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20.  Effects Return level - Adjusts the amount of signal

sent to the left and right program mixes from the
effects return.

21.  Effects Master level - Adjusts the amount of signal

from the built in DSP effects module to the Left,
Right and Main program mixes.

22.  DFX Send level - Adjusts the master level of signal

present at the EFFECTS SEND jack from the
internal effects bus.

23.  Aux In level - Adjusts the signal level from the Aux

In jack applied to the Left, Right and Main program
mixes.

24.  Tape In level - Adjusts the signal level from the tape

in jack applied to the Left, Right and Main program
mixes.

25.  Monitor Out level - Adjusts the overall level of

monitor signal bus to the monitor out jack.

26.  System Mode Switch - This switch controls which

mixer programs are sent to the internal power
amplifiers. The options are Left and Right, Monitor
and Main, or Bridged mono mode.

27.  Main Master Volume - Adjusts the overall level of

the main program mix, which is a mono sum of the
left and right channels.

28.  Power LED - LED is lit when power is applied to the

mixer.

29.  Phantom Power Switch - When this button is

pressed, a +48 DC Phantom Power supply is
activated and the adjacent LED illuminates.
Phantom power is necessary for some condenser
style microphones. Before plugging or unplugging
and microphone, make sure the power supply is off.
Ensure the master volume is down before turning on
the phantom power.

Master Inputs and Outputs

Master Inputs and Outputs

30.  Effects Send Jack – This unbalanced, line level

output jack is designed to feed the effects bus to
an external effects processor.

31.  Effects Return (L and R) Jacks – These

unbalanced, line level input jacks are meant to
accept a signal from an external effects
processor and transfer it to the left and/or right
program mixes.

32.  Monitor Output Jack – This unbalanced, line level

output jack is designed to output the monitor mix to
an external power amplifier or powered monitor
such as the 1270P.

33.  Aux In (L and R) – The auxiliary input jacks are

consumer line level (-10 dBm), unbalanced jacks
which provide additional inputs to the Left and Right
program mixes.

34.  Tape in Jacks – The tape in jacks are RCA inputs

designed to input a stereo mix from a CD player or
tape deck to the stereo L/R busses.

35.  Tape Out Jacks – The tape out jacks are RCA

outputs for use with a recording device.

36.  Mix Output Jacks – These output jacks provide a

line level signal of the left and right program mixes.

AC Power and Power Amplifier

AC Power and Power Amplifier

37.  Speaker output Jacks – These are speaker level

output jacks designed to feed your main or monitor
speakers. The minimum impedance is 4 ohms;
connecting a load of less than 4 ohms may result in
unsatisfactory performance such as early
overheating and thermal shutdown.

38.  Bridged Mono output Jack – This is a speaker

output that can be used to combine the power of
both amplifiers when more volume is needed.
Minimum impedance is 8 ohms, and only the bridge
output can be connected for proper operation.

39.  Power Switch – Turns the AC power on and off.

40.  AC Power Inlet – Inlet for the AC power cord.

Connect only the supplied cable to this inlet.

41.  Main  Fuse  – This is the main fuse for the unit;

replace with a fuse of the same ratings only.

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S

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R

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R

R

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Summary of Contents for PASSPORT SR8500

Page 1: ......

Page 2: ...ENGLISH PAGES 6 11 ESPANOL PAGINAS 12 17 FRAN AIS PAGES 18 23 ITALIANO PAGINE 24 29 DEUTSCH SEITEN 30 35...

Page 3: ...ad Este s mbolo advierte al usuario de la presencia de niveles peligrosos de voltaje dentro de la carcasa del aparato Este s mbolo advierte al usuario de que deber a leer todos los documentos que acom...

Page 4: ...olo indica la presenza di tensione pericolosa all interno della cassa Questo simbolo indica l importanza per l utilizzatore della lettura di tutta la documentazione allegata al prodotto finalizzata al...

