5
10.EQUALIZER(HF,MF,LF) SECTION
This is a fixed 12KHz shelving EQ with
±
15dB of equalization available. Shelving
EQ works on a very broad range of frequencies and consequently are very musical.
In a 12KHz shelf like this section, that means that all the upper harmonics of a
sound are raised evenly, basically keeping their original musical relationship to
each other. A high freq shelving EQ is great for putting shimmer into acoustic guitar
and piano tracks and sizzle into vocals.
HI FREQ EQ CONTROL
11.EQ IN/OUT SWITCH
The IN switch bypass the EQ when UP. Depress it to enable equalization.
14.GROUP SWITCHS
This is for sending of main output from input channel by selecting of GRP1.2,
GRP3.4,L/RMix.
16.ON SWITCH
The on switch enables all outputs from the channel when pressed, and the
associated LED illuminates to show that the channel is active.
17.CLIP, SIGNAL INDICATOR
LED on the channel serves as a clip indicator. To warn when an excessively high
signal level is present in the channel. The CLIP LED will illuminate approximately
5dB before clipping and therefore give warning of a possible overload even if the
peaks are removed by external equipment plugged into the insert. signal green
LED is -60dB PFL (pre fader). when the PFL switch is pressed, the pre fade signal
is FED to the head phone, where it replaces the selected source, the PFL/AFL
LED on the master section illuminates to warn that the headphones and the meters
are now responding to the PFL/AFL selection. This is a useful way of listening to
any required input signal without interrupting the main mix, for making adjustment
or tracing problem.
15.PAN POT
The pan control determines the position of the signal within stereo mix image
or may be used to route the channel to particular output group as selected by
the routing switchs, rotation fully counterclockwise feeds the signal solely to the
left mix bus or group 1 and 3, while rotation clockwise sweeps the image to the
right bus or group 2 and 4.
12.PRE-SWITCH
With the PRE switch depressed, sends receive their input from a point before
the channel fader and MUTE switch, and are not affected by changes in these
controls. This is a normal configuration for sound reinforcement/live stage
monitor sends and studio cue sends.
13.AUX SEND(1~4)
These control route the input channel signal to anyone or more auxiliary buses.
These are separated from the main output and therefore provide additional
output AUX1 & 2 are drived before the channel fader(pre fader), and are
therefore unaffected by the fader position this makes them particalary suitable
for foldback or monitor feeds, which need to be controlled separately from main
PA, MIX, AUX1,2,3,4 are altered to be post fade.
The mid EQ controls is a variable EQ with
±
15dB and variable range is 150Hz~
7KHz this peaking EQ will add or remove or make soft voice and clearance.
MID EQ CONTROLS
The low EQ is a fired 80Hz shelving EQ with
±
15dB of equalization avaicable it
is fine bass control a low-FREQ shelving EQ will add or remove bass in a smooth,
musical fashion good for working on bass drum and guitar, fattening up a piano or
contouring an entire mix.
LOW FREQ EQ CONTROL
MONO STRIP
15
15
U
350
3.5K
1K
7K
150
U
15
15
MF
U
15
15
EQ
0
U
AUX1
0
U
0
U
0
U
L .R
M I X
3 4
1 2
L
R
1 3
2 4
PAN
CLIP
SGN
ON
AUX2
AUX3
AUX4
12KHz
HF
80Hz
LF
PRE
1
10
11
12
13
14
15
16
17
