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MIDA S

XL2504

20

60

160

400

100

300

800

2k

EQ

EQ

treble

mid

60

25

15

40

high

pass

bass

right

left

-15

0

+15

-15

0

+15

-15

0

+15

O

O

48V

PAD

gain

L

R

10k

4k

1k5

500

X5

The PHASE switches activate a 180

degree phase change within the

corresponding input amplifier.

The dual concentric GAIN controls

give continuous adjustment of the

input amplifier gains from + 15dB to

+ 60dB. The left channel is on top

and the right channel is on the

bottom.

The PAD switch gives 25dB of

attenuation in both input signals to

allow the connection of high output

microphones or line level signals. If

the input amplifiers are transformer

coupled (option) the pad greatly

reduces the risk of saturation at very

low frequencies.

The 48V switch connects 48 volt

phantom power to both input

connectors and is suitable for

condenser microphones or DI boxes.

The LEFT switch places the left

channel signal onto both left and

right channels.

The RIGHT switch places the right

channel signal onto both left and

right channels. If the left and right

switches are both active a mono sum

signal is fed to both channels of the

input channel.

The TREBLE control gives

continuous adjustment of boost and

cut from + 15dB to - 15dB with a

0dB centre detent. The frequency is

fixed at 10K.

The MID control gives continuous

adjustment of boost and cut from +

15dB to - 15dB with a 0dB centre

detent.

The mid FREQ. control gives

continuous adjustment of the

frequency range that the mid

equaliser acts on from 100Hz to 2K.

The WIDTH control selects the

bandwidth of the mid equaliser to be

1.5 octave or 0.3 octave.

The FREQ. X 5 control increases the

mid equaliser frequency so that it

operates between 500Hz and 10K.

The BASS control gives continuous

adjustment of boost and cut from +

15dB to - 15dB with a 0dB centre

detent. The frequency is fixed at

100Hz.
The EQ switches connect the

equalisers in or out of the input

channel signal paths.

The HI PASS filter control is

continuously adjustable from 20Hz

to 400Hz.

The HI PASS switch connects the

filters in the input channel signal

path before the insert points.

6

Summary of Contents for MIDAS XL250

Page 1: ...k Teknik Group Klark Teknik Building Walter Nash Road Kidderminster Worcestershire DY11 7HJ England Tel 44 0 1562 741515 Fax 44 0 1562 745371 Email pro_audio_group compuserve com Website midasconsoles...

Page 2: ...RFORMANCE CONSOLE Contents Xl250 Specifications Overview and Statistics Xl250 Technical Specification Xl250 Controls Xl2501 Mono Input Module 1 Xl2504 Stereo Input Module 5 Group Output Modules 9 Xl25...

Page 3: ......

Page 4: ...console correct The result is a simple fast and responsive control surface which is compact and yet gives effortless control over the 48 inputs and 20 outputs The Sound The XL250 has the Midas Sound...

Page 5: ...feature 100mm faders and can be used directly for speaker outputs or as audio sub groups with groups 1 to 18 feeding the stereo master groups 19 and 20 via individual pan controls and on off switches...

Page 6: ...ereo master insert returns 5 The XL250 has a total XLR output count of 58 as follows 32 input channel direct outputs 2 aux outputs 16 configurable group outputs 2 stereo master outputs 3 solo outputs...

Page 7: ...kHz Summing Noise 12 channels routed with faders down 83dBu Line to Mix Noise 12 channels routed at 0dB pan centre 81dBu Summing Noise 48 channels routedwith faders down 81dBu Line to Mix Noise 48 cha...

Page 8: ...le 3dB point from 20Hz to 400Hz Treble Gain Continuously variable 15dBto 1 5dB Centre detent 0dB Treble Shelving Continuously variable Freq 3dB point from 1K to 20K Hi Mid GainContinuously variable 15...

Page 9: ...INS XL2513 ST 10 0 l C r PRE direct ST 10 0 l C r PRE direct ST 10 0 l C r PRE direct ST 10 0 l C r PRE direct 5 6 15 16 stereo u s e 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 21 18 15 12 9...

Page 10: ...k 5k 10k 20k 400 1k 3k 8k 20 50 100 lo mid 100 300 800 2k 200 gain auto mutes 8 7 2 1 6 5 4 3 SAFE 0 6 0 6 PRE PRE 10 0 l C r 0 PRE PRE PRE 0 0 PRE PRE 0 0 PRE PRE 0 0 PRE PRE 0 0 PRE PRE 0 0 PRE PRE...

Page 11: ...continuous adjustment of boost and cut from 15dB to 15dB with a 0dB centre detent The hi mid FREQ dual concentric bottom control gives continuous adjustment of the frequency range that the hi mid equa...

Page 12: ...The aux PRE switches change the signal sent to the aux busses from post fader to pre fader The configurable group MIX controls 3 to 18 adjust the levels sent from the input channel to the group busse...

Page 13: ...itch mutes the input channel at all points except the insert send and direct output if it is set to pre The SOLO switch sends the input channel signal to the PFL mono and AFL stereo busses If the swit...

Page 14: ...0 6 PRE PRE 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 20 60 160 400 100 300 800 2k EQ EQ treble mid 60 25 15 40 h...

Page 15: ...es the right channel signal onto both left and right channels If the left and right switches are both active a mono sum signal is fed to both channels of the input channel The TREBLE control gives con...

Page 16: ...switches change the signal sent to the aux busses from post fader to pre fader The configurable group MIX controls 3 to 18 give continuous adjustment of the levels sent from the input channel to the g...

Page 17: ...e input channel signals to the PFL mono and AFL stereo busses If the switch is pressed for a short time it will latch on or off but if it is held on for more than 1 second the latching is disabled and...

Page 18: ...33 36 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 5 15 6 16 6 5 dB 10 10 5 5 0 20 15...

Page 19: ...d can be used as effects returns etc or for console bus linking The direct inputs can be accessed by the mix group solos if the SOLO C O switches are on The direct PRE switches move the point at which...

Page 20: ...rt time it will latch on or off but if it is held on for more than 1 second the latching is disabled and when the switch is released the channel solo will turn off As a default the solo system is auto...

Page 21: ...12...

Page 22: ...ON ON ON ON ON ON ON ON ON ON ON ON ON ST ST 6 0 10k 100 300 1k XL2521 talk to groups talk mic level MUTE 0 10 headphone level frequency oscillator pink noise ON external solo add mode monitor 1 2 3...

Page 23: ...tereo mix signals and replaces them with the stereo AFL solo buss signals This only happens when a solo is active on the console if no solo is active the master stereo bus is not interrupted The TALK...

Page 24: ...DPHONE MUTE switch mutes the headphone outputs The SOLO ADD MODE switch allows multiple channel access to the solo busses When the solo add mode is off the action of pressing a solo switch will cancel...

Page 25: ...s it illuminates when any solo switch is active and when pressed it clears any active solo switches The LEFT switch cuts the AFL right signal and places the AFL left signal on to both left and right l...

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