background image

MIDA S

XL2501

MIDA S

XL2501

+12

+15

-12

-25

0

+3

-3

+6

-6

+9

-9

20

60

160

400

mute

solo

ST

1

3

5

7

9

11

13

15

17

2

4

6

8

10

12

14

16

18

treble

hi

mid

60

25

15

40

high

pass

bass

gain

freq

2k

5k

10k

20k

400

1k

3k

8k

20

50

100

lo

mid

100

300

800

2k

200

gain

auto

mutes

8

7

2

1

6

5

4

3

SAFE

0

+6

0

+6

PRE

PRE

+10

0

l

C

r

0

PRE

PRE

PRE

0

0

PRE

PRE

0

0

PRE

PRE

0

0

PRE

PRE

0

0

PRE

PRE

0

0

PRE

PRE

0

0

PRE

PRE

0

0

PRE

PRE

0

+6

l

C

r

+6

l

C

r

+6

l

C

r

+6

l

C

r

+6

l

C

r

+6

l

C

r

+6

l

C

r

+6

l

C

r

PRE

0.1

0.3

0.6

2

0.1

0.3

0.6

2

PAD

48V

O

INS

EQ

direct

MIDA S

XL2504

MIDA S

XL2504

+12

+15

-12

-25

0

+3

-3

+6

-6

+9

-9

mute

solo

ST

1

3

5

7

9

11

13

15

17

2

4

6

8

10

12

14

16

18

auto

mutes

8

7

2

1

6

5

4

3

SAFE

0

+6

0

+6

PRE

PRE

+6

+6

0

PRE

PRE

0

+6

+6

0

PRE

PRE

0

+6

+6

0

PRE

PRE

0

+6

+6

0

PRE

PRE

0

+6

+6

0

PRE

PRE

0

+6

+6

0

PRE

PRE

0

+6

+6

0

PRE

PRE

0

+6

+6

0

PRE

PRE

0

20

60

160

400

100

300

800

2k

EQ

EQ

treble

mid

60

25

15

40

high

pass

bass

right

left

-15

0

+15

-15

0

+15

-15

0

+15

O

O

48V

PAD

INS

INS

gain

r

l

c

bal

stereo

L

R

10k

4k

1k5
500

X5

XL2511

mute

solo

mute

solo

8

7

2

1

6

5

4

3

SAFE

8

7

2

1

6

5

4

3

SAFE

SAFE

MIDA S

MIDA S

mute

solo

mute

solo

ON

solo c/o

solo c/o

ON

ON

solo c/o

solo c/o

ON

stereo

8

7

2

1

6

5

4

3

SAFE

u

se

1

2

11

12

a

u

o

8

7

2

1

6

5

4

3

INS

INS

INS

INS

XL2511

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

1

2

11

12

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

1

11

2

12

2

1

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

XL2512

mute

solo

mute

solo

8

7

2

1

6

5

4

3

SAFE

8

7

2

1

6

5

4

3

SAFE

SAFE

MIDA S

MIDA S

mute

solo

mute

solo

ON

solo c/o

solo c/o

ON

ON

solo c/o

solo c/o

ON

stereo

8

7

2

1

6

5

4

3

SAFE

3

4

13

14

a

u

o

8

7

2

1

6

5

4

3

INS

INS

INS

INS

XL2512

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

3

4

13

14

u

se

stereo

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

3

13

4

14

4

3

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

stereo

XL2513

mute

solo

mute

solo

8

7

2

1

6

5

4

3

SAFE

8

7

2

1

6

5

4

3

SAFE

SAFE

MIDA S

MIDA S

mute

solo

mute

solo

ON

solo c/o

solo c/o

ON

ON

solo c/o

solo c/o

ON

stereo

8

7

2

1

6

5

4

3

SAFE

5

6

15

16

a

u

o

8

7

2

1

6

5

4

3

INS

INS

INS

INS

XL2513

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

5

6

15

16

stereo

u

se

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

5

15

6

16

6

5

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

stereo

XL2514

mute

solo

mute

solo

8

7

2

1

6

5

4

3

SAFE

8

7

2

1

6

5

4

3

SAFE

SAFE

MIDA S

MIDA S

mute

solo

mute

solo

ON

solo c/o

solo c/o

ON

ON

solo c/o

solo c/o

ON

stereo

8

7

2

1

6

5

4

3

SAFE

7

8

17

18

a

u

o

8

7

2

1

6

5

4

3

INS

INS

INS

INS

XL2514

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

7

8

17

18

stereo

u

se

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

7

17

8

18

8

7

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

stereo

XL2515

mute

solo

mute

solo

8

7

2

1

6

5

4

3

SAFE

8

7

2

1

6

5

4

3

SAFE

SAFE

MIDA S

MIDA S

mute

solo

mute

solo

ON

solo c/o

solo c/o

ON

ON

solo c/o

solo c/o

ON

8

7

2

1

6

5

4

3

SAFE

9

10

L

R

a

u

o

8

7

2

1

6

5

4

3

INS

INS

INS

INS

XL2515

ST

+10

0

l

C

r

PRE

direct

ST

+10

0

l

C

r

PRE

direct

9

1

0

+10

0

PRE

direct

+10

0

PRE

direct

L

R

stereo

stereo

master

u

se

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

9

L

10

R

10

9

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

XL2521

MIDA S

MIDA S

solo

clear

right

solo

AFL

ON

solo

left

(pfl)

solo

right

(local)

