manualshive.com logo in svg

Korg TouchView Trinity, Effect Manual, Page: 44 / 160

Share
Download
Korg TouchView Trinity Effect Manual Download Page 44

23: Ring Modulator

40

23: Ring Modulator

This effect creates a metallic sound by routing the input signal to an Oscillator. You will obtain a very rad-
ical modulation by modulating or operating the Oscillator using an LFO or dynamic modulation. Since 
the Oscillator frequency can match the note number, you can create a ring modulation effect that follows 
the scale.

a

Pre LPF

0…100

Sets the damping amount of the sound input to the Ring 
Modulator in the high range. 

☞

P.40

b

OSC Mode

Fixed, Note (Key Follow)

Determines whether the Oscillator frequency is specified 
or the note number is followed. 

☞

P.40

c

Fixed Frequency [Hz]

0…12.00kHz

Oscillator frequency when OSC Mode = Fixed 

☞

P.41

Src

None…Tempo

Modulation Source of the Oscillator frequency when OSC 
Mode = Fixed

Amt

–12.00…+12.00kHz

Modulation Amount of the Oscillator frequency when OSC 
Mode = Fixed

d

Note Offset

–48…+48

Pitch difference from the note number when OSC Mode = 
Note (Key Follow) 

☞

P.41

Src (fixed)

Note No.

Note number information source (Fixed to Note #) 

☞

P.41

e

Note Fine

–100…+100

Fine adjustment of the Oscillator frequency 

☞

P.41

f

LFO Frequency [Hz]

0.02…20.00Hz

Speed of LFO that modulates the Oscillator frequency

Src

None…Tempo

Modulation source of LFO speed

Amt

–20.00…+20.00Hz

Modulation amount of LFO speed

g

Depth

0…100

Depth of LFO modulation applied to the Oscillator fre-
quency

Src

None…Tempo

Modulation source of modulation depth

Amt

–100…+100

Modulation amount of modulation depth

h

Wet/Dry

Dry, 1:99…99:1, Wet

Sets the balance between the effect and dry sounds.

Src

None…Tempo

Modulation source of effect balance

Amt

–100…+100

Modulation amount of effect balance

a: Pre LPF

This parameter sets the damping amount of the sound input to the Ring Modu-
lator. If the input signal contains a lot of harmonics, the effect sound tends to be 
dirty. In this case, cut a certain amount of the high range.

b: OSC Mode

This parameter determines whether the Oscillator frequency follows the note 
number.

In

Wet / Dry

Mono In - Mono Out

Note No.

OSC Mode

Fixed

Note (Key Follow)

Pre LPF

Fixed Frequency

Pitch

Note Offset, Fine

Sine Oscillator

Ring Modulator

LFO

Summary of Contents for TouchView Trinity

Page 1: ...1 E...

Page 2: ...imiter 15 03 Gate 17 04 Overdrive Hi Gain 19 05 Parametric 4EQ Parametric 4 Band EQ 20 06 Graphic 7Band EQ 22 07 Wah Auto Wah 23 08 Random Filter 25 09 Dyna Exciter 26 10 Sub Oscillator 27 11 Decimato...

Page 3: ...Tempo Flanger 72 20 Stereo Phaser 73 21 St Random Phaser Stereo Random Phaser 74 22 St Tempo Phaser Stereo Tempo Phaser 75 23 St Bi phase Mod Stereo Bi phase Modulation 76 24 Stereo Vibrato 78 25 2 V...

Page 4: ...Tempo Phaser 130 10 St Pitch Shifter Stereo Pitch Shifter 131 11 2Band Pitch Shifter 132 12 Rotary Speaker OD Rotary Speaker Overdrive 133 13 Early Reflections 135 14 L C R Long Delay 136 15 Stereo L...

Page 5: ...e and dynamics such as the equalizer limiter exciter etc to effects that simulate particular characteristics of certain musical instruments such as amp simulation rotary speaker and piano body damper...

Page 6: ...ds Therefore Size 1 effects have monaural input as shown in the figure on the next page If the Effect On Off parameter is turned Off the effect is bypassed When a size 1 effect is selected the bypass...

Page 7: ...in stereo out These fourteen effects can be used to pro vide overall ambience It is possible to route the modulation effects and reverb delay effects in series Send levels are set for each oscillator...

Page 8: ...sert Effects have been inserted or not the parameters will change accordingly If you have inserted Insert Effects the Send 1 and 2 parameters of P7 in Program Edit mode will become effective those of...

Page 9: ...er P5 in Global mode becomes ineffective and the sound will be panned in the center Adjust the stereo position using the Pan parameter P5 of Program Edit mode that comes after the Insert Effects P7 in...

Page 10: ...indepen dently Combination Insert Effects The Insert Effects selected in Program Edit mode are not used in Combination Edit mode Instead you can set Insert Effects for up to eight Timbres in a Combina...

