Lexicon M300L, Owner'S Manual

Page: 114 / 162

5-13
The Presets
P109 DM: PCH/COMP SoftSlider INPUT PAN 0
MA:B15P6 VOCAL SHIFT MB:B16P3 VOICE OVER
Send a vocal track into the left input and send a mono prefade vox premix into the right input. The
SoftSlider conveniently lets you send the inputs to the opposite processor.
MA: B15P6 VOCAL SHIFT
A short delay line recirculating around a maximum -21 cent pitch shifter. However, the amount of
pitch shifting will vary with the input level, going more negative in pitch as the level increases.
MB: B16P3 VOICE OVER
This is a fairly agressive voice compressor, with 7dB of boost below the preset threshold of -17dB.
A quick release of 58ms snaps up the volume. As with all compressor programs, Threshold is the
critical parameter.
P110 DM: COMP/COMP SoftSlider INPUT PAN 0
MA:B16P5 SMAKO! MB:B16P5 SMAKO
In this Dual Mono Setup any audio (analog or digital) should be sent pre-fade or inserted into console
patch points. The SoftSlider controls the input routing from each input to each processor. The default
is Left In / Right In to Mach A / Mach B.
MA: B16P5 SMAKO!
A lot of Gain (13dB) with alot of Slope (4 : 1) wtih the Threshold a couple of bits down from Dbfs.
Careful !! You may need to adjust Threshold to make it work for the particular signal you’re feeding
it. The release parameter rips the signal up within 91 ms.
MB: B16P5 Smako!
See MA above.
P111 DM:SLOW SPIN SoftSlider LFO RATE 50
MA:B12P8 LFO:FAZEDLYS MB:B12P3 CHORUS
The LFO is set to 0.88Hz with a Triangle waveform, and is attached to both Machine A and B’s Flange
Glide Delays. Advancing the SoftSlider will drive the LFO faster and speed things up, but may cause
Machine A to pitch too heavily. This preset can be used with either mono or stereo sources, but
discrete echoes will appear at the left output.
MA: B12P8 LFO:FAZEDLYS
Faze Dlys makes use of the LFO to the Flange Glide Delay (FDLY). The base delays are set in
different time domains: one side at 1.9ms with a feedforward gain; the other at 5.6 with a negative
feed gain. As the Glide passes over each base delay, the phase of each gain is changed. In between,
the output is a mixture of each. A great effect on a ripping guitar solo.
MB: B12P3 CHORUS
This preset makes use of a small variation in the glide delay to modulate the sound. The glide moves
between 9.7ms and 11.8ms. Advancing the LFO to values near 1.50Hz to 2.0 Hz yields a nice
chorusing effect. There are no other delay lines, but the output lines are channel-swapped such that
the left input passes to the right output and vice-versa. In a Dual Mono Setup, this is ,of course,
inaudible.