Gemini UMX-SE Operation Manual Download Page 5

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1) Remove the channel slide, 

CROSSFADER

knobs and the 4 screws from the sides
of the lower face plate. Then
remove the lower faceplate.

2) Remove the 2 screws in the corners of

the assign switch plate. Rotate the
switch plate to the desired position,
replace the screws and tighten down.

3) To position the switch at a 45 degree angle, you need to reposition the

switch on the assign switch plate. First, remove the 2 screws in the
corners of the assign switch plate. Then, lift the switch plate up and
remove the 2 smaller screws next to the switch. Rotate the switch plate
to the right until the 45 degree holes align with the switch holes, replace
the screws and tighten down. Replace the switch plate and tighten down.

NOTE: KEEP TRACK OF WHERE YOU POSITION THE INPUT ASSIGN SWITCHES.  TO AVOID

CONFUSION, MOVE THE SWITCH TO A POSITION NEAR THE CORRESPONDING PRINTING
ON THE FACEPLATE.

7.

CHANNEL SLIDE CURVE SWITCHES:

 Use the 3 position 

CHANNEL

SLIDE CURVE (32)

 switches to adjust the kind of curve the channel

slides have. Move the selected channel slide curve switch to the 6 (top)
position to make the increase in level gradual and even. Move the
channel slide curve switch to the 20 (center) position to make the
increase in level less gradual as you move channel slide up. Move the
channel slide curve switch to the 30 (bottom) position to make the
increase in level even less gradual, especially at the top of the slide.

8.

CROSSFADER SECTION:

 The 

CROSSFADER (39)

 allows the mixing of

one source into another. The 

UMX-SE

 features an assignable

CROSSFADER

. The 

ASSIGN (41) 

switch allows you to select which

channels will play through the 

CROSSFADER

 and has 3 positions. When

the 

ASSIGN (41)

 switch is in the left postion, Channel 1 will play through

(the left side of the 

CROSSFADER

), channel 3 will play through 

B

 (the

right side of the 

CROSSFADER

), and channel 2 will be on but not

assigned to the 

CROSSFADER

.  When the 

ASSIGN (41) 

switch is in the

center postion, Channel 2 will play through 

A

, channel 3 will play

through 

B

 and channel 1 will be on but not assigned the the

CROSSFADER

. When the 

ASSIGN (41) 

switch is in the right position,

Channel 2 will play through 

A

, channel 3 will play through 

B

 and channel

1 will be 

OFF

. The 

CROSSFADER ASSIGN LED

 

(36, 37, 38) 

indicate

which channels are assigned to the 

CROSSFADER

.  When a channel is

assigned to the 

CROSSFADER

, the 

CROSSFADER ASSIGN LED 

will light

BLUE

. When a 

CROSSFADER ASSIGN LED 

is not lit, the channel is on

but not assigned to the 

CROSSFADER

.  When the 

CROSSFADER

ASSIGN LED

 

(36) 

lights 

RED

, channel 1 is 

OFF

. The 

CROSSFADER

CURVE (40)

 control allows you to adjust the kind of curve the

CROSSFADER

 has. Move the 

CROSSFADER CURVE (40)

 control

to the right to make the curve steep and cutting (perfect for scratching).
Move the 

CROSSFADER CURVE (40)

 control to the left to make the

curve gradual and gentle. The 

CROSSFADER REVERSE SWITCH (42)

allows you to reverse the 

CROSSFADER

 so that 

is control 

LED

 by the

left side of the 

CROSSFADER

 and 

is control 

LED

 by the right side of

the 

CROSSFADER

.

NOTE: WHEN THE 

CROSSFADER

 REVERSE SWITCH (42) IS ACTIVATED (MOVED TO THE

RIGHT), ONLY THE 

CROSSFADER

 REVERSES. THE CHANNEL SLIDES, GAIN, PAN AND

TONAL CONTROLS DO NOT REVERSE.

9.

OUTPUT CONTROL SECTION:

 The level of the 

MASTER OUTPUT (9,

11)

 is control

LED

 by the

 MASTER (19)

 control.  The 

ZONE (18)

 control

adjusts the level of the 

ZONE OUTPUT (12)

.