Page 11: ...gle or Double mode Programs only DrumKit sounds that have been assigned to inst1 in P5 of Global mode will be grouped input into the Insert Effects of the Timbres Tracks that use Single or Double mode...

Page 12: ...sert a size 1 effect the input output becomes monaural In this case the Track s Pan parameter P1 Track Play Rec in Sequencer mode becomes ineffective and the pan setting will be in the center Adjust t...

Page 13: ...in Sequencer mode will become effective those of P1 3 Mix 1 8 and P1 4 Mix 9 16 will be ignored If you have not inserted Insert Effects the Send 1 and 2 parameters of P1 3 Mix 1 8 and P1 4 Mix 9 16 i...

Page 14: ...modulation of the Master Effects is controlled via the Global MIDI Channel e x Wet Dry 10 90 Src Aftr Touch Amt 50 In this case the effect balance is 10 90 As you apply After Touch the percentage of...

Page 15: ...cified by the sequencer or MIDI clock P 12 AUTOFADE Auto Fade only for some effects P 12 Gate1 Gate1 Sus The effect amount is at maximum during Note on When you release all the keys the effect will st...

Page 16: ...ulation effect amount to fade in automatically You cannot select AUTOFADE as a modulation source for the effects parameters that do not have the AutoFade function In the parameter table the mark appea...

Page 17: ...guitar amplifier sound It is also effective for organ sounds a Amplifier Type SS EL84 6L6 Selects the type of guitar amplifier b Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry s...

Page 18: ...nd dry sounds Src None Tempo Modulation source of effect balance Amt 100 100 Modulation amount of effect balance a Sensitivity f Output Level The Sensitivity parameter sets the sensitivity of the comp...

Page 19: ...Insert Off On Switches the trigger signal EQ on off P 16 g Side PEQ Cutoff Hz 20 12 00kHz Center frequency of the trigger signal EQ P 16 Q 0 5 10 0 Band width of the trigger signal EQ Gain dB 18 0 18...

Page 20: ...izer allows you to set the Limiter to respond to any frequency band h Trigger Monitor Setting this parameter On will cause the trigger signal to be output instead of the Limiter signal Use this parame...

Page 21: ...sec 0 100msec Delay time for gate input P 18 f Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation source of effect balance Amt 100 100 Modulation am...

Page 22: ...st attack increase the delay time so that the signal will be input after the Gate is opened This will preserve the attack part of the sound Input Level Output Level Threshold Louder Louder Threshold A...

Page 23: ...0kHz Band 4 center frequency Q 0 5 10 0 Band 4 bandwidth P 19 Gain dB 18 18dB Band 4 gain i Direct Mix 0 50 Mix amount of dry sound routed to Distortion j Wet Dry Dry 1 99 99 1 Wet Sets the balance be...

Page 24: ...Sets the Band 1 gain f Band2 Cutoff Hz 50 10 00kHz Sets the Band 2 center frequency Q 0 5 10 0 Sets the Band 2 bandwidth P 19 Gain dB 18 0 18 0dB Sets the Band 2 gain P 21 g Band3 Cutoff Hz 300 10 00k...

Page 25: ...dB f Gain dB You can control the gain of Band 2 using the modulation source Band2 Cutoff Band2 Cutoff 0dB 6dB 15dB Band2 Gain dB 6 0 Band2 Dynamic Gain Amt dB 9 0 D mod 0dB 6dB 9dB Band2 Gain dB 6 0...

Page 26: ...ts Band 2 gain e Band3 dB 18 0 18 0dB Sets Band 3 gain f Band4 dB 18 0 18 0dB Sets Band 4 gain g Band5 dB 18 0 18 0dB Sets Band 5 gain h Band6 dB 18 0 18 0dB Sets Band 6 gain i Band7 dB 18 0 18 0dB Se...

Page 27: ...24 Src None Tempo Modulation source used to control wah when Sweep Mode is set to D mod Response 0 10 How quickly the wah effect responds to dynamic modula tion d Envelope Sens 0 100 Sets the sensiti...

Page 28: ...the modulation source in the same way as a wah pedal d Envelope Sens This parameter sets the sensitivity of auto wah Increase the value if the input signal is too low to sweep Reduce the value if the...

Page 29: ...100 Modulation depth of filter center frequency Src None Tempo Modulation source of filter modulation Amt 100 100 Modulation amount of filter modulation d Resonance 0 100 Sets the resonance amount e...

Page 30: ...00 Modulation amount of the frequency to be emphasized c EQ Trim 0 100 2 band EQ input level d Pre LEQ Gain dB 15 0 15 0dB Low EQ gain e Pre HEQ Gain dB 15 0 15 0dB High EQ gain f Wet Dry Dry 1 99 99...

Page 31: ...ed g Envelope Shape 100 100 Sets the oscillator s volume envelope curve h Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation source of effect balanc...

