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MASTER

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1)  GUITAR INPUT: Plug your guitar in 

here using a high quality, shielded instru-

ment cable.

2)  CHANNEL SELECT: This pushbut-

ton switch is used to step through the chan-

nels in sequential order. 

3)  CHANNEL 1 VOICING: This group 

of three powerful switches gives you the 

freedom to TWEAK your tone beyond the 

normal EQ controls.

TIGHT: This switch is really GREAT for 

tightening up the low end, especially when 

pushing the gain. It works by cutting the 

deep bass at the beginning of the preamp. 

Setting the TIGHT switch to [+] will result 

in a clearer, tighter tone. 

Setting the switch to [-] will create a fuller, 

fatter tone but can tend to get a little  

muddy with high gain settings, especially 

with humbucking type pickups.

BRIGHT: The [+] setting boosts the high 

end. As with most BRIGHT switches,  

the effect diminishes with higher settings 

of the GAIN knob. Do experiment with dif-

ferent combinations of the BRIGHT on [+] 

and TREBLE knob down compared to the 

BRIGHT off [-] and the TREBLE up. You 

will find that with the BRIGHT on [+] and 

the TREBLE down, the tone will be a little 

less midrangy compared to the BRIGHT 

off [-] and the TREBLE turned up.

GAIN: The [+] setting increases the GAIN 

in the preamp. If you are looking for a  

huge crystal clean sound set the GAIN 

switch to (-). For a more overdriven rock  

& roll sort of rhythm, try the [+] setting.

4)  CHANNEL 1 GAIN: This controls the 

amount of “drive” in the CLEAN chan-

nel. Low settings of the GAIN knob (with 

higher settings of the VOLUME knob) will 

keep the sound big, full and beautiful. You 

can also use higher settings of the GAIN 

knob to push the channel into overdrive to 

get some really raucous rock & roll crunch 

tones. This knob is active when the green 

light below it is on.

5)  CHANNEL 1 TONE CONTROLS: 

This channel features the familiar passive 

tone control designs of many revered clas-

sic tube amps. Dial in beautiful, pristine 

clean sounds to bold, powerful overdrive 

tones. Don’t hesitate to turn the knobs. 

You’ll find a vast array of stellar sounds.

6)  CHANNEL 1 VOLUME: Adjust the 

loudness of CHANNEL 1. The green light 

indicates this knob is active.

7)  CHANNEL 2 VOICING: This group 

of three powerful switches gives you the 

freedom to TWEAK your tone beyond the 

normal EQ controls.

TIGHT: This switch is really GREAT for 

tightening up the low end, especially  

when pushing the gain. It works by cutting 

the deep bass at the beginning of the pre-

amp. Setting the TIGHT switch to [+] will 

result in a clearer, tighter tone. Setting the 

switch to [-] will create a fuller, fatter tone 

but can tend to get a little muddy with high 

gain settings, especially with humbucking 

type pickups.

BRIGHT: The [+] setting boosts the 

high end. Do experiment with different  

combinations of the BRIGHT on [+] and 

TREBLE knob down compared to   the 

BRIGHT off [-] and the TREBLE up. You 

will find that with the BRIGHT  

on and 

the TREBLE down, the tone will be a little 

less midrangy compared to the BRIGHT 

off and the TREBLE turned up.

GAIN: The [+] setting increases the GAIN 

in the preamp. For a mildly overdriven 

crunch rhythm sound, try setting the GAIN 

to [-]. For a more  massively overdriven 

tone, set the GAIN to [+].

8)  CHANNEL 2 GAIN: This controls 

the preamp “drive”. Lower settings of the 

GAIN knob (with higher settings of the 

VOLUME knob) will produce a mildly 

overdriven sound. Great for a powerful 

crunch rhythm. Use higher settings of the 

GAIN knob to push the channel into over-

drive to get some really raucous rock & 

roll crunch tones. Set the GAIN switch to 

[+] and crank the GAIN knob for massive 

drive and sustain. This knob is active when 

the yellow light below it is on.

9)  CHANNEL 3 VOICING: This group 

of three powerful switches gives you the 

freedom to TWEAK your tone beyond the 

normal EQ controls.

TIGHT: This switch is really GREAT for 

tightening up the low end, especially  

when pushing the gain. It works by cutting 

the deep bass at the beginning of the  pre-

amp. Setting the TIGHT switch to [+] will 

result in a clearer, tighter tone. 

Setting the switch to [-] will create a 

fuller, fatter tone but can tend to get a little 

muddy with high gain settings, especially 

with humbucking type pickups.

