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MIDAS

HS1012

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SAFE

VCA MASTER FADER AUTOMATION.

The fader automation operates in two main ways:-

REAL FADER MODE and VIRTUAL FADER MODE.

In REAL FADER MODE all of the internal VCA systems are controlled
by the real (physical) faders. The automation system can assist in the
control of the real faders by prompting the operator using the 11 LED's
next to each fader.

If the console is un-locked to RECALL level or higher the operator can
view the fader positions required for a given snapshot by simply
recalling the scene. The LED's will flash to display the approximate
position that the fader should be set to and they will extinguish when the
fader has been moved to the correct position. When the faders are close
to the correct position the LED's will change to give "up" "down"
indication either side of the required fader positions.

If the console is un-locked to STORE level or higher operator can recall
scenes as above and can also store and overstore. When a store is made
the fader position stored will always be the actual current position of the
real fader.

In VIRTUAL FADER MODE the console automation takes control of all
internal VCA systems and displays a representation of the virtual fader
position using the 11 LED's next to each fader. Additional adjustment
trims can be added if required using the real faders. The virtual fader
system works in distinctly different ways depending on the lock status:-

If the console is un-locked to RECALL level or higher scenes can be
recalled but not stored or overstored. If fader adjustments are required
they are started by fader "pick up" at the "0dB position". Fader
adjustments then remain active for all subsequent scenes recalled (unless
the adjustment is "cleared").

If the console is un-locked to STORE level or higher scenes can be
stored, recalled and overstored. When a store is made the fader position
stored will always be the virtual fader position regardless of the real
fader. If fader adjustments are required they are started by fader "pick
up" at the current virtual fader position. As soon as a new scene is
recalled by the automation the fader adjustment is removed forcing the
operator to "pick up" again before making further adjustments.

29

Summary of Contents for HERITAGE 1000

Page 1: ...44 1562 741515 Fax 44 1562 745371 Email midas info uk telex com Website midasconsoles com OPERATORS MANUAL MIDAS Heritage 1000 Operators Manual Issue 1 1 February 2003 and features DOC02 H1000 Due to...

Page 2: ......

Page 3: ...not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the p...

Page 4: ......

Page 5: ...es and limitations to use are available on request and are available in product manuals Klark Teknik Group UK Plc Walter Nash Road Kidderminster Worcestershire DY11 7HJ England Tel 44 0 1562 741515 Fa...

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Page 7: ...0dB may be experienced under extreme conditions 3V m 90 modulation POWER CONNECTION CONTROL CONNECTIONS AUDIO CONNECTIONS ELECTRIC FIELDS INSTALLATION There are a number of points to consider when ins...

Page 8: ...R Input Output XLR Pin 1 Ground Pin 2 Hot Pin 3 Cold RS 232 RS 232 Pin 2 Receive Data Pin 3 Transmit Data Pin 5 GND Input Send Return Tip Hot Ring Cold Sleeve Ground Midas Can Bus Pin 1 18V 100mA max...

Page 9: ...Overview V2 06 Heritage Back Panel Frame Measurements Frame layout and Measurements Block Diagrams Input Module Group Module Matrix Module Master Module Monitor Module Input Crib Sheet Module Heritag...

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Page 11: ...0 25 30 40 50 10 input l C r 0 6 0 6 0 6 0 6 0 6 pan pan MIDAS HS1001 groups pan to masters masters masters 9 8 10 3 5 7 2 4 6 1 level level 0 6 on on level level 0 6 on on level level 0 6 on on level...

Page 12: ...hat the treble equaliser acts on from 2K to 20K The treble equaliser has a shelving response The HI MID dual concentric top control gives continuous adjustment of boost and cut from 15dB to 15dB with...

Page 13: ...sses from post fader to pre fader Aux send ON OFF switching is achieved using the console assignment system A LED next to each aux pot provides indication of status The assignments may also be stored...

Page 14: ...n the event of local automation failure The SAFE switch removes the entire input channel from automute and snapshot automation control Assignment of audio and VCA buses will continue to operate in the...

Page 15: ...vel 0 0 0 0 0 MIDAS HS1004 right left 15 25 35 60 20 60 160 400 high pass 15 15 bass freq 20 400 0 100 100 2k 15 0 lo mid 500 15 15 15 0 hi mid freq freq 400 2k 8k freq 1k 5k 20k 15 15 0 treble groups...

Page 16: ...f boost and cut from 15dB to 15dB The treble FREQ control gives continuous adjustment of the frequency range that the treble equaliser acts on from 1K to 20K The HI MID control gives continuous adjust...

Page 17: ...he level adjustment is from 6dB to off All aux signals default as a mono sum of the left and right channel but aux 7 8 9 and 10 can also be configured in stereo if required by pressing the stereo swit...

Page 18: ...s OFF The switch is not intended for normal console operation and it should only be used in the event of local automation f a i l u r e The SAFE switch removes the entire input channel from automute a...

Page 19: ...disable bus peak 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 fader swap group aux group 10 5 0 5 10 15 20 25 30 40 50 o o group group 10 5 0 5 10 15 20 25 30 40 50 o o aux aux aux MIDAS HS101...