Page 32: ...t of the sampling frequency c High Damp 0 100 Ratio of cut of the high range d Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation source of effect b...

Page 33: ...y from the original sound d Depth 0 100 Depth of LFO modulation Src None Tempo Modulation source of the LFO modulation depth Amt 100 100 Modulation amount of the LFO modulation depth e EQ Trim 0 100 E...

Page 34: ...plit point between the low and high range P 30 e Feedback 100 100 Feedback amount of the chorus block P 30 f High Damp 0 100 Chorus block damping amount in the high range g Low Level 0 100 Output leve...

Page 35: ...pth of LFO modulation Src None Tempo Modulation source of the LFO modulation depth Amt 100 100 Modulation amount of the LFO modulation depth d Wet Dry Dry 1 99 99 1 Wet Sets the balance between the ef...

Page 36: ...h range P 32 h Wet Dry Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and dry sounds P 25 32 Src None Tempo Modulation source of effect balance Amt 100 100 Modulation amount of effect balan...

Page 37: ...back amount P 32 i High Damp 0 100 Feedback damping amount in the high range P 32 j Wet Dry Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and dry sounds P 25 32 Src None Tempo Modulation s...

Page 38: ...fect and dry sounds P 25 32 Src None Tempo Modulation source of effect balance Amt 100 100 Modulation amount of effect balance c Sweep Mode c Src This parameter switches the flanger control mode With...

Page 39: ...0 100 Resonance damping amount in the high range P 35 h Wet Dry Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and dry sounds P 25 35 Src None Tempo Modulation source of effect balance Amt...

Page 40: ...LFO Mode D mod fixed to Tempo d Tempo beat min 30 250 beat min Tempo when LFO Mode Manual P 33 e Length 1 16 1 16 Sets the LFO cycle LFO Cycle Length x Whole Note f Manual 0 100 Sets the frequency to...

Page 41: ...is controlled by the enve lope generator or by the modulation source P 34 Src None Tempo Modulation source that triggers the EG when EG is selected for Sweep Mode or modulation source that causes the...

Page 42: ...pe is changed P 32 d LFO Frequency Hz 0 02 20 00Hz LFO speed Src None AUTOFADE Modulation source of LFO speed AutoFade is available Amt 20 00 20 00Hz Modulation amount of LFO speed e Depth 0 100 Depth...

Page 43: ...ds Src None Tempo Modulation source of effect balance Amt 100 100 Modulation amount of effect balance a Contol Mode g Resonance This parameter determines whether the resonance intensity is controlled...

Page 44: ...ed Note No Note number information source Fixed to Note P 41 e Note Fine 100 100 Fine adjustment of the Oscillator frequency P 41 f LFO Frequency Hz 0 02 20 00Hz Speed of LFO that modulates the Oscill...

Page 45: ...number in steps of semitones The Note Fine parameter is used to fine tune this setting in steps of cents When the oscillator frequency follows the note number you will obtain a ring modulation effect...

Page 46: ...on source of the depth of modulation Amt 100 100 Modulation amount of the depth of modulation e Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation s...

Page 47: ...Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation source of effect balance Amt 100 100 Modulation amount of effect balance a Sw This parameter sets how the rotation spee...

Page 48: ...ource of the input level P 44 Amt 100 100 Modulation amount of the input level f Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation source of effect...

Page 49: ...100 Damping amount in the high range P 44 f Low Damp 0 100 Damping amount in the low range P 44 g Input Level D mod Src None Tempo Modulation source of the input level P 44 Amt 100 100 Modulation amo...

Page 50: ...c 0 200msec Time taken from the original sound to the first early reflec tion d EQ Trim 0 100 Input level of EQ applied to the effect sound e Pre LEQ Gain dB 15 0 15 0dB Low range EQ gain f Pre HEQ Ga...

Page 51: ...lifier Type SS EL84 6L6 Selects the type of guitar amplifier b Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation source of effect balance Amt 100 1...

Page 52: ...Q Gain dB 15 0 15 0dB High EQ gain g Output Level 0 100 Output level from the compressor P 14 h Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation s...

Page 53: ...z Trigger signal s EQ center frequency P 16 Q 0 5 10 0 Trigger signal s EQ bandwidth Gain dB 18 0 18 0dB Trigger signal s EQ gain i Trigger Monitor Off On Switches between effect output monitor and tr...

Page 54: ...High Offset dB 40 0dB Gain of the high range trigger signal P 50 h Gain Adjust dB 16 24dB Sets the output gain P 15 i Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src N...

Page 55: ...00msec Delay time of gate input P 18 i Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation source of effect balance Amt 100 100 Modulation amount of...

Page 56: ...nnel signal mixture will trigger the gate on off When L Only or R Only is selected the gate is controlled by either of the channel signals c Polarity This parameter reverses the Gate on off operation...

