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the
DYNAMIC VOICE) work well with a setting of 1.0 or 2.0. Lead sounds seem to support higher settings of 3.0 through 7.0
with the craziest sounds occurring at
6.5 through 7.0. At settings this high, it will probably be necessary to reduce the programmable
MASTER control in order to balance the volume level with other presets that do not use the
DYNAMIC VOICE.
The
DYNAMIC VOICE was designed to complement the LEAD 2 modes in particular. This circuit is very effective in shaping the post
tone control Lead circuits that make up LEAD 2. As mentioned, these modes don’t benefit from high settings of the BASS control,
because large quantities of Bass dialed up early in the pre-amp, produce flubby indistinct attack characteristics. The pre-set curve in
the
DYNAMIC VOICE was custom tailored to add just the right frequencies of Bass, blended with specific highs to yield a huge low
end, while retaining a tight focused attack. The Boosting with
DYNAMIC VOICE occurs for these 3 modes late in the circuit, where
it is most effective and least detrimental to the tight attack. However, don’t let this dedication prevent you from experimenting with
the
DYNAMIC VOICE, as you will find it an enhancement in virtually all of TriAxis’ 8 modes. We just wanted you to understand our
thinking on this - in order to know best where to use the
DYNAMIC VOICE and how much to use it, to obtain the best overall results
from this intuitive equalizer circuit.
80
240
750
2200
6600
80
240
750
2200
6600
80
240
750
2200
6600
80
240
750
2200
6600
SETTING
4.5
MIX
40%
0.0
SETTING
MIX
0%
SETTING
2.0
MIX
20%
SETTING
7.0
MIX
70%
THE CONTROLS:
(Continued)