Hammond XK-1c, Owner'S Manual, Page: 72 / 140

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Owner’s Manual
72
CONTROL
Th is mode is for setting the controller.
Please insure that the Expression Pedal and Foot Pedal are properly con-
nected before adjusting their settings.
To locate this mode:
FOOT SWITCH
❶
FOOT SWITCH - DEVICE (G)
Th is is for selecting the equipment connected to the FOOT SWITCH jack.
FOOT SW: Foot Switch connected.
CU-1: Optional Leslie Mode Switch (CU-1) connected.
❷
FOOT SWITCH - TIP MODE (G)
Th is sets the Foot Switch function.
OFF: Does not function.
LESLIE S/F ALT, MOM, TRI:
Switches the Leslie Eff ect Slow/Fast/Stop.
At
ALT
, Fast / not (Slow or Stop - it set by [STOP] button) is toggled every time the foot
switch is pressed.
At
TRI
, it is switched to Stop when the foot switch is further held down for longer than a
second.
At
MOM
, it is switched to Fast only while the foot switch is held down. When released, it is
switches to not (Slow or Stop - it set by [STOP] button).
GLIDE:
The pitch bends while the foot switch is pressed down the interval is determined by a
parameter setting.
PATCH FWD, REV:
Advance the Patch Forward or Reverse it.
FAVORITE FWD, REV:
Advance the Favorite Forward or Reverse it.
SPRING:
This generates the sound of the spring reverb being shaken.
DELAY TIME:
Sets the delay time (P. 86, 95) of the Eff ects, at the interval of pressing the foot switch. The
delay sound goes out, while the foot switch is held down.
DAMPER:
Holds played notes while the foot switch is depressed as does the damper pedal on a
piano.
or, touch the [CONTROL] button.
See “Function mode” (P. 62) for operation details.
TIP AND RING
The typical stereo plug, there are 3 metal parts.
The end is called the “Tip”, the middle portion is
the “Ring”. The part on the cord side is called the
“Sleeve”.
This keyboard requires a foot switch that uses a
Stereo Jack. Two Mono-Jack foot switches may
be used, and can have discrete functions, if a Left/
Right stereo splitter is used.
Tip
Ring
Sleeve
SPRING REVERB
The Hammond Organ company actually invented
the spring reverb for its organs in the 1940’s. The
eff ect was obtained with a length of spring and a
few pickups. If the spring was disturbed, it would
make a large crashing noise that was usually con-
sidered a nuisance, but sometimes was used as a
program sound eff ect. The Reverb here is digital,
but the “crash” eff ect is re-created here.
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