Page 57: ...18dB Band 1 gain f Band2 Cutoff Hz 50 5 00kHz Band 2 center frequency Q 0 5 10 0 Band 2 bandwidth P 19 Gain dB 18 18dB Band 2 gain g Band3 Cutoff Hz 300 10 00kHz Band 3 center frequency Q 0 5 10 0 Ba...

Page 58: ...ter switches the wah effect on off The wah center frequency can be controlled by the modulation source specified in the Src parameter b Wah Sweep Range This parameter sets the sweep range of the wah c...

Page 59: ...ff Hz 20 1 0kHz Sets the center frequency for Band 1 Q 0 5 10 0 Band 1 bandwidth P 19 Gain dB 18 0 18 0dB Sets the gain of Band 1 f Band2 Cutoff Hz 50 10 00kHz Sets the center frequency for Band 2 Q 0...

Page 60: ...ion of center frequencies for each band P 22 b Trim 0 100 Sets the input level c Band1 dB 18 0 18 0dB Sets Band 1 gain d Band2 dB 18 0 18 0dB Sets Band 2 gain e Band3 dB 18 0 18 0dB Sets Band 3 gain f...

Page 61: ...18 0 18 0dB Sets Band 7 gain j Band8 dB 18 0 18 0dB Sets Band 8 gain k Band9 dB 18 0 18 0dB Sets Band 9 gain l Band10 dB 18 0 18 0dB Sets Band 10 gain m Band11 dB 18 0 18 0dB Sets Band 11 gain n Band...

Page 62: ...100 Filter center frequency d Depth 0 100 Modulation depth of filter center frequency Src None AUTOFADE Modulation source of filter modulation AutoFade is avail able Amt 100 100 Modulation amount of...

Page 63: ...of fade in where the effect balance is increased from Dry to 50 when a note on message is received a AUTOFADE Src Gate1 f Wet Dry Dry f Src AUTOFADE f Amt 50 The effect is off when a value for the dy...

Page 64: ...source of the Enhancer width Amt 0 100 Modulation amount of the Enhancer width f Enhancer Ambience 0 100 Determines to what degree the Enhancer ambience effect is applied P 60 g EQ Trim 0 100 2 band E...

Page 65: ...Formant Shift 100 100 Adjusts the frequency to which the effect is applied P 62 f Resonance 0 100 Level of resonance of the voice pattern g Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effe...

Page 66: ...set this parameter to a higher value to apply the effect to a lower range sound set this to a lower value f Resonance This parameter sets the intensity of resonance for the voice pattern A larger val...

Page 67: ...e Tempo Sets the modulation source of the sampling frequency Amt 24 00k 24 00kHz Sets the modulation amount of the sampling frequency c High Damp 0 100 Ratio of cut of the high range d Wet Dry Dry 1 9...

Page 68: ...0 50 0msec Delay time for the left channel P 65 e R Pre Delay msec 0 0 50 0msec Delay time for the right channel P 65 f Depth 0 100 Depth of LFO modulation Src None AUTOFADE Modulation source of the L...

Page 69: ...msec e R Pre Delay msec Setting the left and right delay time individually allows you to control the stereo image i Spread This parameter sets the width of stereo image of the effect sound A value of...

Page 70: ...Modulation source of the LFO modulation depth Amt 100 100 Modulation amount of the LFO modulation depth f High Low Split Point 1 100 Frequency split point between the low and high range P 30 g Feedbac...

Page 71: ...Pan L6 L1 C R1 R6 Tap2 stereo image d Tap3 090 msec 0 570msec Tap3 LFO phase 90 degrees delay time Depth 0 30 Tap3 chorus depth Level 0 30 Tap3 output level Pan L6 L1 C R1 R6 Tap3 stereo image e Tap4...

Page 72: ...peed b Shimmer 0 100 Amount of shimmering of the LFO waveform P 31 c Depth 0 100 Depth of LFO modulation Src None Tempo Modulation source of the LFO modulation depth Amt 100 100 Modulation amount of t...

Page 73: ...LFO speed AutoFade is available Amt 20 00 20 00Hz Modulation amount of LFO speed f Depth 0 100 Depth of LFO modulation g Feedback 100 100 Feedback amount P 32 FB Mode Normal Cross Sets the feedback ro...

Page 74: ...100 100 Feedback amount P 32 FB Mode Normal Cross Sets the feedback routing P 69 h High Damp 0 100 Feedback damping amount in the high range P 32 i Spread 100 100 Sets the width of stereo image of ef...

Page 75: ...18 St Random Flanger Stereo Random Flanger 71 size2 Random Flanger LFO LFO Step Freq LFO Frequency LFO Step Freq Step Tri Random...