Page 5: ...en Stecker unterschiedlich breite Pole ausger stet Dies ist eine Sicherheitsfunktion Wenn der vorhandene Stecker nicht in Ihre Steckdose passt lassen Sie die veraltete Steckdose von einem Elektriker e...

Page 6: ...SQUIER SQ 15 600 W peak 15 woofer compression driver loudspeaker 2 speakers per side for a total of 4 speakers At Fender Audio we are dedicated to providing innovative portable audio solutions Fittin...

Page 7: ...oth line and mic inputs at the same time Digital Ef Digital Effects fects 11 DSP Peak LED The DSP peak indicator lights when the DSP circuit is clipping distorting If distortion is heard while this LE...

Page 8: ...k is designed to feed the effects bus to an external effects processor 31 Effects Return L and R Jacks These unbalanced line level input jacks are meant to accept a signal from an external effects pro...

Page 9: ...in Mono Monitor Mono Main Mono Equipment Connection Examples Equipment Connection Examples w ww ww w f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t 9 A A...

Page 10: ...ww ww w f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t 10 B B B B l l l l o o o o c c c c k k k k D D D D i i i i a a a a g g g g r r r r a a a a m m m...

Page 11: ...SENSITIVITY MIC 50dBm 50dBm LINE 20dBm 20dBm TAPE IN AUX IN EFFECT RETURN 10dBm 10dBm OUTPUT LEVEL EFFECT SEND MIX OUT MONITOR OUT REC OUT 4dB 4dB DSP 16 PRESETS Hall Reverb 1 2 Hall Reverb 1 2 Room R...

Page 12: ...al de 4 altavoces En Fender Audio somos expertos en crear soluciones audio port tiles innovadoras De acuerdo a esta forma de pensar las mesas de mezclas autoamplificadas SR6300 8500 son robustas compl...

Page 13: ...Efectos digitales 11 Piloto DSP Peak Este indicador se ilumina cuando el circuito DSP est saturando distorsi n Si escucha alguna distorsi n mientras est piloto est iluminado reduzca los niveles de ef...

Page 14: ...no balanceada ha sido dise ada para pasar se al a un procesador de efectos exterior 31 Clavijas Effects Return L y R Estas entradas de nivel de l nea no balanceadas aceptan la se al procedente de un p...

Page 15: ...a a a a p p p p l l l l i i i i c c c c a a a a c c c c i i i i n n n n Ejemplos de conexi n de r Ejemplos de conexi n de recintos ac sticos ecintos ac sticos Configuraci n Stereo Configuraci n princi...

Page 16: ...d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t 16 D D D D i i i i a a a a g g g g r r r r a a a a m m m m a a a a d d d d e e e e b b b b l l l l o o o o q q q q u...

Page 17: ...DAD DE ENTRADA MICRO 50 dBm 50 dBm LINEA 20 dBm 20 dBm ENTRADA CINTA AUX RETORNO EFECTOS 10 dBm 10 dBm NIVEL SALIDA ENVIO EFECTOS MEZCLA SALIDA MONITOR GRABACION 4 dB 4 dB DSP 16 PRESETS Reverb sal n...

Page 18: ...dans la recherche de syst mes audio novateurs et portables Issus de cette philosophie les m langeurs amplifi s SR6300 8500 sont d une extr me robustesse offrent toutes les fonctions dont vous avez be...

Page 19: ...ntion Ne connecter qu une seule entr e par voie Ne pas utiliser les entr es ligne et micro en m me temps Ef Effets num riques fets num riques 11 Led DSP Peak Le t moin DSP Peak s allume lorsque le cir...

Page 20: ...la connexion d un processeur d effets externe 31 Jacks Effects Return L et R Entr es asym triques niveau ligne acceptant le signal d un processeur d effets externe et de le transf rer aux mixages pro...

Page 21: ...s s s d d d d a a a a p p p p p p p p l l l l i i i i c c c c a a a a t t t t i i i i o o o o n n n n s s s s Exemples de connexion des enceintes Exemples de connexion des enceintes Configuration st...

