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Mackie SP260, Quick Start Manual

The 808 SP260 comes with a detailed Quick Start Manual, providing step-by-step instructions to enhance your user experience. This comprehensive manual is available for free download from manualshive.com. Discover everything you need to know about your 808 SP260 and unleash its full potential.

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Quick Star

t Guide

7

Quick Start Guide

PUSH

PUSH

ON

OUTPUTS

MAIN

GND

LIFT

ATTENTION

: RISK OF ELECTRIC SHOCK

DO NOT OPEN THE COVER

100-240 VAC

 40W 50/60 Hz

FUSE: T 800mAL 250V

A

B

1

2

3

4

5

6

INPUTS

SPEAKER OUTPUTS

SPEAKER OUTPUTS

SPEAKER OUTPUTS

SP260

1642VLZ4

Bi-amped Passive Full-Range Loudspeakers with Subwoofers

Altavoces biamplificados pasivos de rango completo con subwoofers

Enceintes passives Full-Range bi-amplifiées avec Subwoofers

Mit Bi-Amping betriebene passive Breitbandlautsprecher und Subwoofer

Powered Arrayable Loudspeakers and Subwoofers

Matriz de altavoces y subwoofers autoamplificados

Enceintes et Subwoofers actifs montables en Array

Aktive Array-Lautsprecher und Subwoofer

PUSH

PUSH

ON

OUTPUTS

MAIN

GND

LIFT

ATTENTION

: RISK OF ELECTRIC SHOCK

DO NOT OPEN THE COVER

100-240 VAC

 40W 50/60 Hz

FUSE: T 800mAL 250V

A

B

1

2

3

4

5

6

INPUTS

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

PAN

L

R

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

1

MUTE

PAN

L

R

2

MUTE

PAN

L

R

3

MUTE

PAN

L

R

4

MUTE

PAN

L

R

5

MUTE

PAN

L

R

6

MUTE

PAN

L

R

7

MUTE

PAN

L

R

8

MUTE

PAN

L

R

9

MUTE

PAN

L

R

10

MUTE

PAN

L

R

11

MUTE

PAN

L

R

12

MUTE

PAN

L

R

13

MUTE

PAN

L

R

14

MUTE

PAN

L

R

15

MUTE

PAN

L

R

16

MUTE

 PAD

-20dB

1

LOW CUT

100 Hz

GAIN

 PAD

-20dB

2

LOW CUT

100 Hz

GAIN

 PAD

-20dB

3

LOW CUT

100 Hz

GAIN

 PAD

-20dB

4

LOW CUT

100 Hz

GAIN

 PAD

-20dB

5

LOW CUT

100 Hz

GAIN

 PAD

-20dB

6

LOW CUT

100 Hz

GAIN

 PAD

-20dB

7

LOW CUT

100 Hz

GAIN

 PAD

-20dB

8

LOW CUT

100 Hz

GAIN

 PAD

-20dB

9

LOW CUT

100 Hz

GAIN

 PAD

-20dB

10

LOW CUT

100 Hz

GAIN

 PAD

-20dB

11

LOW CUT

100 Hz

GAIN

 PAD

-20dB

12

LOW CUT

100 Hz

GAIN

 PAD

-20dB

13

LOW CUT

100 Hz

GAIN

 PAD

-20dB

14

LOW CUT

100 Hz

GAIN

 PAD

-20dB

15

LOW CUT

100 Hz

GAIN

 PAD

-20dB

16

LOW CUT

100 Hz

GAIN

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

1

2

SUBGROUPS

PUSH

TO TALK

MAIN

RIGHT

AUX 1-4

SOLO

STEREO

LEFT

RIGHT

SOLO

LEFT

RIGHT

SOLO

STEREO

LEFT

RIGHT

SOLO

LEFT

1

2

3

4

MAIN MIX

TALKBACK

OFF

MAX

COMP

OFF

MAX

COMP

OFF

MAX

COMP

OFF

MAX

COMP

LEVEL

PHONES

TO AUX 1

TO AUX 2

SOLO

MONITOR

TAP

DELAY

MUTE

TO AUX 1

TO AUX 2

TAP

DELAY

MUTE

FX MASTER

FX MASTER

TO LR

TO LR

FX

2

SIG/OL

FX

1

SIG/OL

SOLO

SOLO

1

2

3

4

SOLO

SOLO MODE

SOLO

SOLO

SOLO

SOLO

SOLO

PFL

AFL

AUX

AUX

AUX

AUX

CH 1-2

CH 3-4

AUX 5-6

PWR

RUDE SOLO

48V

USB OUT

SUBS 3-4

20

10

7

4

2

0

2

4

7

10

20

30

LEVEL

SET

SUBS 1-2

MAIN

TO LR

TAPE
USB

2-TRACK RETURN

SUCK

SOLO

12V

0.5A

OFF

MAX

COMP

OFF

MAX

COMP

OFF

MAX

COMP

OFF

MAX

COMP

LOW CUT

100 Hz

LOW CUT

100 Hz

LOW CUT

100 Hz

LOW CUT

100 Hz

FX 1

FX 2

USB

21

22

23

24

HI

12k

HI

MID

2.5k

LOW

MID

400Hz

HI

MID

2.5k

-15

+15

U

-15

+15

U

-15

+15

U

-15

+15

U

LOW

80Hz

LOW

MID

400Hz

LOW

80Hz

-15

+15

U

HI

12k

2

3

4

5

6

1

+15

U

+15

U

+20

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

-15

+15

U

