Egnater Armageddon Owner'S Manual Download Page 11

11

REAR PANEL

NOTE: Depending on how loud 

you play, the level at the loop may 

be higher than normal guitar level. 

Though many floor type and tabletop 

effects may work, some may tend to 

overload. You will know an effect is 

not made for higher levels if, when 

you plug the effect into the loop, 

you  notice distortion and/or a loss of  

tone. Most modern effects (including 

many pedals) can operate just fine 

in an effects loop. We have gone to 

great lengths to make the ARMA-

GEDDON loop compatible with as 

many different effects gadgets as 

possible. Of course, you still may oc-

casionally encounter a troublesome 

device. If you do find your effect 

is overloading when the loop is 

switched in, reduce the SEND level 

until the distortion stops. Now re-

adjust the RETURN  level for unity 

gain again. For the lowest noise with 

effects, DO set the SEND level as 

high as possible without overloading 

the effects and adjust the RETURN 

level accordingly. This is one of  the 

reasons we discourage players from 

using pedals in a loop. You just spent 

a considerable   amount of your 

hard earned dollars to get this awe-

some sounding amp. Sticking a 

mediocre pedal in the loop of your 

amp seems to be “counter-tone”. 

Remember what we said about the 

effect being transparent. Most pedals 

color your sound and not always in a 

good way.

THE MIDI CONTROL

We won’t go into the details of how MIDI 

works here. That information is readily 

available from countless other sources. 

The information provided below assumes 

you have a general understanding of MIDI 

functions and applications. 

DIP SWITCH SETTINGS:

On the rear panel of the Armageddon, you 

will find a dip switch for setting up the 

MIDI/channel switching parameters. 

 

The Armageddon “reads” the DIP 

switch positions only on power up. When-

ever a change is made to any dip switch, 

the amp must be powered off and back 

on to “read” the change. Using a pen or 

similar pointy device, move the eight small 

switches ON or OFF according to your spe-

cific needs. See below for switch functions.

S1 through S4 are used to set the MIDI 

channel (1-16) the Armageddon receives 

data on. See the chart below.

S5 is used to activate the “omni” mode. 

Omni is a special mode that allows the 

ARMAGEDDON to receive data on all 16 

MIDI channels simultaneously. Turning 

the omni mode on overrides S1 through 

S4. Set actuator 5 up to turn the omni 

mode on or down for off.

S6 is the “Program change enable” 

function. This is the most common mode 

of operation that allows the 

amp to receive program change (patch) 

commands from your MIDI controller. Set 

this switch up for on or down for off.

S7 is the “Controller data enable” func-

tion. Activating this mode allows the 

Armageddon to respond to instant access 

data from MIDI controllers. Below are the 

“note / controller” numbers that will turn 

on the modules.

S8 has no function at this time.

CONTROLLER NUMBER

ASSIGNMENTS:

CH1: 

56 

Mid:   

60

CH2: 

57 

Fx: 

 

61

CH3: 

58 

Reverb: 

62

Decimator

TM

:  59 

Mute:   

64

Values 0-63 are off, 64-127 are on. For 

channel switching, only “on” messages 

are processed (you can’t turn off a chan-

nel, you can only turn on a different 

channel).

STORING PRESETS:

When using the MIDI PROGRAM CHANGE 

MODE in the Armageddon, certain front 

and rear panel switches can be stored as 

presets.

The storable functions are:

CHANNEL SELECT; ISP DECIMATOR

TM

MIDRANGE;  LOOP; REVERB

To store your switch settings, first select 

the patch (program) number on your 

MIDI pedal. Next, turn on the features 

you wish to save using the lighted panel 

pushbuttons. Now, press and hold the 

CHANNEL select pushbutton for three 

seconds. The patch is now stored. You 

can now save up to 128 different patch 

(program) combinations and recall them 

with your MIDI pedal.

 

CHAN. 

S1 

S2 

S3 

S4 

 

OFF 

OFF 

OFF 

OFF 

 

ON 

OFF 

OFF 

OFF 

 

OFF 

ON 

OFF 

OFF 

 

ON 

ON 

OFF 

OFF 

 

OFF 

OFF 

ON 

OFF 

 

ON 

OFF 

ON 

OFF 

 

OFF 

ON 

ON 

OFF 

 

ON 

ON 

ON 

OFF 

 

OFF 

OFF 

OFF 

ON 

 

10 

ON 

OFF 

OFF 

ON 

 

11 

OFF 

ON 

OFF 

ON 

 

12 

ON 

ON 

OFF 

ON 

 

13 

OFF 

OFF 

ON 

ON 

 

14 

ON 

OFF 

ON 

ON 

 

15 

OFF 

ON 

ON 

ON 

 

16 

ON 

ON 

ON 

ON 

 

1   2   3  4   5   6   7   8

1

2

3

4

5

6

7

8

1

1

0

1

9

8

7

6

5

4

3

2

1

100/117VAC~T5AL/250V

230VAC~T2.5AL/250V

50/60 Hz 450 WATTS

750mA/250V FAST BLO FUSE

ON/

STORE

ON/

STORE

Summary of Contents for Armageddon

Page 1: ...Owner s Manual 120 watt Tube Amplifier...

