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BLACK
BOX
RECORDER
- User Manual v2.2
It is very important that you understand why digital clocking is important, if
you don’t know already, especially if the concert is being filmed or videoed
at the same time. Please spend some time
talking to people further down the post
production process to find out what they
would like or recommend, or consult our
FAQs on the JoeCo website.
Timestamp
Broadcast WAV files include a timecode stamp which marks the time of the
first sample of the file and helps re-sync the files in the post production
process. This can be derived from a source of Linear Timecode (
LTC
) or MIDI
timecode (
MTC
) or from the
real-time
clock built into the BBR.
The BBR can only read timecode (i.e. act as a timecode Slave) it cannot
generate timecode (i.e. act as a timecode Master). The BlackBox does not
chase timecode or lock to it.
Sample rates
Selectable between
44.1kHz
,
48kHz
,
88.2kHz
and
96kHz
.
Wordsize:
24bit
or
16bit
. We recommend that you
choose 24bit unless you’re really short on
disk space or your post production requires 16-bit.
Control...
The BlackBox Recorder can accept commands from an external control
device such as a console or hardware controller.
Remote Mode:
The BBR1 can respond to open loop MIDI Machine Control (
MIDI MMC
)
protocol commands for transport controls and track arming/disarming. Note
though that the BBR1 has no MIDI return path (open loop) and so cannot
acknowledge the receipt of a MIDI command or display the song time on the