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TONE SETTINGS: YOUR OWN
USE THESE TEMPLATES TO DOCUMENT SOME OF THE COOL SOUNDS YOU COME UP WITH. WE SHOULD ALSO
MENTION SOME TIPS TO HELP GUIDE YOU THROUGH THE MYRIAD OF SOUNDS AND FEATURES.
1) USE THE MASTER MIDRANGE TO CUT OR BOOST. THINK ABOUT HAVING THE MASTER MIDRANGE IN A
BOOSTED SETTING AND SWITCH IT OFF FOR YOUR RHYTHM TONES. ALSO, WITH THE MIDRANGE DEPTH AT
12:00, THE MIDRANGE LEVEL CAN BECOME BASICALLY A SOLO/VOLUME BOOST.
2) THE LOUDER YOU PLAY, THE LESS DENSITY AND PRESENCE BOOST YOU WILL PROBABLY WANT.
3) TRY TO KEEP A “REASONABLE” BALANCE BETWEEN THE CHANNEL VOLUMES AND THE MAIN MASTER.
DON’T CRANK THE CHANNEL VOLUMES AND THEN HAVE THE MAIN MASTER BARELY ON OR VICE VERSA..
DON’T TURN THE MAIN MASTER FULL UP AND THEN HAVE THE CHANNEL VOLUMES BARELY ON. FIND THE
SETTINGS THAT ALLOW YOU TO TURN UP OR DOWN EASILY WITHOUT HAVING THE CONTROLS BE OVERLY
SENSITIVE.
4) CHANNELS 2 AND 3 ARE IDENTICAL WITH SHARED EQ CONTROLS. THIS MAKES SWITCHING BETWEEN TWO
DIFFERENT OVERDRIVEN TONES MORE SEAMLESS. YOU CAN EASILY SET UP TWO VERY DIFFERENT YET
CONHERENT OVERDRIVE TONES USING THE TIGHT, BRIGHT AND GAIN SWITCHES ALONG WITH THE GAIN
KNOB.
PERSONALIZE YOUR SETTINGS