HINT: THE ZONE OUTPUT IS USED BY SOME DJS TO RUN MONITOR SPEAKERS IN THEIR DJ

BOOTH. YOU CAN ALSO USE IT AS A SECOND ZONE OR AMP OUTPUT.

NOTE: THE  RECORD OUT (10) HAS NO LEVEL CONTROL. THE LEVEL IS SET BY THE

CHANNEL SLIDES AND THE GAIN CONTROLS OF THE SELECTED CHANNEL. THE TONAL
QUALITIES ARE SET BY THE LOW, MID AND HIGH CONTROLS OF THAT SAME CHANNEL.

10.

CUE SECTION:

 By connecting a set of headphones to the 

PHONES (45)

jack, you can monitor any or all of the channels. Press the

 CUE ASSIGN

(28)

 buttons for channels 1 - 3 to select the channel or channels to be

monitored and their respective 

LED

 indicators will glow. Use the 

CUE

LEVEL (44)

 control to adjust the cue volume without effecting the

overall mix. By moving the 

CUE FADER (43)

 control to the left you will be

able to monitor the assigned cue signal. Moving the control to the right
will monitor the 

PGM 

(program) output.

11.

DISPLAYS:

 The 

PEAK HOLD LED METER (21)

 indicates the 

MASTER

OUTPUT (9, 11)

 left and right channel levels. The individual channels each

have their own 

PREFADER INPUT LEVEL PEAK HOLD LED METERS

(22) 

which reflect the 

GAIN (23)

HIGH (24)

MID (25)

 and

 LOW (26)

rotary control adjustments. The 

CHANNNEL SLIDES (33, 34, 35)

 will not

effect the 

PREFADER INPUT LEVEL PEAK HOLD LED METERS (22)

.

SPECIFICATIONS:

INPUTS:

Mic..............................................................................1.5mV 2Kohm balanced
Phono..........................................................................................3mV 47Kohm
Line........................................................................................150 mV 27Kohm

OUTPUTS:

Master (balanced).............................................................0 dB  2 V 800 Ohm
Max.....................................................................................40 V Peak to Peak
Master/Zone (unbalanced)....................................................0 dB 1V 400ohm
Max......................................................................................20V Peak to Peak
Rec...........................................................................................225mV 5Kohm
MIC:
Mic..............................................................................1.5mV 2Kohm balanced
Controls............................................................................................Channel 1

GENERAL:

Low (Chnls 1-3).......................................................................+ 12dB/- 32 dB
Mid (Chnls 1-3).........................................................................+ 12dB/- 32 dB
High (Chnls 1-3).......................................................................+ 12dB/- 32 dB
Gain (Chnls 1-3)..............................................................................0 to -20dB
Frequency Response...................................................20Hz - 20KHz +/- 2dB
Distortion...................................................................................................0.08%
S/N Ratio................................................................................better than 80dB
Headphone Impedance..........................................................................16ohm
Power Source............................................................115/230V 60/50Hz 20W
Dimensions...........................10”w x 14.75”h x 4.25”d (254 x 375 x 108 mm)
Weight............................................................................................9 lbs (4 kg)

Summary of Contents for UMX-SE

Page 1: ...ONS UMX SE SPECIAL EDITION PROFESSIONAL VCA MIXER SONDERAUSGABE PROFESSIONNELLER VCA MISCHPULT EDICIÓN ESPECIAL MEZCLADOR VCA PARA EL PROFESIONAL ÉDITION SPÉCIALE MÉLANGEUR VCA POUR LE PROFESSIONNEL MULTI LANGUAGE INSTRUCTIONS English Page 4 Deutsch Page 6 Español Page 8 Francais Page 10 ...

Page 2: ...s to provide some protection against voltage surges and built up static charges Article 810 of the National Electrical Code ANSI NFPA 70 provides information with regard to proper grounding of the mast and supporting structure grounding of the lead in wire to an antenna discharge unit size of grounding conductors location of antenna discharge unit connection to grounding electrodes and requirement...

Page 3: ...ntes de canal Courbe des curseurs de canal Curva cursori canale Radical Taper Harter Übergang Disminución radical Diminution radicale Riduzione radicale A B Amplitude dB A B Signalstärke dB Amplitud A B dB Amplitude A B dB Estensione A B dB Gradual Taper Weicher Übergang Disminución progresiva Diminution progressive Riduzione progressiva Travel Faderweg Recorrido Parcours Corso Travel Faderweg Rec...

