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KeyStudio User Guide

Getting Started with Music Creation Software

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If you are new to MIDI (Musical Instrument Digital Interface), you may find it challenging to understand why sounds have not simply 
been included in the keyboard  You will find that using a software-based sound source and recording system allows for access 
to an extremely large array of high quality sounds, a large graphic user interface, and freedom to work with many music creation 
applications. A basic understanding of MIDI will enable you to take advantage of its wealth of creative possibilities.

Pressing a KeyStudio key causes the keyboard to send out MIDI (Musical Instrument Digital Interface) data. MIDI data just gives 
instructions on how a sound should play  These instructions dictate parameters such as what note to play, when to play it, how loud 
to play it, and which sound to use  

When using a virtual (software) instrument within your recording software, data from the KeyStudio keyboard is sent to the 
sequencer software, routed to a virtual instrument, and sent to an audio output. This process turns MIDI data into audible sounds. 
For this, you must configure your music software to read MIDI data being sent from KeyStudio, and play the sound back accordingly. 
In many music applications, much of this process is automated. GarageBand, for example, only requires you to highlight a Software 
Instrument track in order to be able to hear what you are playing on your KeyStudio keyboard  Provided your computer has built-in 
speakers, or you have external speakers connected (and these speakers are not muted or turned down), you should hear sounds 
corresponding to notes you play on KeyStudio. See the documentation associated with any MIDI-compatible music software you are 
using for more information  

Key Names

The letters printed above the white keys stand for the names of the musical notes the keys represent. The number next to each 
letter marks the octave each key belongs to  (More information on octaves can be found in the following section ) Black keys are 
“semitones” to their adjacent white keys and don’t have a dedicated letter. A semitone represents the distance in pitch from one note 
to its immediate neighbor  

Black keys usually have the same name as the next higher or lower white key, but have an additional sharp symbol (# – semitone 
higher than the letter indicates), or flat symbol (b – semitone lower than the letter indicates) attached to them. For example, the name 
of the black key to the right of C3 is C#3 (C-sharp 3), but it can also be called Db3 (D-flat 3), since it is also adjacent to the D key 
on its right. In other words, black keys have two valid names, depending on the context of the musical notation they are part of. 

Octave Buttons

An octave contains 12 notes, and each octave is marked out clearly on your KeyStudio keyboard by black and white sections starting 
on C. Each octave is given a number.

KeyStudio is able to shift the pitch of its keys up or down by one or more octaves  When the keyboard’s octaves are not shifted 
(octave shift set to zero), the lights above both the Octave “<” and Octave “>” buttons will be lit. The default octave shift designation 
is zero and will be the octave setting each time you power up the keyboard 

If you press the Octave “>” button once, the light above the Octave “<” button will go out, indicating the keyboard is now playing 
an octave higher. If you press the Octave “>” button again, the keyboard will be shifted up two octaves. It is possible to shift the 
keyboard up a total of four octaves using the Octave “>” button. To shift the octave down, press the Octave “<” button in the same 
manner: pressing once for one octave, twice for two octaves, and three times for three octaves   It is possible to shift the keyboard 
down a total of three octaves 

To return the keyboard’s octave shift to zero, press both the Octave “<” and “>” buttons at the same time. Both LEDs will light, 
indicating that the octave shift has returned to zero  In summary, when the Octave buttons are set to control octave shift (default), if 
the light is only lit above the Octave “>” button, the octave is shifted up. If the light is only lit above the Octave “<” button, the octave 
is shifted down 

Summary of Contents for KeyStudio

Page 1: ...1 KeyStudio User Guide KeyStudio User Guide...

Page 2: ...Features in Edit Mode 8 Advanced Functions in Edit Mode 9 Octave Buttons Options 9 Octave Shift 9 Transpose 10 Channel 10 Program Change 11 Bank LSB and Bank MSB 11 Other Assignable Controllers 12 The...