-15

+15

U

-15

+15

U

-20

+20

U

-20

+20

U

AUX MASTER

LR

STEREO RETURNS

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

FREQ

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

FREQ

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

FREQ

MID

200

2k

800

100

8k

EQ

EQ

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

FREQ

MID

200

2k

800

100

8k

PAN

L

R

17

MUTE

PAN

L

R

18

MUTE

PAN

L

R

19

MUTE

PAN

L

R

20

MUTE

BAL

L

R

21/22

MUTE

ALT 3-4

BAL

L

R

0 dB=0 dBu

LEFT RIGHT

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

23/24

MUTE

ALT 3-4

30

20

10

10

40
50

5

5

U

60

dB

O

O

30

20

10

10

40
50

5

5

U

60

dB

O

O

30

20

10

10

40
50

5

5

U

60

dB

O

O

30

20

10

10

40
50

5

5

U

60

dB

O

O

30

20

10

10

40
50

5

5

U

60

dB

O

O

30

20

10

10

40
50

5

5

U

60

dB

O

O

17

GAIN

18

GAIN

19

GAIN

20

GAIN

LINE GAIN

LINE GAIN

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

50%

100%

0%

25%

75%

HD1801

HDA x3

HDA x3

SP260

2404VLZ4

HD1801

Summary of Contents for SP260

Page 1: ...1 EDIT MUTE LIMIT CLIP 15 9 3 0 15 2 EDIT MUTE LIMIT CLIP 15 9 3 0 15 3 EDIT MUTE LIMIT CLIP 15 9 3 0 15 4 EDIT MUTE LIMIT CLIP 15 9 3 0 15 5 EDIT MUTE LIMIT CLIP 15 9 3 0 15 6 EDIT MUTE 2x6 SPEAKER...

Page 2: ...uipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is...

Page 3: ...l mites han sido dise ados para ofrecer una protecci n razonable contra las interferencias molestas que se pueden producir cuando se usa este aparato en un entorno no profesional Este aparato genera...

Page 4: ...u elle soit accessible tout moment et fonctionnelle 20 REMARQUE Cet appareil r pond aux normes sur les quipements num riques de Classe B alin a 15 des lois f d rales Ces normes pr sentent une protecti...

Page 5: ...iften Diese Einschr nkungen sollen angemessenen Schutz vor sch dlichen Inter ferenzen bei der Installation in Wohngebieten bieten Dieses Ger t erzeugt verwendet und kann Rundfunkfrequenz Energie ausst...

Page 6: ...INPUTS SPEAKER OUTPUTS SPEAKER OUTPUTS SPEAKER OUTPUTS IMPEDANCE 8 OHMS S518S PASSIVE SUBWOOFER POWER 900 WATTS PROGRAM SERIAL NUMBER REVISION INPUT THRU PARALLEL IMPEDANCE 8 OHMS S518S PASSIVE SUBWOO...

Page 7: ...AUX 15 U 3 4 5 6 15 U 15 U 15 U 15 U FX AUX5 6 PRE PRE FX1 FX2 PRE 1 2 15 U AUX 15 U 3 4 5 6 15 U 15 U 15 U 15 U FX AUX5 6 PRE PRE FX1 FX2 PRE 1 2 15 U AUX 15 U 3 4 5 6 15 U 15 U 15 U 15 U FX AUX5 6 P...

Page 8: ...LIMIT CLIP 15 9 3 0 15 2 EDIT MUTE LIMIT CLIP 15 9 3 0 15 3 EDIT MUTE LIMIT CLIP 15 9 3 0 15 4 EDIT MUTE LIMIT CLIP 15 9 3 0 15 5 EDIT MUTE LIMIT CLIP 15 9 3 0 15 6 EDIT MUTE 2x6 S P E A K E R P R O...

Page 9: ...ipci n del panel frontal y trasero EN ES FR DE EN ES FR DE 1 Netzanschluss Verbinden Sie das mitgelieferte Netzkabel mit diesem IEC Anschluss 2 Power Schalter Schaltet den SP260 ein aus 3 Lift Gnd Tre...

Page 10: ...esa de mezclas hasta llegar a un nivel de escucha c modo 1 Lisez les instructions importantes sur la s curit page 4 et assurez vous de les avoir bien comprises 2 Avant d effectuer toute connexion assu...

Page 11: ...a R ponse en fr quence Frequenzgang 20 Hz 20 kHz 0 2 dB AD DA AD DA AN NA AD DA Converter Type Tipo de convertidor Type de convertisseur Wandlertyp 24 bit AKM Dynamic Range Rango din mico Plage Dynami...

Page 12: ...MANUAL DE INSTRUCCIONES de este aparato DESC RGUESE lo ltimo en software firmware y drivers para este producto cuando sea aplicable REGISTRAR este aparato PONERSE EN CONTACTO con el departamento de s...

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