BRIGHT: The [+] setting boosts the 

high end. Do experiment with different  

combinations of the BRIGHT on [+] and 

TREBLE knob down compared to   the 

BRIGHT off [-] and the TREBLE up. 

You will find that with the BRIGHT on and 

the TREBLE down, the tone will be a little 

less midrangy compared to the BRIGHT 

off and the TREBLE turned up.

GAIN: The [+] setting increases the GAIN 

in the preamp. 

For a mildly overdriven crunch rhythm 

sound, try setting the GAIN to [-]. For a 

more powerful overdriven tone, set the 

GAIN to [+].

10) CHANNEL 3 GAIN: This controls 

6

Summary of Contents for Armageddon

Page 1: ...Owner s Manual 120 watt Tube Amplifier...

Page 2: ...ons Tube Chart 18 Your Settings 19 Warranty Contact 20 Greetings I would like to personally thank you for choosing Egnater as your Tone Partner Our goal is to provide you with the best tools we can to...

Page 3: ...Switch Channel 2 3 o Shared 3 Band EQ o Independent Volume Gain Controls o Tight Bright Voicing Switches o High Low Gain Switch Built in ISP DecimatorTM G String Noise Reduction with Threshold Contro...

Page 4: ...use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug the apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to q...

Page 5: ...lacement or biasing 17 SERVICING The user should not attempt any service to the amplifier beyond that described in the operating instructions All other servicing should be referred to qualified servic...

Page 6: ...normal EQ controls TIGHT This switch is really GREAT for tightening up the low end especially when pushing the gain It works by cutting the deep bass at the beginning of the pre amp Setting the TIGHT...

Page 7: ...wer amp section and affects all channels Higher set tings create a really big full low end Use this control sparingly at high volumes Excessive bass boost at high volumes can cause some speakers to br...

Page 8: ...TONE SETTINGS CHANNEL 1 ALMOST ACOUSTIC CLEAN TRY CUTTING THE MIDRANGE IN THE MASTER SECTION FOR THIS TONE CALIFORNIA CLEAN BRITISH CLEAN AMERICAN BLUES BRIT ROCK RHYTHM TONE SETTINGS CHANNEL 1 8...

Page 9: ...L 2 3 9 CLASSIC BRITISH ROCK AMERICAN HEAVY ROCK METAL RHYTHM DEATH METAL SCREAMIN SOLO TONE SETTINGS CHANNEL 2 3 TRY USING THE MASTER MIDRANGE WITH DEPTH SET AT 1 00 TRY USING THE MASTER MIDRANGE WIT...

Page 10: ...y response of this output closely mimics the sound of a mic d speaker cabinet Using this output is great for getting a consistent recording or live output from your rig re gardless of what mics are av...

Page 11: ...move the eight small switches ON or OFF according to your spe cific needs See below for switch functions S1 through S4 are used to set the MIDI channel 1 16 the Armageddon receives data on See the cha...

Page 12: ...read the following instructions on how to use this cool feature You will need a decent quality digital voltmeter capable of measuring in the 100 to 200 millivolts DC range This is a very basic type of...

Page 13: ...ter with you If a tube fails at a gig you could be back up and running in a matter of minutes You wouldn t drive your car without a spare tire right In a pinch you may continue to use your Armageddon...

Page 14: ...wd thinks our tone is as awesome as we think or is it Great so what can you do about it The key is to place your speakers so you are hearing the same thing as everyone else If you can get the cabinets...

Page 15: ...this will quite possibly blow up your tube amp that was probably not broken until you did this Plus if you have every thing cranked and by some chance things suddenly start working you will probably d...

Page 16: ...ame impedance simply take the impedance of one cab divided by the number of cabinets For example if you have two 16 ohm cabs simply divide 16 by 2 for a total load of 8 ohms The MAIN USE FIRST and the...

Page 17: ...annels simply set the appropriate mini toggles to the up position as shown above and the loop will automatically come on with that channel Of course even in the pre set mode you can manually turn the...

Page 18: ...hannel 2 Channel 3 Effects Loop Master Midrange Reverb and ISP DecimatorTM G String Preset the Master Midrange to Any of The Three Channels Assign the Effects Loop to and of the three channels Connect...

Page 19: ...CE BOOST YOU WILL PROBABLY WANT 3 TRY TO KEEP A REASONABLE BALANCE BETWEEN THE CHANNEL VOLUMES AND THE MAIN MASTER DON T CRANK THE CHANNEL VOLUMES AND THEN HAVE THE MAIN MASTER BARELY ON OR VICE VERSA...

Page 20: ...obtained from our Customer Service Department prior to shipping the product Please contact our Customer Service Department for the Authorized Egnater Service Center nearest you Products must be shippe...

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