Page 20: ...switch mutes the aux post level control signals The switch can be controlled from snapshot automation The SAFE switch removes the aux mute from snapshot automation control The aux LEVEL control gives...

Page 21: ...tereo mix and has a constant power law i e 3dB at the centre position The SAFE switch removes the sub group mute from snapshot automation control The GROUP MASTER FADER gives continuous adjustment of...

Page 22: ...ol The switch is not intended for normal console operation and it should only be used in the event of local automation failure The SAFE switch removes the VCA virtual fader and mute from snapshot auto...

Page 23: ...3 0 3 6 9 12 15 18 21 24 27 30 33 36 fader swap group aux group 10 5 0 5 10 15 20 25 30 40 50 o o group group 10 5 0 5 10 15 20 25 30 40 50 o o aux aux MIDAS HS1012 stereo aux pan pan l C r 0 10 leve...

Page 24: ...an be controlled from snapshot automation The SAFE switch removes the aux mute from snapshot automation control The aux LEVEL control gives continuos adjustment of output levels from 10dB to off The S...

Page 25: ...ster stereo mix and has a constant power law i e 3dB at the centre position The SAFE switch removes the sub group mute from snapshot automation control The GROUP MASTER FADER gives continuous adjustme...

Page 26: ...ol The switch is not intended for normal console operation and it should only be used in the event of local automation failure The SAFE switch removes the VCA virtual fader and mute from snapshot auto...

Page 27: ...9 9 6 6 3 3 0 0 3 3 6 6 9 9 12 12 15 15 18 18 21 21 24 24 27 27 30 30 33 33 36 36 21 21 18 18 15 15 12 12 9 9 6 6 3 3 0 0 3 3 6 6 9 9 12 12 15 15 18 18 21 21 24 24 27 27 30 30 33 33 36 36 MIDAS HS102...

Page 28: ...left center and right outputs The MONITOR METERS monitor the peak signal level of the local monitor pre fader outputs The BUS PEAK LED s indicate that signals are near clipping on the master busses pr...

Page 29: ...continuous adjustment of the post limiter signals from 10dB to off The MONO SOLO TRIM adjusts the incoming solo level before sending it to the monitor output The control range is from 6dB to off with...

Page 30: ...ch allows multiple channel or output soloing In this mode input solos have priority over output solos and will temporarily override them When the input solo is cancelled the output solos will return T...

Page 31: ...6 9 12 15 18 21 24 27 30 33 36 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 matrix aux 1 6 aux 1 6 aux 1 6 aux 1 6 aux 7 10 aux 7 10 aux 7 10 aux 7 10 0 6 0 6 0 6 0 6 0 6 0 6 0 6 0 6 0 6 0 6 0...

Page 32: ...ect the master module talkback systems to the individual matrix busses The master module can route it s oscillator pink noise external input or talk mic The DIRECT input control gives continuous adjus...

Page 33: ...more than 1 second the latching is disabled and when the switch is released the channel solo will turn off As a default the solo system is auto cancelling so each new solo cancels the last The SOLO AD...

Page 34: ...nes fader seconds virtual hold 3 s group headphones solo in place vca 1 2 3 4 5 6 7 8 9 10 automation system hold 3 seconds 1 2 3 4 5 6 7 8 9 10 a s s I g n k y e s MIDAS HS1031 act scene up now down...

Page 35: ...ous settings Press the SET switch on the input channels to which the assignment is required Again there are two ways to do this a long press will remove all prior settings on the input and replace the...

Page 36: ...with ten quick entry points within an ACT SCENE sequence i e If FAST SCENE key one is associated with ACT SCENE 10 02 pressing it will recall ACT SCENE 10 02 Fast scenes are generated by using the CO...

Page 37: ...us NEXT recalls the snapshot numerically proceeding the snapshot that is currently recalled stored NOW recalls the snap shot that is currently indicated on the numeric display LAST recalls the snap sh...

Page 38: ...r on the numeric display The scene that was originally at the number and all con current scenes will be re numbered by adding one to their scene numbers COPY This will copy the snapshot currently disp...

Page 39: ...made the fader position stored will always be the actual current position of the real fader In VIRTUAL FADER MODE the console automation takes control of all internal VCA systems and displays a repre...

Page 40: ...ent can be removed by returning the fader to the 0dB position or by clearing the fader to infin as detailed below If a new scene is recalled the fader adjustments will all be cleared and the set leds...

Page 41: ...desired When storing a scene the information loaded into the scene memory will always be as displayed by the leds This still applies if a fader is isolated by the fader safe or automation safe switche...

Page 42: ...clears all scene information on the console to give a clean starting point for programming MIDI OUT1 MIDI Out Message 1 OUT2 Out Message 2 OUT3 Out Message 3 OUT4 Out Message 4 MIDI Out Sub Menus deno...

Page 43: ...lay will revert back to default When Overstoring an existing scene the following options are available OVERSTORE OVR STOR The scene is over stored and display reverts back to scene number XFADE The cr...

