junger Accent1 Operation Manual Download Page 20

4. LOCATION OF PARTS AND CONTROLS 

 

 

4.2   

 

 

 

 

 

 

 

 

REAR PANEL  

 

 

 

 

 

 

 

 

 

 

 

 

 
 
 

accent2

ANALOG INPUT

LEFT

RIGHT

LEVEL

RIGHT

LEVEL

ANALOG OUTPUT

LEFT

DIGITAL OUTPUT    

BNC2

BNC1

XLR1

XLR2

DIGITAL INPUT    

BNC2

BNC1

XLR1

XLR2

230 V
50 Hz
200 mA

GPI

REMOTE

SYNC IN

WCLK OUT 

FADER

 

DIGITAL INPUTS

 

ANALOG 
OUTPUTS

 

SYNC 
IN/OUT

 

ANALOG 
INPUTS

 

DIGITAL OUTPUTS

 

SERIAL 
REMOTE

 

FADER

 
 
 

GPI 
REMOTE/ 
TALLY

 

 
 
fig. 2: rear panel ACCENT2 
 
 

POWER INPUT

 

IEC mains input connector 100-240V, 50/60 Hz with integrated fuse  
 
REMOTE 

 

serial remote interface RS-232 

     

  connector:     

9pin SUB-D, female 

GPI 

 

parallel remote interface GPI in/TALLY out    

 

 

 

 

     

  connector:     

9pin SUB-D, female, TTL-level 

SYNC  
 

EXT SYNC

 

 

input for external sync signal  

 

 

 

wordclock, TTL level, 1 kOhm, unbal. 

 

 

 

connector:     

BNC socket,  

 

W-CLOCK 

 

output for sync signal  

 

wordclock, TTL level, unbal. 

 

 

  connector:     

BNC socket 

FADER 
 

input for remote fader 

 

 

  connector:   

6.3 mm phone plug 

DIGITAL IN  

 

input for AES/EBU standard format 

 

 

connector:   XLR female panel jack, 1- ground, 2-3 signal, balanced 

 

 

  connector:    BNC socket 75 Ohm, unbalanced 

DIGITAL OUT  

 

output for AES/EBU standard format 

 

 

  connector:    XLR male panel jack, 1- ground, 2-3 signal, balanced , 4 Vpp 

     

  connector:    BNC socket 75 Ohm, unbalanced,  0.5V pp  

ANALOG IN 
 

input for analog audio signals 

 

 

connector:   XLR female panel jack, 1- ground, 2- hot, 3- cold, 10kOhm, floating balanced 

ANALOG OUT 
 

output for analog audio signals 

 

 

connector:   XLR male panel jack, 1- ground, 2- hot, 3- cold, 50Ohm, floating balanced 

 

 

page 4-2    Operation manual ACCENT2, chapter 4 -location of parts and controls - 

Summary of Contents for Accent1

Page 1: ...digital dynamics processor accent2 release 1 1...

Page 2: ......

Page 3: ...unit was manufactured to the highest industrial standards and went through extensive quality control checks before it was supplied If you have any comments or questions about installing setting up or...

Page 4: ...4 Configurable audio path 2 5 Insert routing 2 6 96kHz interfacing 2 7 Analog inputs and outputs 2 8 Remote fader 3 Installation 3 1 3 1 3 1 3 1 3 1 3 1 3 2 3 3 3 3 3 3 3 4 3 1 Unpack the unit 3 2 Po...

Page 5: ...7 1 7 1 8 1 8 1 8 1 8 1 8 2 9 1 6 Application notes 6 1 The J nger Audio dynamics processor priniciple 6 2 Influence of signal delay time 6 3 Changing the processing characteristic 6 4 Selection of pa...

Page 6: ......

Page 7: ...ocessors which contrary to their conventional counterparts are effective for a wide dynamic range of input signals 50dB The compression of the program signal takes place evenly over the entire dynamic...

Page 8: ...2 FUNCTION DESCRIPTION 2 2 BLOCK DIAGRAM page 2 2 operation manual accent2 chapter 2 Function description...

Page 9: ...is done between compressor and limiter processing The GAIN menu is opened by pressing the GAIN button COMPRESSOR 2 3 2 The compression of the programme signal takes place evenly over the entire input...

Page 10: ...nes the maximum output level but the limiter threshold also determines the digital reference level for the compressor The static characteristics of the compressor are related to the limiter threshold...

Page 11: ...ange filter gain and Q are adjustable The Q control affects how frequency selective the gain control is when boosting or attenuating On a high Q the gain control has influence for a small range of fre...

Page 12: ...of the signal selected by the filter band which have less level as the adjusted threshold level will be increased by the RANGE value The increased level never comes over the threshold level threshold...

Page 13: ...n 48 kHz sampling rate Both interface modes 2 wire at normal sample rate or high speed interface are available Interface assignment is to set in setup menu 2 wire interface and digital insert can t be...