Page 76: ...n LFO Mode D mod fixed to Tempo f Tempo beat min 30 250 beat min Tempo when LFO Mode Manual P 33 Length 1 16 1 16 Sets the LFO cycle LFO Cycle Length x Whole Note P 33 g Depth 0 100 Depth of LFO modul...

Page 77: ...z LFO speed Src None AUTOFADE Modulation source of LFO speed AutoFade is available Amt 20 00 20 00Hz Modulation amount of LFO speed e Manual 0 100 Sets the frequency to which the effect is applied f D...

Page 78: ...peed d LFO Step Freq Frequency Hz 0 05 50 00Hz LFO step speed P 70 Amt 50 00 50 00Hz Modulation amount of LFO step speed e Manual 0 100 Sets the frequency to which the effect is applied f Depth 0 100...

Page 79: ...to Tempo e Tempo beat min 30 250 beat min Tempo when LFO Mode Manual P 33 Length 1 16 1 16 Sets the LFO cycle LFO Cycle Length x Whole Note P 33 f Manual 0 100 Sets the frequency to which the effect...

Page 80: ...LFO2 Frequency Hz 0 02 30 00Hz LFO2 speed Amt 30 00 30 00 Modulation amount of LFO2 speed e Depth1 0 100 Depth of LFO1 modulation Src None Tempo Modulation source of LFO1 2 modulation depth Amt 100 1...

Page 81: ...23 St Bi phase Mod Stereo Bi phase Modulation 77 size2 LFO1 LFO2 Bi Phase Modulation LFO Depth1 Depth2...

Page 82: ...Depth of LFO modulation Src None Tempo Modulation source of the LFO modulation depth Amt 100 100 Modulation depth of the LFO modulation depth g Wet Dry Dry 1 99 99 1 Wet Sets the balance between the e...

Page 83: ...a value for the dynamic modulation source speci fied for the AUTOFADE Src parameter is smaller than 64 and the effect is on when the value is 64 or higher The AutoFade function is triggered when the...

Page 84: ...sonance when Control Mode Manual P 81 High Damp 0 100 Damping amount of resonant sound in the high range P 39 f Voice1 Level 0 100 Voice1 output level Pan L6 R6 Voice1 stereo image g Voice2 Pitch C0 B...

Page 85: ...the LFO The LFO sways between positive and negative values causing resonance to occur between specified pitches an octave apart in turn When Control Mode D mod the resonance is controlled by the dyna...

Page 86: ...100 Modulation amount of panning e Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation source of effect balance Amt 100 100 Modulation amount of eff...

Page 87: ...This parameter sets the width of the stereo image of the effect sound With larger values the sound seems to come and go from much further away With positive values the sound moves from left to right...

Page 88: ...e AUTOFADE Modulation source of LFO speed AutoFade is available Amt 20 00 20 00Hz Modulation amount of LFO speed e Depth 0 100 Depth of LFO modulation Src None AUTOFADE Modulation source of the depth...

Page 89: ...ion Src None Tempo Modulation source of the depth of modulation Amt 100 100 Modulation amount of the depth of modulation f Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds...

Page 90: ...ut Stereo Image R In L In R In L In R In L In R In L In R In L In R In L In R In L In R In L In R In L In R In L In R In L In R In L In R In L In R In L In R In LFO Phase 0 degrees LFO Phase 90 degree...

Page 91: ...or the right channel f Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation source of effect balance Amt 100 100 Modulation amount of effect balance a...

Page 92: ...g at the start of the Envelope Generator Destination Offset sets the panning for the sustain period When Pan Mode D mod Start Offset specifies the pan setting when the modu lation source value is 0 De...

Page 93: ...ation amount of panning rate g Lch Start Offset L 1 99 R Initial panning value for the left channel P 90 Destination Offset L 1 99 R Target panning value for the left channel h Rch Start Offset L 1 99...

Page 94: ...rval If the modulation source specified in the Trigger Source field remains off for a while the number of counts will be reset and the panning setting will go back to the Start Offset value However wh...

Page 95: ...ance 100 100 Sets the resonance amount f Phaser Wet Dry Wet 1 99 Dry 1 99 Wet Sets the balance between the phaser effect and dry sounds P 25 92 g Tremolo LFO degree 180 180 The difference between the...

Page 96: ...he tremolo effect that is shimmering between left and right The Diff Tremolo Phaser sets the phase difference of the Phaser and Tremolo Controlling the relationship between the Phaser and Tremolo will...

Page 97: ...speed according to the input signal level g Depth 0 100 Depth of LFO modulation P 93 Envelope Amount 100 100 Changes the modulation depth according to the input sig nal level h Wet Dry Dry 1 99 99 1 W...

Page 98: ...uce 1 0Hz Depth 0 An input level of 0 will produce 8 0Hz Depth 100 f LFO Frequency Hz 8 0 f Envelope Amount Hz 7 0 g Depth 100 g Envelope Amount 100 Level Louder Time Shimmer LFO Frequency Hz 8 0 Enve...