1

3

5

7

9

11

13

15

17

L

2

4

6

8

10

12

14

16

18

R

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ON

ST

ST

+6

0

10k

100

300

1k

XL2521

talk to

groups

talk

mic

level

MUTE

0

+10

headphone

level

frequency

oscillator

pink

noise

ON

external

solo add

mode

monitor

1

2

3

4

5

6

7

8

+6

0

auto mute masters

local

mute

left

solo

solo in place

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

+21

+18

+15

+12

+9

+6

+3

0

-3

-6

-9

-12

-15

-18

-21

-24

-27

-30

-33

-36

MIDAS

XL2517

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

11

12

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

13

14

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

15

16

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

17

18

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

L

R

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

local

dB

10

10

5

5

0

20

15

30

40

dB

10

10

5

5

0

20

15

30

40

MIDAS XL2505

stereo

stereo

M

ID

A

S

X

L2

5

0

CONTR

O

LS

Summary of Contents for MIDAS XL250

Page 1: ...k Teknik Group Klark Teknik Building Walter Nash Road Kidderminster Worcestershire DY11 7HJ England Tel 44 0 1562 741515 Fax 44 0 1562 745371 Email pro_audio_group compuserve com Website midasconsoles...

Page 2: ...RFORMANCE CONSOLE Contents Xl250 Specifications Overview and Statistics Xl250 Technical Specification Xl250 Controls Xl2501 Mono Input Module 1 Xl2504 Stereo Input Module 5 Group Output Modules 9 Xl25...

Page 3: ......

Page 4: ...console correct The result is a simple fast and responsive control surface which is compact and yet gives effortless control over the 48 inputs and 20 outputs The Sound The XL250 has the Midas Sound...

Page 5: ...feature 100mm faders and can be used directly for speaker outputs or as audio sub groups with groups 1 to 18 feeding the stereo master groups 19 and 20 via individual pan controls and on off switches...

Page 6: ...ereo master insert returns 5 The XL250 has a total XLR output count of 58 as follows 32 input channel direct outputs 2 aux outputs 16 configurable group outputs 2 stereo master outputs 3 solo outputs...

Page 7: ...kHz Summing Noise 12 channels routed with faders down 83dBu Line to Mix Noise 12 channels routed at 0dB pan centre 81dBu Summing Noise 48 channels routedwith faders down 81dBu Line to Mix Noise 48 cha...

Page 8: ...le 3dB point from 20Hz to 400Hz Treble Gain Continuously variable 15dBto 1 5dB Centre detent 0dB Treble Shelving Continuously variable Freq 3dB point from 1K to 20K Hi Mid GainContinuously variable 15...

Page 9: ...INS XL2513 ST 10 0 l C r PRE direct ST 10 0 l C r PRE direct ST 10 0 l C r PRE direct ST 10 0 l C r PRE direct 5 6 15 16 stereo u s e 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 21 18 15 12 9...

Page 10: ...k 5k 10k 20k 400 1k 3k 8k 20 50 100 lo mid 100 300 800 2k 200 gain auto mutes 8 7 2 1 6 5 4 3 SAFE 0 6 0 6 PRE PRE 10 0 l C r 0 PRE PRE PRE 0 0 PRE PRE 0 0 PRE PRE 0 0 PRE PRE 0 0 PRE PRE 0 0 PRE PRE...

Page 11: ...continuous adjustment of boost and cut from 15dB to 15dB with a 0dB centre detent The hi mid FREQ dual concentric bottom control gives continuous adjustment of the frequency range that the hi mid equa...

Page 12: ...The aux PRE switches change the signal sent to the aux busses from post fader to pre fader The configurable group MIX controls 3 to 18 adjust the levels sent from the input channel to the group busse...

Page 13: ...itch mutes the input channel at all points except the insert send and direct output if it is set to pre The SOLO switch sends the input channel signal to the PFL mono and AFL stereo busses If the swit...

Page 14: ...0 6 PRE PRE 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 6 6 0 PRE PRE 0 20 60 160 400 100 300 800 2k EQ EQ treble mid 60 25 15 40 h...

Page 15: ...es the right channel signal onto both left and right channels If the left and right switches are both active a mono sum signal is fed to both channels of the input channel The TREBLE control gives con...

Page 16: ...switches change the signal sent to the aux busses from post fader to pre fader The configurable group MIX controls 3 to 18 give continuous adjustment of the levels sent from the input channel to the g...

Page 17: ...e input channel signals to the PFL mono and AFL stereo busses If the switch is pressed for a short time it will latch on or off but if it is held on for more than 1 second the latching is disabled and...

Page 18: ...33 36 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 5 15 6 16 6 5 dB 10 10 5 5 0 20 15...

Page 19: ...d can be used as effects returns etc or for console bus linking The direct inputs can be accessed by the mix group solos if the SOLO C O switches are on The direct PRE switches move the point at which...

Page 20: ...rt time it will latch on or off but if it is held on for more than 1 second the latching is disabled and when the switch is released the channel solo will turn off As a default the solo system is auto...

Page 21: ...12...

Page 22: ...ON ON ON ON ON ON ON ON ON ON ON ON ON ST ST 6 0 10k 100 300 1k XL2521 talk to groups talk mic level MUTE 0 10 headphone level frequency oscillator pink noise ON external solo add mode monitor 1 2 3...

Page 23: ...tereo mix signals and replaces them with the stereo AFL solo buss signals This only happens when a solo is active on the console if no solo is active the master stereo bus is not interrupted The TALK...

Page 24: ...DPHONE MUTE switch mutes the headphone outputs The SOLO ADD MODE switch allows multiple channel access to the solo busses When the solo add mode is off the action of pressing a solo switch will cancel...

Page 25: ...s it illuminates when any solo switch is active and when pressed it clears any active solo switches The LEFT switch cuts the AFL right signal and places the AFL left signal on to both left and right l...

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