Page 14: ...of hand fades by using a remote fader These fades are calculated in digital domain If the maximum range for the fader is selected the minmum fader position is digital zero Activating and calibration...

Page 15: ...see also chapter 4 Before connecting the digital dynamics processor ACCENT2 switch the power off at all connected units RACK MOUNTING 3 4 The digital dynamics processor ACCENT2 is made as standard 19...

Page 16: ...tal output locks to the wordclock signal connected to EXT SYNC input To the problem free combination of following digital devices the wordclock reference used for the output with sample rate converter...

Page 17: ...shorted to Pin 3 If the equipment being connected to the mpx01 have only unbalanced inputs then we recommend still to use a balanced ie 2 core shielded cable cable where Pin 1 and Pin 3 are connected...

Page 18: ...protocol available on request connector D SUB 9pin input male output female Pin assignments The cable is wired 1 1 completely the shield of the cable must be connected on both ends 5 1 9 6 REMOTE IN...

Page 19: ...ED in button lits if compressor is on EXPANDER selection of expander menu green LED in button lits if expander is on LIMITER selection of limiter menu green LED in button lits if limiter is on FILTER...

Page 20: ...xternal sync signal wordclock TTL level 1 kOhm unbal connector BNC socket W CLOCK output for sync signal wordclock TTL level unbal connector BNC socket FADER input for remote fader connector 6 3 mm ph...

Page 21: ...tax is used SYMBOL ACTIVITY describes action or function of button or rotary knob ADJUSTMENT OF PARAMETERS in all menus 5 1 After selection of one of the menus by pushing any of the buttons GAIN CONFI...

Page 22: ...etting for both channels Adjustments are made by pushing and turning SELECT knob see 5 1 PR GAIN BAL 0 0 L R 0 0 PR number of current preset GAIN linear gain 15 0 15 0 dB BAL balance between left and...

Page 23: ...ngs Adjustments are made by pushing and turning SELECT knob see 5 1 LIM THRS PRO ON 9 0 1 LIM limiter on off by pushing SELECT knob green LED in button lits if function block is switched on THRS limit...

Page 24: ...Q Q RANGE THRSH 20 0 4 4 2 32 second page FREQ filter frequency 20 20 000 Hz Q filter Q factor 0 4 9 9 only for peaking filter RANGE cut or boost 15 0 15 0 dB THRSH threshold 50 0 dBFS only for dynami...

Page 25: ...s is required it is to set individual DITHER setting of output word length off 20bit 16bit STATUS setting of channel status bits trans transparent prof professional cons consumer Display adjustment PE...

Page 26: ...ob see 5 1 PR LOAD RECALL SAVE 20 ________________ number of selected preset preset name max 16 characters LOAD is recalling the processing parameter only expander filter compressor gain limiter RECAL...

Page 27: ...ition default preset name turn SELECT selection of character edit position SELECT switches to character position SELECT selection of character SELECT switches to ok or character position selection SEL...

Page 28: ......

Page 29: ...into several bands i e which have a multi band structure have some advantages over traditional compressor designs The dynamic control parameters in each band are independent of one another and can be...

Page 30: ...ement of the waveform at other frequencies comb filter effect Corresponding 2ms or 1ms delay of direct signals should therefore be carried out before mixing them with delayed processed signals 6 3 CHA...

Page 31: ...LECTION OF PARAMETERS TO INCREASE LOUDNESS 6 4 Signal compression and the loudness enhancement of the digital audio signal resulting from it can be achieved by combining two dynamic range control proc...

Page 32: ......

Page 33: ...F THE UNIT 7 3 Should have remained the device no more operable and or in the program execution recommends itself an initialization the device During initialization all storage areas important for the...

Page 34: ......

Page 35: ...0 Ohm balanced BNC 0 5Vpp 75 Ohm unbalanced input format AES professional AES consumer output format same as input SYNC WCLK in BNC 1kOhm unbal TTL level WCLK out BNC unbal HCMOS ANALOG INPUTS AND OUT...

Page 36: ...g mains voltage 100 240V 50 to 60 Hz power consumption 20VA output format same as input REMOTE serial RS 232 9pin SUB D female GPI Tally TTL level 9pin SUB D female fader 1 4 phone jack options remote...

Page 37: ...essor ACCENT2 If the unit has to be serviced please send it ideally in the original box to J NGER AUDIO Studiotechnik GmbH Justus von Liebig Strasse 7 D 12489 Berlin GERMANY Tel 49 30 677721 0 Fax 49...

Page 38: ......

Page 39: ...approximation of the laws of the Member States relating to electromagnetic compatibility Zur vollst ndigen Einhaltung dieser Richtlinie n wurden folgende Normen herangezogen To fully comply with this...

Page 40: ......

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