Page 99: ...d effect sound pitch Src None Tempo Modulation source of the pitch shift Amt 100 100cent Modulation amount of the pitch shift b Delay Time msec 0 1000msec Sets the time delay from the input signal c H...

Page 100: ...y steps of a cent P 97 Amt 100 100vent Modulation amount of pitch shift amount e Delay Time msec 0 1000msec Sets the delay time from the input signal P 97 f Feedback 100 100 Sets the feedback amount P...

Page 101: ...tch Shift plus the Fine value The amount of modulation will use the c Amt value plus d Amt Modulation Source is used both for Pitch Shift and Fine e Delay Time msec f Feedback Sets the delay time and...

Page 102: ...mpo Modulation source of LFO speed Amt 20 00 20 00Hz Modulation amount of LFO speed d Depth 100 100 LFO modulation depth for pitch shift amount P 98 Src None Tempo Modulation source of the depth of mo...

Page 103: ...eft and right With L the effect sound is panned left and the dry sound is panned right With a Wet Dry Wet setting the effect and dry sound will be output in a pro portion of 1 1 Pitch Higher Pitch Shi...

Page 104: ...ckly the rotor rotation speed in the low range is switched P 43 Rotor Ratio Stop 0 50 2 00 Adjusts the low range side rotor rotation speed Stan dard value is 1 0 Selecting Stop will stop the rotation...

Page 105: ...ps alternately each time you press the pedal or operate the joystick Each time when the value for the modulation source exceeds 64 the speaker rotates or stops alternately c Manual Speed Control If yo...

Page 106: ...mp 0 100 Damping amount in the low range for the right channel g Input Level D mod Src None Tempo Modulation source of the left and right input level P 44 Amt L 100 100 Modulation amount of the input...

Page 107: ...0 100 Damping amount in the high range P 44 f Low Damp 0 100 Damping amount in the low range P 44 g Input Level D mod Src None Tempo Modulation source of the input level P 44 Amt 100 100 Modulation a...

Page 108: ...None Tempo Modulation source of the input level P 44 Amt 100 100 Modulation amount of the input level i Spread 100 100 Sets the width of the stereo image of the effect sound P 65 Src None Tempo Modul...

Page 109: ...back amount Amt 100 100 Modulation amount of the TapC feedback amount e High Damp 0 100 Damping amount in the high range P 44 f Low Damp 0 100 Damping amount in the low range P 44 g Input Level D mod...

Page 110: ...d Feedback Count Off On Selects whether the number of feedback times is counted or not P 107 Src fixed Gate1 Source that triggers the counting of the feedback time fixed to Gate1 e Count times 0 96 N...

Page 111: ...ed by multiplying the length of a whole note by the value of Length For example when Length is set to 1 4 the length of the delay will be one quar ter note The maximum delay time is 1 362msec If you a...

Page 112: ...z LFO speed e LFO Sync Off On LFO reset off on P 109 Src None Tempo Modulation source that resets the LFO f L LFO Phase degree 180 180 Phase obtained when the left LFO is reset P 109 R LFO Phase degre...

Page 113: ...Gate as a modulation source so that the sweep always starts from the specified point L LFO Phase and R LFO Phase set the phase obtained when the left and right LFOs are reset In this way you can creat...

Page 114: ...Damping amount in the high range P 44 Low Damp 0 100 Damping amount in the low range i Spread 100 100 Sets the width of the stereo image of the effect sound P 65 j Wet Dry Dry 1 99 99 1 Wet Sets the b...

Page 115: ...3 St Dynamic Delay Stereo Dynamic Delay 111 size2 Dynamic Delay Threshold Dry Envelope Wet Control Target Out Polarity Wet Control Target Out Polarity Delay Time Time Ducking Delay Release Attack Leve...

Page 116: ...peed at which the stereo image of the right channel changes P 112 g Panning Spread 0 100 Sets the width of the stereo image of the delay sound P 112 h L Delay Level 0 100 Output level of the left chan...

Page 117: ...lection c Pre Delay msec 0 200msec Time taken from the original sound to the first early reflec tion d EQ Trim 0 100 Input level of EQ applied to the effect sound e Pre LEQ Gain dB 15 0 15 0dB Low ran...

Page 118: ...Pre Delay Thru 0 100 Mix ratio of non delay sound P 114 e EQ Trim 0 100 EQ input level f Pre LEQ Gain dB 15 15dB Low EQ gain g Pre HEQ Gain dB 15 15dB High EQ gain h Wet Dry Dry 1 99 99 1 Wet Sets the...

Page 119: ...46 Reverb Hall 115 size2 Reverb Hall Plate Type Time Level Louder Dry Reverb Pre Delay Thru Pre Delay Reverb Time...

