate (A) and ability to balance between the base wave and
the modulated signal (B)
•
Metal Square:
Creates ring modulation/amplitude modulation like effects by syncing a
waveform to two separate signals, one at the base rate and one at the sync rate. Features
un-quantised control over sync rate (A) and ability to balance between the base wave and
the modulated signal (B)
•
Metal Triangle:
Creates ring modulation/amplitude modulation like effects by syncing a
waveform to two separate signals, one at the base rate and one at the sync rate. Features
un-quantised control over sync rate (A) and ability to balance between the base wave and
the modulated signal (B)
•
Ring Mod Saw:
Ring mod applied to two saw waves, with quantised ratio control (A)
that snaps through a series of useful ratios, and a fine control (B), which cross-fades
between these ratios allowing precise control across the whole range
•
Ring Mod Square:
Ring mod applied to two square waves, with quantised ratio control
(A) that snaps through a series of useful ratios, and a fine control (B), which cross-fades
between these ratios allowing precise control across the whole range
Summary of Contents for Cobalt 5S
Page 13: ...24 25 03 Synthesis engine...