Page 4: ...signal positive and negative and one shield ground Pin 1 is ground shield Pin 2 is signal hot positive Pin 3 is signal cold negative The MASTER OUTPUT 11 jacks are unbalanced and used to connect to your main amplifier The REC OUTPUT 10 jacks can be used to connect the mixer to the record input of your recorder enabling you to record your mix The ZONE OUTPUT 12 jacks allow you to hook up an additio...

Page 5: ...the CROSSFADER ASSIGN LED 36 lights RED channel 1 is OFF The CROSSFADER CURVE 40 control allows you to adjust the kind of curve the CROSSFADER has Move the CROSSFADER CURVE 40 control to the right to make the curve steep and cutting perfect for scratching Move the CROSSFADER CURVE 40 control to the left to make the curve gradual and gentle The CROSSFADER REVERSE SWITCH 42 allows you to reverse the...

Page 6: ...IENUNG 1 NETZ EINSCHALTEN Nachdem Sie alle Tonquellen am Mischpult angeschlossen haben drücken Sie auf die Taste POWER 8 Der Strom wird eingeschaltet und die POWER LED 20 leuchtet auf 2 KANAL 1 Die Regelelemente GAIN 23 HIGH 24 MID 25 LOW 26 und PAN 27 Balance ermöglichen ein vollkommenes Regulieren der ausgewählten Tonquelle Schalter 29 ermöglicht den Eingang von PHONO 1 LINE 1 17 oder MIC 7 ausz...

Page 7: ...FADER zugewiesen Steht der ASSIGN 41 Schalter in Rechtsposition wird Kanal 2 durch A Kanal 3 durch B eingeblendet und Kanal 1 ausgeschaltet und auch nicht dem CROSSFADER zugewiesen Die CROSSFADER ASSIGN LED 36 37 38 zeigen an welche Kanäle dem CROSSFADER zugeordnet sind Wenn ein Kanal dem CROSSFADER zugewiesen ist wird die CROSSFADER ASSIGN LED BLAU aufleuchten Wenn eine CROSSFADER ASSIGN LED nich...

Page 8: ... de 4 series de jacks de salida para amplificador Los jacks BALANCED MASTER OUTPUT 9 salida de amplificador balanceada se usan para la conexión al amplificador principal con la ayuda de cables XLR estándares Recomendamos el uso de salidas de amplificador balanceadas si los cables que se conectan al amplificador miden por lo menos 3 metros A las salidas balanceadas corresponden tres 3 conductores d...

Page 9: ...l 2 transmitirá a través de A el canal 3 a través de B y el canal 1 estará activado sin ser asignado al CROSSFADER Cuando el interruptor ASSIGN 41 ocupa la posición derecha el canal 2 transmitirá a través de A el canal 3 a través de B y el canal 1 estará desactivado Los CROSSFADER ASSIGN LED 36 37 38 indican cuales canales están asignados al CROSSFADER Cuando un canal está asignado al CROSSFADER e...

Page 10: ...cuper la position OFF hors tension La POWER LED 20 DEL de puissance sera éteinte 3 L appareil UMX SE est équipé de 4 sorties séparées amplificateurs Les BALANCED MASTER OUTPUT 9 sortie symétrique sont utilisés pour le branchement à l amplificateur principal à l aide de câbles XLR courants Nous recommandons l emploi de sorties d amplificateur équilibrées si les câbles reliant votre amplificateur me...

Page 11: ... 1 sera activé sans être assigné au CROSSFADER Lorsque le commutateur ASSIGN 41 occupe la position droite le canal 2 sera transmis par A le canal 3 sera transmis par B et le canal 1 ne sera pas activé Les voyants CROSSFADER ASSIGN CROSSFADER ASSIGN LED 36 37 38 indiquent quels canaux sont assignés au CROSSFADER Lorsqu un canal est assigné au CROSSFADER le voyant CROSSFADER ASSIGN sera allumé en ve...

Page 12: ...tice and does not represent a commitment on the part of the vendor UMX DIVISION shall not be liable for any loss or damage whatsoever arising from the use of information or any error contained in this manual No part of this manual may be reproduced stored in a retrieval system or transmitted in any form or by any means electronic electrical mechanical optical chemical including photocopying and re...

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