Page 120: ...s the level of early reflections P 116 f Reverb Level 0 100 Sets the reverberation level P 116 g EQ Trim 0 100 EQ input level h Pre LEQ Gain dB 15 15dB Low EQ gain i Pre HEQ Gain dB 15 15dB High EQ ga...

Page 121: ...nd reverb level Changing these parameter values allows you to simulate the type of walls in the room That is a larger ER Level simulates a hard wall and a larger Reverb Level simulates a soft wall Rev...

Page 122: ...ge c Pre Delay msec 0 200msec Delay time from the dry sound P 114 d Pre Delay Thru 0 100 Mix ratio of non delay sound P 114 e EQ Trim 0 100 EQ input level f Pre LEQ Gain dB 15 15dB Low EQ gain g Pre H...

Page 123: ...ce between the effect and dry sounds Src None Tempo Modulation source of effect balance Amt 100 100 Modulation amount of effect balance a Sound Board Depth This parameter sets the intensity of resonan...

Page 124: ...0 f Mid Offset dB 40 0dB Mid range gain of trigger signal P 50 g High Offset dB 40 0dB High range gain of trigger signal P 50 h Gain Adjust dB 16 24dB Sets the output gain P 15 i Wet Dry Dry 1 99 99 1...

Page 125: ...Band1 Cutoff Hz 20 1 0kHz EQ Band1 center frequency Q 0 5 10 0 Band1 bandwidth P 19 Gain dB 18 18dB Band1 gain f Band2 Cutoff Hz 50 5 00kHz Band2 center frequency Q 0 5 10 0 Band2 bandwidth P 19 Gain...

Page 126: ...nd5 gain h Band6 dB 18 0 18 0dB Sets the Band6 gain i Band7 dB 18 0 18 0dB Sets the Band7 gain j Band8 dB 18 0 18 0dB Sets the Band8 gain k Band9 dB 18 0 18 0dB Sets the Band9 gain l Band10 dB 18 0 18...

Page 127: ...ount of the balance between vocoder out put and left channel Carrier e Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and dry sounds P 123 Src None Tempo Modulation source of effect bal...

Page 128: ...gh 0 05 50 00Hz Speed at which the LFO waveform becomes step shaped e Pre Delay msec Low 0 0 50 0msec Low range delay time High 0 0 50 0msec High range delay time f Depth Low 0 100 Depth of low range...

Page 129: ...he steps g LFO Freq D mod This parameter determines whether the LFO speed dynamic modulation is applied to the low range high range or both ranges When d LFO Step Freq is On the waveform of the high r...

Page 130: ...ways On Always Off On Off dm Off On dm Selects on off or modulation source for the control of Tap3 output P 127 e Tap4 240 msec 0 570msec Tap4 LFO phase 240 delay time Depth 0 30 Depth of Tap4 chorus...

Page 131: ...e output status of each Tap Always On Output is always on No modulation Always Off Output is always off No modulation On Off dm Output level is switched from on to off depending on the modu lation sou...

Page 132: ...Tempo Modulation source of LFO modulation depth Amt 100 100 Modulation amount of LFO modulation depth e EQ Trim 0 100 EQ input level f Pre LEQ Gain dB 15 0 15 0dB Low EQ gain g Pre HEQ Gain dB 15 0 15...

Page 133: ...ode D mod fixed to Tempo f Tempo beat min 30 250 beat min Tempo when LFO Mode Manual P 33 Length 1 16 1 16 Sets the LFO cycle LFO Cycle Length x Whole Note P 33 Step 1 16 1 32 Sets the LFO step cycle...

Page 134: ...eat min 30 250 beat min Tempo when LFO Mode Manual P 33 Length 1 16 1 16 Sets the LFO cycle LFO Cycle Length x Whole Note P 33 Step 1 16 1 32 Sets the LFO step cycle LFO step Cycle Length x Whole Note...

Page 135: ...eps of one cent P 97 Amt 100 100cent Modulation amount of pitch shift amount f Lch Delay msec 0 1000msec Sets the delay time for the left channel P 97 Rch Delay msec 0 1000msec Sets the delay time for...

Page 136: ...100cent Sets pitch shift amount for the low range in steps of one cent P 97 Amt 100 100cent Modulation amount of pitch shift amount for the high range g High High Damp 0 100 High component damping am...

Page 137: ...tary Toggle Selects the switching mode of the modulation source that toggles between rotation and stop P 101 e Speed Switch Slow Fast Switches the speaker rotation speed between slow and fast Src None...

Page 138: ...99 99 1 Wet Sets the balance between the effect and dry sounds Src None Tempo Modulation source of effect balance Amt 100 100 Modulation amount of effect balance a Sw This parameter determines how to...

Page 139: ...ection c Pre Delay msec 0 200msec Time taken from the original sound to the first early reflec tion d EQ Trim 0 100 Input level of EQ applied to the effect sound e Pre LEQ Gain dB 15 0 15 0dB Low rang...