Page 2: ...ons Tube Chart 18 Your Settings 19 Warranty Contact 20 Greetings I would like to personally thank you for choosing Egnater as your Tone Partner Our goal is to provide you with the best tools we can to...

Page 3: ...Switch Channel 2 3 o Shared 3 Band EQ o Independent Volume Gain Controls o Tight Bright Voicing Switches o High Low Gain Switch Built in ISP DecimatorTM G String Noise Reduction with Threshold Contro...

Page 4: ...use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug the apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to q...

Page 5: ...lacement or biasing 17 SERVICING The user should not attempt any service to the amplifier beyond that described in the operating instructions All other servicing should be referred to qualified servic...

Page 6: ...normal EQ controls TIGHT This switch is really GREAT for tightening up the low end especially when pushing the gain It works by cutting the deep bass at the beginning of the pre amp Setting the TIGHT...

Page 7: ...wer amp section and affects all channels Higher set tings create a really big full low end Use this control sparingly at high volumes Excessive bass boost at high volumes can cause some speakers to br...

Page 8: ...TONE SETTINGS CHANNEL 1 ALMOST ACOUSTIC CLEAN TRY CUTTING THE MIDRANGE IN THE MASTER SECTION FOR THIS TONE CALIFORNIA CLEAN BRITISH CLEAN AMERICAN BLUES BRIT ROCK RHYTHM TONE SETTINGS CHANNEL 1 8...

Page 9: ...L 2 3 9 CLASSIC BRITISH ROCK AMERICAN HEAVY ROCK METAL RHYTHM DEATH METAL SCREAMIN SOLO TONE SETTINGS CHANNEL 2 3 TRY USING THE MASTER MIDRANGE WITH DEPTH SET AT 1 00 TRY USING THE MASTER MIDRANGE WIT...

Page 10: ...y response of this output closely mimics the sound of a mic d speaker cabinet Using this output is great for getting a consistent recording or live output from your rig re gardless of what mics are av...

Page 11: ...move the eight small switches ON or OFF according to your spe cific needs See below for switch functions S1 through S4 are used to set the MIDI channel 1 16 the Armageddon receives data on See the cha...

Page 12: ...read the following instructions on how to use this cool feature You will need a decent quality digital voltmeter capable of measuring in the 100 to 200 millivolts DC range This is a very basic type of...

Page 13: ...ter with you If a tube fails at a gig you could be back up and running in a matter of minutes You wouldn t drive your car without a spare tire right In a pinch you may continue to use your Armageddon...

Page 14: ...wd thinks our tone is as awesome as we think or is it Great so what can you do about it The key is to place your speakers so you are hearing the same thing as everyone else If you can get the cabinets...

Page 15: ...this will quite possibly blow up your tube amp that was probably not broken until you did this Plus if you have every thing cranked and by some chance things suddenly start working you will probably d...

Page 16: ...ame impedance simply take the impedance of one cab divided by the number of cabinets For example if you have two 16 ohm cabs simply divide 16 by 2 for a total load of 8 ohms The MAIN USE FIRST and the...

Page 17: ...annels simply set the appropriate mini toggles to the up position as shown above and the loop will automatically come on with that channel Of course even in the pre set mode you can manually turn the...

Page 18: ...hannel 2 Channel 3 Effects Loop Master Midrange Reverb and ISP DecimatorTM G String Preset the Master Midrange to Any of The Three Channels Assign the Effects Loop to and of the three channels Connect...

Page 19: ...CE BOOST YOU WILL PROBABLY WANT 3 TRY TO KEEP A REASONABLE BALANCE BETWEEN THE CHANNEL VOLUMES AND THE MAIN MASTER DON T CRANK THE CHANNEL VOLUMES AND THEN HAVE THE MAIN MASTER BARELY ON OR VICE VERSA...

Page 20: ...obtained from our Customer Service Department prior to shipping the product Please contact our Customer Service Department for the Authorized Egnater Service Center nearest you Products must be shippe...

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