Page 22: ...w ww ww w f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t 22 S S S S y y y y n n n n o o o o p p p p t t t t i i i i q q q q u u u u e e e e...

Page 23: ...CT RETURN 10 dBm 10 dBm NIVEAU DE SORTIE EFFECT SEND MIX OUT MONITOR OUT REC OUT 4 dB 4 dB DSP 16 PRESETS Hall Reverb 1 2 Hall Reverb 1 2 Room Reverb 1 2 Room Reverb 1 2 Plate Reverb 1 2 Plate Reverb...

Page 24: ...i picco woofer da 15 altoparlante con driver a compressione 2 diffusori per canale L R per un totale di 4 diffusori Noi di Fender Audio dedichiamo ogni sforzo per realizzare soluzioni audio portatili...

Page 25: ...Line e Mic contemporaneamente Ef Effetti Digitali fetti Digitali 11 DSP Peak LED L indicatore DSP si illumina nel caso in cui avvenga una distorsione nel circuito DSP In caso di distorsione del segna...

Page 26: ...d effetti esterno 31 Effects Return L e R Ingresso jack sbilanciato con livello di linea che permette di accogliere il segnale proveniente da un unita d effetti esterna trasferendolo alle uscite Mix L...

Page 27: ...i Configurazione Stereo Configurazione Main Monitor Configurazione Bridge Main Right Main Left Main Mono Monitor Mono Main Mono Esempi di collegamenti di str Esempi di collegamenti di strumentazione u...

Page 28: ...d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t 28 D D D D i i i i a a a a g g g g r r r r a a a a m m m m m m m m a a a a a a a a B B B B l l l l o o o o c c c c c...

Page 29: ...Bm LINE 20dBm 20dBm TAPE IN AUX IN EFFECT RETURN 10dBm 10dBm LIVELLO IN USCITA EFFECT SEND MIX OUT MONITOR OUT REC OUT 4dB 4dB DSP 16 PRESETS Hall Reverb 1 2 Hall Reverb 1 2 Room Reverb 1 2 Room Rever...

Page 30: ...eiber Lautsprecher 2 Boxen pro Seite also insgesamt 4 Boxen Bei Fender Audio m chten wir Ihnen innovative tragbare Audio L sungen bieten Entsprechend diesem Bestreben sind die SR6300 8500 Aktivmischer...

Page 31: ...Schlie en immer nur ein Ger t an einen Kanal an benutzen Sie die Line und Mic Eing nge nicht gleichzeitig Digitaleffekte Digitaleffekte 11 DSP Peak LED Die DSP Peak Anzeige leuchtet wenn die DSP Scha...

Page 32: ...sche Line Pegel Ausgang speist den Effects Bus zu einem externen Effektprozessor 31 Effects Return L und R Buchsen Diese asymmetrischen Line Pegel Eing nge akzeptieren die Signale eines externen Effek...

Page 33: ...n d d d d u u u u n n n n g g g g s s s s b b b b e e e e i i i i s s s s p p p p i i i i e e e e l l l l e e e e 33 Boxenanschluss Beispiele Boxenanschluss Beispiele Stereo Konfiguration Main Monitor...

Page 34: ...ww w f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t B B B B l l l l o o o o c c c c k k k k d d d d i i i i a a a a g g g g r r r r a a a a m m m m m m m...

Page 35: ...UT REC OUT 4dB 4dB DSP 16 PRESETS Hall Reverb 1 2 Hall Reverb 1 2 Room Reverb 1 2 Room Reverb 1 2 Plate Reverb 1 2 Plate Reverb 1 2 Reverb Delay 1 2 Reverb Delay 1 2 Feedback Delay 1 2 3 4 Feedback De...

Page 36: ...UCT OF FENDER MUSICAL INSTRUMENTS CORPORATION CORONA CA USA Fender is a registered trademark of FMIC Other trademarks are properties of their respective owners 2004 FMIC All rights reserved P N 065511...

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