Page 140: ...amount Amt 100 100 Modulation amount of the Tap2 feedback amount e High Damp 0 100 Damping amount in the high range P 44 f Low Damp 0 100 Damping amount in the low range P 44 g Input Level D mod Src N...

Page 141: ...feedback amount e High Damp 0 100 Damping amount in the high range P 44 f Low Damp 0 100 Damping amount in the low range P 44 g Input Level D mod Src None Tempo Modulation source of the input level P...

Page 142: ...the right channel P 44 R Low Damp 0 100 Damping amount in the low range for the right channel g Input Level D mod Src None Tempo Modulation source of the left and right input level P 44 Amt L 100 100...

Page 143: ...fixed to Gate1 e Count times 0 96 Number of feedback times P 107 f Feedback 100 100 Sets the feedback amount Src None Tempo Modulation source of feedback amount Amt 100 100 Modulation amount of feedb...

Page 144: ...ion source of effect balance Amt 100 100 Modulation amount of effect balance a Loop Time msec With Auto the loop time is automatically set Otherwise you can specify the loop time When Auto is selected...

Page 145: ...t enters Rec ready mode 3 Push the joystick in the Y direction forward and play a phrase you wish to hold When you pull the joystick to its original position the recording will be finished and the phr...

Page 146: ...back amount P 32 FB Mode Normal Cross Sets the feedback routing P 69 g High Damp 0 100 Feedback damping amount in the high range P 32 h EQ Trim 0 100 2 band EQ input level LEQ dB 15 15dB Low EQ gain H...

Page 147: ...ual 0 100 Sets the frequency to which the effect is applied e Depth 0 100 Depth of LFO modulation f Resonance 100 100 Sets the resonance amount P 35 g High Damp 0 100 Resonance damping amount in the h...

Page 148: ...2 LFO phase 0 degrees delay time Depth 0 100 Tap2 chorus depth Level 0 100 Tap2 output level Pan L6 L1 C R1 R6 Tap2 stereo image d Tap3 180 msec 0 570msec Tap3 LFO phase 180 degrees delay time Depth 0...

Page 149: ...n amount of LFO speed b Shimmer 0 100 Amount of shimmer of the LFO waveform P 31 c Depth 0 100 Depth of LFO modulation Src None Tempo Modulation source of the LFO modulation depth Amt 100 100 Modulati...

Page 150: ...Delay msec 0 0 50 0msec Delay time for the right channel P 65 e Depth 0 100 Depth of LFO modulation Src None Tempo Modulation source of the LFO modulation depth Amt 100 100 Modulation amount of the LF...

Page 151: ...100 100 Modulation amount of the TapC feedback amount e High Damp 0 100 Damping amount in the high range P 44 f Low Damp 0 100 Damping amount in the low range P 44 g Input Level D mod Src None Tempo...

Page 152: ...TapC feedback amount Amt 100 100 Modulation amount of the TapC feedback amount e High Damp 0 100 Damping amount in the high range P 44 f Low Damp 0 100 Damping amount in the low range P 44 g Input Le...

Page 153: ...the high range g Pre Delay msec 0 200msec Reverb delay time P 116 Pre Delay Thru 0 30 Mix ratio of non delayed reverb sound h EQ Trim 0 30 Reverb input level to EQ LEQ dB 15 15 Reverb gain for the lo...

Page 154: ...e Spread control Delay you can control the width of the stereo image of the delay output only In this case the width of the reverb stereo image is set to maximum When the Spread control Reverb you can...

Page 155: ...Mix ratio of non delay sound d EQ Trim 0 30 EQ input level LEQ dB 15 15dB Low EQ gain HEQ dB 15 15dB High EQ gain e ER1 Delay msec 0 200msec Delay time of early reflection 1 P 152 Level 0 30 Early ref...

Page 156: ...Tempo Modulation source of output level Amt 100 100 Modulation amount of output level c Pre Delay msec e ER1 Delay msec f ER2 Delay msec g ER3 Delay msec h ER4 Delay msec Reverb Master Time Level Lou...

Page 157: ...o image of the reverb sound a Reverb Time sec 0 1 10 0sec Sets the reverberation time b High Damp 0 100 Damping amount in the high range c Pre Delay msec 0 200msec Delay time from the dry sound P 152...

Page 158: ...m Filter25 Random Panning Dly112 Resonator39 Reverb Bright Room Master Effect151 size2116 Reverb Dry Plate Master Effect153 size2118 Reverb Hall Master Effect153 size2114 Reverb Room Master Effect151...

Page 159: ...Index 155 T Talking Modulator61 Tempo Delay106 Tempo Flanger33 Tempo Phaser36 Tremolo42 V Vibrato38 Vocoder123 W Wah Auto Wah23...

Page 160: ...Index 156...

Reviews:

No comments