Page 3: ...anced functions and programming Pitch Bend wheel Sustain foot pedal input Modulation wheel MIDI re assignable no driver installation needed simply connect and power on Volume slider MIDI re assignable...

Page 4: ...before you decide to install operating system updates Before new M Audio device drivers are released they are tested for use with the operating system versions that are available at that time When upd...

Page 5: ...computer when beginning the installation The following instructions will indicate when you should connect it to your computer 1 Download the latest KeyStudio driver from the Support Drivers page at ww...

Page 6: ...tudio keyboard s features This means that no additional M Audio drivers are necessary or available when using your KeyStudio keyboard on Mac OS X simply connect the controller keyboard to the computer...

Page 7: ...octaves can be found in the following section Black keys are semitones to their adjacent white keys and don t have a dedicated letter A semitone represents the distance in pitch from one note to its...

Page 8: ...d The keyboard will automatically detect the correct polarity when powering up If you want to reverse the polarity simply press the pedal when you switch on your keyboard The foot pedal is normally us...

Page 9: ...o the Octave buttons KeyStudio will exit Edit mode as soon as you push one of these keys PLEASE NOTE Some of the functions that the Octave buttons can be used for cannot send out a value less than zer...

Page 10: ...the transposition These black keys represent TRANSPOSE TRANSPOSE 0 and TRANSPOSE respectively To assign the Octave and buttons to transpose 1 Press the Edit Mode button 2 Press the black key above D1...

Page 11: ...lect a specific sound patch as is the case here If the Octave and buttons have been assigned to control the program number Method 1 the lights above the buttons will not change since it is not possibl...

Page 12: ...ng from and including zero to 131 MIDI continuous controllers MIDI CC s For these controller values to have any effect on the sound the receiving software or device has to be able to read and respond...

Page 13: ...rameter 1 Press the Edit Mode button 2 Press the black key above D4 D 4 representing SLIDER ASSIGN 3 Use the Numerical Data Entry keys G3 B4 to enter the number of the controller value you want to ass...

Page 14: ...that are built with Roland s GS specification or Yamaha s XG specification require you to specify a bank change in order to access the extra voices and effects that these devices provide MIDI CC 0 is...

Page 15: ...further details NRPN RPNs Non registered parameter numbers NRPN s are device specific messages that enable you to control synths and sound modules via MIDI The MIDI specification defines open paramete...

Page 16: ...in my software s MIDI devices dialog box Solution 4 KeyStudio requires a powered USB port Try plugging KeyStudio into a different USB port or powered USB hub connected to your computer Problem 5 My sy...

Page 17: ...3 Edit mode will exit and there will no longer be any sustaining notes Reset All Controllers If one or more of the loaded sound patches doesn t sound as expected then it may mean that a MIDI CC has ap...

Page 18: ...llo 43 Contrabass 44 Tremolo Strings 45 Pizzicato Strings 46 Orchestral Harp 47 Timpani Ensemble 48 String Ensemble 1 49 String Ensemble 2 Slow 50 Syn Strings 1 51 Syn Strings 2 52 Choir Aahs 53 Voice...

Page 19: ...ntroller 60 61 Controller 61 62 Controller 62 63 Controller 63 64 Sustain Pedal 65 Portamento 66 Sostenuto 67 Soft Pedal 68 Legato Pedal 69 Hold 2 70 Sound Variation 71 Resonance 72 Release Time 73 At...

Page 20: ...ster Tune coarse Adjusts the tuning of your sound module or synthesizer in large steps 130 Master Tune fine Adjusts the tuning of your sound module or synthesizer in small steps 131 Monophonic Afterto...

Page 21: ...ng the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Re orient or relocate the receiving antenna Increase the separation betwe...

Page 22: ...ad Irwindale CA 91706 USA TECHNICAL SUPPORT Visit the M Audio Online Support Center at www m audio com support PRODUCT INFORMATION For company and product information visit us on the web at www m audi...

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