
APPENDIX B: FX TRACK PARAMETERS
92
FX LFO
The FX LFO menu consists of two LFOs dedicated to modulating FX track parameters.
LFO1 (page 1)
SPD
(LFO1 Speed) sets the speed of LFO1. It is
synced to the BPM. To sync it to straight beats, try
settings of 16, 32 or 64. The value is bi-polar (nega-
tive values plays the LFO shape backwards).
MUL
(LFO1 Multiplier) multiplies the SPD parameter
by the set factor. (x) multiplies the current tempo,
(dot) syncs the LFO to 120 BPM regardless of the
tempo, and (tuning fork) syncs the LFO to OSC1.
FAD
(LFO1 Fade In/Out) offers the possibility to
fade in/out the LFO modulation. Positive values give
a fade-out, negative values give a fade-in. A mid
position (0) will result in no fade in/out.
SPH
(LFO1 Start Phase) sets where in the waveform
the LFO1 will start when being trigged.
MOD
(LFO1 Trig Mode) sets how the LFO1 will react
when a note is played. There are five settings:
• FRE is the default free-running mode. The LFO
run continuously, never restarting or stopping.
• TRG makes LFO1 restart when a note is played.
• HLD makes LFO1 run free in the background, but
when a note is played the output LFO1 level is
latched and held still until the next note is played.
• ONE will make LFO1 start from the beginning
when a note is played, run for one cycle and then
stop. This makes it similar to an envelope.
• HLF will make LFO1 start from the beginning
when a note is played, run for half a cycle and
then stop.
WAV
(LFO1 Waveform) sets the LFO1 waveform.
DST
(LFO1 Destination A) selects the first of the
two available destinations for LFO1. Confirm a se-
lection by pressing
[YES]
.
DEP
(LFO1 Depth A) sets how much LFO1 will
modulate the destination chosen by the first DST
parameter. The knob is bipolar (both negative and
positive modulation depth is possible).
DST
(LFO1 Destination B) selects the second of
the two available destinations for LFO1. Confirm a
selection by pressing
[YES]
.
DEP
(LFO1 Depth B) sets how much the LFO1 will
modulate the destination chosen by the second
DST parameter. The knob is bipolar (both negative
and positive modulation depth is possible).
LFO2 (page 2)
SPD
(LFO2 Speed) sets the speed of LFO2. It is
synced to the BPM. To sync it to straight beats, try
settings of 16, 32 or 64. The value is bi-polar (nega-
tive values plays the LFO shape backwards).
MUL
(LFO2 Multiplier) multiplies the SPD parameter
by the set factor. (x) multiplies the current tempo,
(dot) syncs the LFO to 120 BPM regardless of the
tempo, and (tuning fork) syncs the LFO to OSC2.
FAD
(LFO2 Fade In/Out) offers the possibility to
fade in/out the LFO modulation. Positive values give
a fade-out, negative values give a fade-in. A mid
position (0) will result in no fade in/out.
SPH
(LFO2 Start Phase) sets where in the wave-
form the LFO2 will start when being trigged.
MOD
(LFO2 Trig Mode) sets how the LFO2 will
react when a note is played. There are five settings:
• FRE is the default free-running mode. The LFO
run continuously, never restarting or stopping.
• TRG makes LFO2 restart when a note is played.
• HLD makes LFO2 run free in the background, but
when a note is played the output LFO2 level is
latched and held still until the next note is played.
• ONE will make LFO2 start from the beginning
when a note is played, run for one cycle and then
stop. This makes it similar to an envelope
• HLF will make LFO2 start from the beginning
when a note is played, run for half a cycle and
then stop.
WAV
(LFO2 Waveform) sets the LFO2 waveform.
DST
(LFO2 Destination A) selects the first of the
two available destinations for LFO2. Confirm a se-
lection by pressing
[YES]
.
DEP
(LFO2 Depth A) sets how much LFO2 will
modulate the destination chosen by the first DST
parameter. The knob is bipolar (both negative and
positive modulation depth is possible).
DST
(LFO2 Destination B) selects the second of
the two available destinations for LFO2. Confirm a
selection by pressing
[YES]
.
DEP
(LFO2 Depth B) sets how much the LFO2 will
modulate the destination chosen by the second
DST parameter. The knob is bipolar (both negative
and positive modulation depth is possible).
Summary of Contents for Analog Four MKII
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