Hughes & Kettner ATTAX 200, Manual

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7
ATTAX-MANUAL
ENGLISH
FX MIX MASTER
DRY
WET
REVERB
0
5
10 0
5
10
FX LOOP
-5
0
+5
MAINS DEPTH
0
5
10
RATE
0
5
10
LEAD MASTER
0
5
10
TREBLE
-5
0
+5
MID
-5
0
+5
BASS LEAD GAIN
0
5
10
DEPTH
0
5
10
E
10
CHORUS MODE 2 CHORUS
LEAD MASTER
MAINS: AC power switch.
MADE IN ST. WENDEL GERMANY
Max. power
consumption
480 VA
OUTPUT 120 WATTS
MIN. IMP. 4 Ohms
CAUTION!
TO PREVENT THE RISK OF FIRE AND
SHOCK HAZARD DON´T EXPOSE
THIS APPLIANCE TO MOISTURE OR
RAIN. DO NOT OPEN CASE;
NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
LEAVE ENOUGH SPACE FOR PROPER VENTILATION!
STEREO FX-LOOP
RETURN RIGHT
50 - 60 Hz
230 V~
117 V~
100 V~
HEAD
PHONES
OUTPUT 120 WATTS
MIN. IMP. 4 Ohms L R SEND L R
-10 dB
SPEAKERS
LEFT RIGHT ATTAX 200
RECORDING OUT
LEFT
MONO MONO
TO INSTALL MIDI MODULE:
DISCONNECT AC POWER CORD
BEFORE REMOVING THIS COVER
Ser. No.
MAINS: Connect the included Euro-
norm mains cord to this socket.
Ensure the amp's voltage rating
matches your local AC voltage
rating before you plug the cord into
the wall socket. HEADPHONES: 1/4" headphone
jack. In order to switch the main
speaker off, unplug the speaker
cable.
SPEAKERS RIGHT: Right
channel speaker output
jacks.
RECORDING OUT L/R: These
output jacks can feed a mixing
console or additional (stereo)
power amp.
SEND: If you are using a stereo signal proces-
sor, connect these jacks to the processor's
INPUT jacks. For mono operation, connect
only the ATTAX 200's SEND R jack to the
processor's INPUT jack.
RETURN L/R: If you are using a stereo signal processor, connect these jacks to
the processor's OUTPUT jacks. For mono operation, connect the RETURN L
jack only.
- 10 db SWITCH: This switch allows you to redu-
ce the signal level being sent to external effects
devices. Press this switch for instrument level
processors (e.g. stomp boxes).
SPEAKERS LEFT: Two 1/4" output jacks for connecting speakers to
the left channel. The two jacks are wired in parallel. Ensure the
overall impedance does not drop below 4 ohms for these two out-
puts. For the ATTAX 200 combo, you can connect an additional
speaker cabinet (at least 8 ohms/60W) in parallel to the internal
speaker.
For the head version, you can connect one cabinet (at least 4
ohms/120W) or two 8-ohm cabinets.
GREEN CHORUS LED: Denotes the chorus effect is active in the CLEAN and
CRUNCH channels by flashing at the selected modulation frequency
RED LEAD LED: The red LED illuminates
when the LEAD channel is active.
MODE 2: Selects either the LEAD 1 or LEAD
2 modes. LEAD 2 is active when the button is
pressed. Once the MSM-1 Module has been
installed, this switching function can be exe-
cuted via MIDI.
LEAD SELECTOR SWITCH: Switches back and forth between the
CLEAN/CRUNCH section and the LEAD channel. The LEAD channel is
active when the button is depressed. Once the MSM-1 Module has been
installed, this switching function can be executed via MIDI
RED MODE 2 LED: This red LED illumi-
nates when the LEAD 2 mode is active.
GREEN CHORUS LED: Denotes
the chorus effect is active in the
LEAD channel by flashing at the
selected modulation frequency
CHORUS SELECTOR SWITCH:
Activates the chorus effect for all
channels.
DEPTH: Controls the chorus effect's
modulation depth for the CLEAN and
CRUNCH channels
FX LOOP SELECTOR: Activates the
ATTAX 200 FX LOOP. Once the MSM-
1 Module has been installed, this swit-
ching function can be executed via
MIDI.
FX MIX: This control lets you decide how
much of the processed signal is mixed in
with the original signal. Determines the
original signal's volume and its relations-
hip to that of the connected effects devi-
ce's processed signal. DRY = original sig-
nal only, WET = processed signal only
MASTER: Determines the over-
all output level of the ATTAX
200. The level of the RECOR-
DING OUT signal is unaffec-
ted by the MASTER control.
GREEN FX LED: Lights when
the ATTAX 200 FX LOOP is
active.
LEAD GAIN: Determines the
amount of distortion in the
LEAD channel
DEPTH: Controls the chorus effect's
modulation depth for the CLEAN
and CRUNCH channels.
EQ SECTION: Active BASS, passive MID
and TREBLE tone controls for the LEAD
channel. Here too, MID and TREBLE influ-
ence each other for the widest possible
range of subtle tonal variations.
RATE: Controls the chorus effect's modulati-
on rate for the LEAD channel. At a RATE set-
ting of approximately 12 o'clock, the
"Vintage Rotary Effect" kicks in.
LEAD MASTER:
Controls the volume
of the LEAD chan-
nel.
REVERB: Controls how much integrated
reverb is added to the signal. Reverb is
automatically adjusted for each channel
when you switch channels.