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8

Typical Set-Up - Fig. 2

Stereo

Left

Power Amplifier

Left

Right

Right

Left

Right

Input

Output

Mix

Effects Unit

OUT R

&

OUT L

 

SEND

STR RET

To EQable Ins

(3 & 4)

To

 Unity Gain Ins

(9 & 10)

Speakers

Microphones

Left Output

Right Output

GAIN

00   +20

SEND

0      +6

SEND

0      +6

SEND

0      +6

SEND

0      +6

SEND

0      +6

SEND

0      +6

LOW

-15    +15

MID

-15    +15

HIGH

IN 1

MIC 1

IN 2

MIC 2

-15    +15

LOW

-15    +15

MID

-15    +15

HIGH

-15    +15

LOW

-15    +15

MID

-15    +15

HIGH

-15    +15

LOW

-15    +15

MID

-15    +15

HIGH

-15    +15

PAN

L       R

GAIN

00   +20

PAN

L       R

GAIN

00   +20

PAN

L       R

GAIN

00   +20

PAN

L       R

GAIN

00   +20

BAL

L       R

GAIN

00   +20

BAL

L       R

1

5/6

7/8

2

3

4

3 mon

4 mon

5L mon

6R str

7L mon

8R str

9L mon

OUT L

OUT R

STR RET

SEND

10R str

TAPE IN

LEFT

RIGHT

TAPE OUT

LEFT

RIGHT

POWER

STEREO RTN

00    Max

PHONES

MAIN

00   Max

-

20

0

+8

CLIP

MI

X

IM 10

TM

1 0   C H A N N E L   M I X E R

l

Headphones

MIDI Sound Module

Left

Right

Master Keyboard

Master Keyboard

Summary of Contents for Mixim 10

Page 1: ...Channels 5 to 10 6 Channels 9 and 10 6 Tape In RCAs 6 Send Controls 6 Stereo Return 7 Main Level Pot and LEDs 7 Tape Out RCAs 7 Power Indicator and Switch 7 Typical Set Up Fig 2 8 Setting Up 9 Settin...

Page 2: ...ucture that maximizes headroom The unit s simple and efficient design and ultra compact layout elimi nates any measurable noise The unit also has a higher than usual voltage rail across its internal o...

Page 3: ...be mixed and expensive studio console inputs are at a premium miXim 10 is the answer for combining several of the instruments into a single stereo mix which is then patched into the main mixing board...

Page 4: ...ID 15 15 HIGH 15 15 PAN L R GAIN 00 20 PAN L R GAIN 00 20 PAN L R GAIN 00 20 PAN L R GAIN 00 20 BAL L R GAIN 00 20 BAL L R 1 5 6 7 8 2 3 4 3 mon 4 mon 5L mon 6R str 7L mon 8R str 9L mon OUT L OUT R ST...

Page 5: ...ced XLR inputs they can also function as high or low gain inputs These 1 4 inputs are somewhat special in that they can be used as unbalanced inputs by using a mono plug or as bal anced inputs by usin...

Page 6: ...ts If you put mono jacks in both the left 5 7 or 9 and right 6 8 or 10 inputs you will get the left signal going to the left main output and the right signal going to the right main output If you put...

Page 7: ...y 20 dB and the noise floor is at 95 dB this gives miXim 10 a Signal to Noise S N ratio of well over 100 dB Because of this you can run the outputs at the 8 on the Main Level LED Meters or slightly ab...

Page 8: ...1 IN 2 MIC 2 15 15 LOW 15 15 MID 15 15 HIGH 15 15 LOW 15 15 MID 15 15 HIGH 15 15 LOW 15 15 MID 15 15 HIGH 15 15 PAN L R GAIN 00 20 PAN L R GAIN 00 20 PAN L R GAIN 00 20 PAN L R GAIN 00 20 BAL L R GAI...

Page 9: ...n 9 and 10 inputs will have to be controlled from the individual instruments If you have a MIDI volume controllable instrument you can plug its stereo out put into the 9 and 10 inputs and make level a...

Page 10: ...lp drive a power amplifier or boost a signal from 10 to 4 dB signal levels For unity gain these pots should be set to about 9 o clock For greatest S N ratio Master Levels should be run as close to cli...

Page 11: ...level on the miXim 10 so that the effects unit is getting the hottest possible signal without overloading Set the effects unit to output wet processed signal only and use the miXim 10 s return level...

Page 12: ...ent fee The customer will have the option to pay this fee and have the unit repaired and returned or not pay this fee and have the unit returned unrepaired The remedy for breach of this limited warran...

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