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THE HAMMOND VIBRATO

PRINCIPLE OF OPERATION

The vibrato effect is created by a periodic raising and lowering of pitch, and thus is fundamentally different 
from a tremolo, or loudness variation. It is comparable to the effect produced when a violinist moves his 
finger back and forth on a string while playing, varying the frequency while maintaining constant volume.

The Hammond Organ vibrato equipment (see simplified block diagram, 

Fig.25

) varies the frequency of all 

tones by continuously shifting their phase. It includes a phase shift network or electrical time delay line, 
composed of a number of low pass filter sections, and a capacity type pickup or scanner, which is motor 
driven so that it scans back and forth along the line.

Electrical waves fed into the line are shifted in phase by each line section (the amount per section being 
proportional to frequency), so that at any tap on the line the phase is retarded relative to the previous tap.

The scanning pick-up traveling along the line will thus encounter waves increasingly retarded in phase at 
each successive tap, and the signal it picks up will continuously change in phase. The rate at which this 
phase shift occurs will depend on how many line sections are scanned each second.

Since a cycle is equivalent to 360 electrical degrees, a frequency shift of one cycle occurs for each 360 
electical degrees scanned per second. For example if the scanner passes over the line at such a rate that 
3600 electrical degrees are scanned each second, there will be a frequency change of 10 cycles.

For the widest vibrato, the whole line is scanned from beginning to end in about 1/14 second, and this rate of
change of phase causes about 1-1/2% decrease in frequency. Note that the frequency remains constantly 1-
1/2% low as long as the moving pick-up retards the phase at a constant rate.

Since the pick-up sweeps from start to end of the line and then back, it increases the frequency by an equal 
percentage on its return trip, the average output frequency remaining equal to the input frequency. The exact
amount of frequency shift depends not only on the amount of phase shift in the line but also on the scanning 
rate. This rate, however, is constant because the scanner is driven by the synchronous running motor of the 
organ.

The degree of vibrato (or amount of frequency shift) may be varied by a switch (not shown in Fig. 25) which 
causes the whole line to be scanned for #3 (wide) vibrato, about half of it, for #2, and about one third for #1.

A vibrato chorus effect, similar to the effect of two or three slightly out-of-tune frequencies mixed together, is 
obtained when the vibrato output signal is mixed with a portion of signal without vibrato. For vibrato chorus, 
part of the incoming signal appears across the vibrato line and the rest across a resistor in series with the 
line. As the vibrato effect is applied to the part of the signal appearing across the line, but not to the part 
appearing across the resistor, the combination produces a chorus effect. For normal vibrato, this resistor is 
short-circuited

CONSTRUCTION OF COMPONENTS

 

Figure 26 shows the vibrato line box.

Each of the inductance coils, with a capacitor, forms one filter section.

                                                                                                                        

 

                                                                                                                         

 

 

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Summary of Contents for A-100 Series

Page 1: ...the resulting variations in the magnetic field induce a voltage in a coil wound on the magnet This small voltage when suitably filtered produces one note of the musical scale its pitch or frequency d...

Page 2: ...er is depressed The exception to this is the cancel key at the extreme left which serves only to release any key which may be locked down Only one preset key is used at one time If by mistake two are...

Page 3: ...own as tone 34 630 5210 After a tone is so logged it may be made available again by setting the harmonic drawbars to that number HARMONIC DRAWBARS FOR THE PEDALS In the pedals the harmonic resources h...

Page 4: ...le the rotary switch Figure 5 selects the degree of vibrato or vibrato chorus effect The Great tablet controls the vibrato for the pedals as well as for the Great manual PERCUSSION The Touch Response...

Page 5: ...the amplifier is applied to the driver unit in the reverberation device which then converts the electrical signal into mechanical energy This energy is transmitted through springs to a pickup unit wh...

Page 6: ...should be tightened during such moves Instructions for loosening and tightening the generator in the console are given on the instruction card contained in the bench The tone generator is lubricated...

Page 7: ...held for about 8 seconds while the starting motor brings the system up to slightly greater than synchronous speed The run switch is then turned on This switch simultaneously connects the synchronous m...

Page 8: ...tion with the speed at which the tone wheel is revolving determines the frequency of the tone generated Each driving gear with its two bakelite gears and four tone wheels runs in a separate compartmen...

Page 9: ...es this rod it causes a change in the magnetic field which induces a small voltage in the coil the frequency being determined by the number of teeth and the wheel speed Small coils are used on the hig...

Page 10: ...s seldom need adjustment and that setting them without proper equipment involves danger of damaging both magnet and wheel Therefore it is not recommended that the service man attempt this adjustment G...

Page 11: ...y This frequency numbering is continued throughout the instrument The frequencies are not in order on the terminal strip and Figure 13 indicates the arrangement Several terminals at the right end are...

Page 12: ...l bronze contact springs with precious metal points See Figure 15 When a key is pressed these points make contact with nine busbars extending the entire length of the manual The busbars also have prec...

Page 13: ...ine busses which are connected to taps on the matching transformer These correspond to different intensities of sound as shown by numbers on the drawbars The two left groups of drawbars are associated...

Page 14: ...The busbar shifter for each manual is a slotted stud near the right end of the manual as viewed from the back of the console see rear view of console Figure 8 for location If any note becomes scratch...

Page 15: ...card inside This card is reproduced below Figure 17 OPERATION OF MECHANISM ON PRESET KEYS In their basic construction the preset keys are identical to the playing keys Each has a plastic key mounted o...

Page 16: ...mined that a new return spring is necessary on either manual remove the console top and music rack and take the bolts holding the manual assembly out from the bottom of the console Raise the upper man...

Page 17: ...63 67 70 75 28 D 28 47 40 52 59 64 68 71 76 29 E 29 48 41 53 60 65 69 72 77 30 F 30 49 42 54 61 66 70 73 78 31 F 31 50 43 55 62 67 71 74 79 32 G 32 51 44 56 63 68 72 75 80 33 G 33 52 45 57 64 69 73 7...

Page 18: ...rings are connected to terminals by resistance wires similar to those used in the manual assembly and a cable connects these terminals to the proper terminals on the generator terminal strip Four colo...

Page 19: ...C 20 32 39 44 48 51 9 G 9 NC 21 33 40 45 49 52 10 A 10 NC 22 34 41 46 50 53 11 A 11 NC 23 35 42 47 51 54 12 B 12 NC 24 36 43 48 52 55 13 C 13 32 25 37 44 49 53 56 14 C 14 33 26 38 45 50 54 57 15 D 15...

Page 20: ...left end as you look in at the back It should be adjusted as described under Manual Busbar Shifters on a previous page Pedal Keyboard Pedal keys are set at the factory for average tension but are adju...

Page 21: ...e will be a frequency change of 10 cycles For the widest vibrato the whole line is scanned from beginning to end in about 1 14 second and this rate of change of phase causes about 1 1 2 decrease in fr...

Page 22: ...s mesh with the stationary ones In figure 28B two sets of plates have been removed to show the rotor Signals coming from the line through the vibrato switch appear on the stationary plates and are pic...

Page 23: ...s the signal that was borrowed from the 2nd or 3rd harmonic drawbar for the percussion amplifier is replaced When a key is depressed the signal first sounds loudly through the control tube transformer...

Page 24: ...ion output transformer reducing the percussion signal and also shorts out upper manual matching transformer compensating resistor R1 thus restoring the upper manual signal strength to provide proper b...

Page 25: ...quipped with a standard phonograph input jack The input impedance is approximately 1 megohm and the circuit requires a maximum input signal of about 1 2 volt A volume control will have to be installed...

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