Page 44: ...ED s on the input channel will illuminate If the SET button is pressed quickly the VCA s selected on the assign keys will be added to those already selected on the channel If the SET button is pressed...

Page 45: ...ll be dropped back to the first level of the menu When the desired messages have been edited press the MIDI button again to drop out of the menu f To then store the information with the scene the STOR...

Page 46: ...ish to delete Or display the scene number on the screen using the ACT SCENE UP and DOWN buttons When this is done press the DELETE button You will be asked to confirm this Press the CONFIRM button the...

Page 47: ...following conditions must be true a The AUTO ENAB menu setting must be set to YES b The console must not be in TOTL TOTaL Lock Mode c The console use must not be performing any menu operations Midi In...

Page 48: ...l and click on Save To File 5 A prompt will appear asking for a show a name Give the file type as shw 6 Click on OK and the file will be saved 1 Connect the null modem cable 2 Select Show menu and cli...

Page 49: ...n a slave console If this is done you will see a warning message on the Master indicating that the scene does not exist and prompting for conformation at which point the master will recall the require...

Page 50: ...No Connectors 1 5 Pin XLR NC5MXB X Series 2 Neutrik NC5MXB CON31 5MXB 2 5 Pin XLR NC5FXB X Series 1 Neutrik NC5FXB CON31 5FXB Cable 3 Cardinal 48400 Starquad 4 Core Cable 8m Farnell 152 133 Connector...

Page 51: ...Heritage 1000 Back Panel These 16 inputs can be replaced on an individual basis with the dual matrix module 32 Input channel 41...

Page 52: ...Rear Panel Left View Rear Panel Right View Rear Panel Centre View 42...

Page 53: ...HERITAGE 1000 FRAME MEASUREMENTS Thru Out 1700mm 66 9 340mm 13 4 140mm 5 5 810mm 31 9 43...

Page 54: ...2 input frame 1700mm 66 9 40 input frame 1950mm 76 8 48 input frame 2200mm 86 6 56 input frame 2450mm 96 5 Centre Modules Inputs Inputs 16 Inputs 8 Inputs 16 Inputs 8 Inputs 8 Inputs HERITAGE 1000 FRA...

Page 55: ...bus direct inputs 3 solo bus inject inputs 2 external inputs 2 track return 3 master bus inject 1 talk mic input 1 talk external input 5 The 1000 has a total XLR output count of 38 as follows 10 audio...

Page 56: ...group virtual assign switches 480 input channel mute sub group virtual assign switches 48 input channel mute switches 10 audio sub group mute switches 10 aux mute switches 10 auto mute switches 10 VCA...

Page 57: ...to 20kHz Mic EIN ref 150 gain 60dB 128dBu System Noise 20 to 20kHz 48 channels routed with faders down 80dB Line to Mix Noise 48 channels routed at 0dB pan centre 75dB Distortion at 1kHz Mic to Mix 40...

Page 58: ...ng Freq Continuously variable 3dB point from 1k to 20k Hi Mid Gain Continuously variable 15 dB to 15 dB Centre detent 0dB Hi Mid Freq Continuously variable centre from 400Hz to 8k Hi Mid Bandwidth Con...

Page 59: ...safe automation LEFT BUS MONO BUS RIGHT BUS PFL BUS LEFT SOLO BUS RIGHT SOLO BUS SCENE PREVIEW CAN BUS LINK LINK LINK MIC LINE XLR INPUT A MIC LINE XLR INPUT B MIC LINE JACK INPUT B PHANTOM INSERT POI...

Page 60: ...der swap group aux aux aux stereo aux aux group meter aux 1 MUTE SOLO SOLO TALK 10 bus peak 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 0 10 level SAFE SAFE AUX PHASE REVERSE INSERT POINT RET...

Page 61: ...FL UPPER MATRIX OUTPUT LOWER MATRIX OUTPUT INSERT POINT RETURN SEND INSERT POINT RETURN SEND DEFAULT IS PRE LINK PRE POST 7 8 7 8 level level aux 1 6 aux 1 6 aux 7 10 aux 7 10 0 6 0 6 0 6 0 6 0 10 0 1...

Page 62: ...T LEFT TAPE INPUT RIGHT TAPE INPUT _ _ _ _ _ 10 dB 10 dB 10 dB 10 dB stereo to mono tape input tape input to to 0 10 0 10 ON PRE MONO ST UPPER MATRIX OUTPUT 10 dB 5 5 0 mute UPPER MATRIX OUTPUT 10 dB...

Page 63: ...TPUT SOLO MONO OUTPUT SOLO LEFT INJECT SOLO INJECT RIGHT SOLO INJECT MONO SOLO LEFT BUS SOLO BUS RIGHT SOLO BUS MONO MONITOR TAPE LEFT MONITOR STEREO LEFT MONITOR TAPE RIGHT MONITOR STEREO RIGHT _ MON...

Page 64: ...54...

Page 65: ...IS PAN MONO ST PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PAD 48V EQ O PRE B MUTE 35 disable all automation pan O O 20 60 160 400 hi mid high pass bass gain freq 2k 5k 10k 20k 400 1k 3k 8k 20 50 100 lo m...

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