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Dynatone DPR-3500, Owner'S Manual

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Dynatone DPR-3500 Owner'S Manual Download Page 26

DEMO List (1~50)

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Title

Composer

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Etude op.10 no.1
Etude op.10 no.4
Etude op.10 no.5
Etude op.10 no.9
Nocturne op.9 no.1
Nocturne op.9 no.2
Nocturne op.27 no.2
Nocturne op.32 no.1
Nocturne op.72 no.1
Sonata op.3 no.4
Mazurka op.7 no.1
Mazurka op.30 no.2
Mazurka op.67 no.3
Polonaise op.40 no.1
Waltz op.34 no.1
Waltz op.64 no.1
Waltz op.64 no.2
Waltz op.69 no.2
Impromptu - No.4 c-sharp minor (fantasie-Impromptu) Op.66
Ballade op.23 no.1 in g minor
Ballade op.47 no.3 in A flat Major
Prelude op.28 no.1 in C Major- Agitato
Prelude op.28 no.16 in b-flat minor- Presto con fuoco
Piano Sonata no.10 in C major, KV 330-1 Allegro moderato
Piano Sonata no.11 in A major, KV331-3  Alla turca : Allegretto
Piano Sonata no.14 in C minor, KV457-2 Adagio
Piano Sonata no.14 in C minor, KV457-3 Allego assai 
Variations “Ah! Vous dirai-je, Manan”
Rondo in D major, KV485
Sonate no.8 in c minor, op.13 ‘Pathetique’ Grave- Allegro molto e con brio
Sonate no.8 in c minor, op.13 ‘Pathetique’ 2 Adagio cantabile
Sonate no.8 in c minor, op.13 ‘Pathetique’ 3 Allegro
Arabesque No.1 in E major
Suite bergamesque 1. Prelude
Suite bergamesque 3. Clair de lune
Petite Suite, for piano 4-hands 2. Cortege
Scenes from Childhood op.15  

From foreign lands and peoples in G major
“12 Etudes d’execution transcendante (Transcendental Etudes), S139

Etue Transcendante in d minor, Mazeppa
The flight of the bumble bee (by S. Rachmaninov)
Trois Gymnopedies 1. Lent et douloureaux
12 Fantasie per clavicembalo (TWV 33) - Harpsichord music - 1. Fantasia
12 Fantasie per clavicembalo (TWV 33) - Harpsichord music - 3. Fantasia
12 Fantasie per clavicembalo (TWV 33) - Harpsichord music - 5. Fantasia
12 Fantasie per clavicembalo (TWV 33) - Harpsichord music - 6. Fantasia
12 Fantasie per clavicembalo (TWV 33) - Harpsichord music - 12. Fantasia
Children’s Album, Op.39 No.4 Mama 
Prelude in C major, BWV933
Preludium und Fuge in B BWV560- Pipe Organ music- 
Wohltemperiertes Klavier-Pledudio 1
Wohltemperiertes Klavier-Fuga 1

Chopin, Fryderk 

Francuszek

Mozart, Wolfgang

Amadeus

Beethoven, Ludwig van

Debussy, Claude Achille

Schumann, Robert

Alexander

Liszt, Franz

Rimsky, Korsakov

Satie, Erik

Telemann, Georq

Philipp

Tchaikovsky,Pyotrllyich

Bach, Johann

Sebastian

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Summary of Contents for DPR-3500

Page 1: ...OWNER S MANUAL High Performance USB Digital Piano New feel new look and new sound ACMP MUSIC MIC MIC VOL ...

Page 2: ......

Page 3: ...ery or wet environment and do not leave any liquid container on its top as it may spill into the product If any liquid is spilled into the product immediately turn off the product take the plug off the AC outlet and contact a designated service center for inspection ㆍIf the power cable or plug is either wore off or damaged or the product suddenly stops sounding or any unknown smell or smoke seem t...

Page 4: ...es or other electronic devices Doing so could result in excessive noise from either this product or the TV radio ㆍDo not place the product on unstable locations where it may fall off ㆍAlways remove all cables from the product before moving it ㆍWhen cleaning the instrument always use soft and dry or lightly wet cloth Do not use cloth imbued with paint diluent solvent cleansing agent or chemical sub...

Page 5: ...of demonstrational pieces including the pedagogical etude series of Beyer Czerny Burgmüller and selected sonatines by many composers as well as 1 005 pieces in different genres for either entertainment or playing reference The piano s music player allows to play MP3 and MIDI files saved in USB flash drives Also there are the two track recording system designed to aid the learning process a USB 2 0...

Page 6: ...s Before Reading SafetyInstructions Preface Table of Contents Product Components Assembly Parts Power Switch Headphone Microphone Jacks Audio Connections Digital MIDI Connections Smart Connections Pedals Control Panel LCD Basic Controls Adjusting Volume Choosing a Voice GM Voices Layer Layer Settings Split Split Settings Twin Piano Reverb Reverb Settings Mixer Metronome DEMO Edu MUSIC Listening to...

Page 7: ...act the place of purchase Produc Components Owner s Manual USB Storage Device Back Plate d Pedal Plate Main Body Fixers e M6x15 mm 10EA 1 64 1 64 1 64 Backplate Fixers f M4x22 mm 4EA g M4x8 mm 2EA Piano Main Body Left Right Legs a b Pedal Plate c Keep the original packing materials for easier repacking if frequent or long distance transportation of this product is expected ...

Page 8: ...backplate d 3 Make sure that the plate is standing straight B C D F F E G H H Assembly 1 Set the legs a b upside down like the picture then use 4 Pedal Plate Main Body Fixers e use 4 out of 10 to connect the Pedal Plate c to the legs 2 Adjust the pedal plate knob see picture so that it would come in contact with the floor on which the piano is to be installed F Assembly ...

Page 9: ...op of the main body and use the brackets on its back to keep it standing 1 64 Combining with the main body Pedal input located below the main body 1 Carefully place the main body onto the assembled lower body according to the picture so that its holes would match the brackets attached to each leg Use the remaining Main Body Fixers e 6EA to secure the connection between the main and lower bodies 5 ...

Page 10: ...ano The LCD will turn on When the piano is first turned on the initial default voice is Grand Piano 1 Use the Master Volume knob to adjust the volume When turning on the piano do not press the damper pedal Doing so may cause the pedal to malfunction All parameters and settings except for the recording and registration memories are initialized whenever the piano is turned off and on again If the KE...

Page 11: ...urn on the external device first before turning on the power of the piano When quitting the use of the external device reverse this order and turn the piano off first before turning off the external device The audio connection terminals are made of RCA connectors External Connection Terminals on the bottom left of the piano q w MIDI Terminals MIDI stands for Musical Instrument Digital Interface an...

Page 12: ...ano s speaker system When connecting to an external device always turn on the external device first before turning on the power of the piano When quitting the use of the external device reverse this order and turn the piano off first before turning off the external device The audio connection terminals are made of stereo 3 5mm connectors e AUX OUT 3 5 Mini Stereo The piano s sound output may be re...

Page 13: ... are being played at the moment the sostenuto pedal is pressed will be retained Notes that are played after the pedal was pressed will not be affected even if the pedal is kept pressed e Soft Pedal Left Pedal This pedal performs the same function as the soft pedal of an acoustic piano Pressing this pedal causes the sound of the piano to be muffled a little bit and softens its character r Effect Pe...

Page 14: ... PIANO SETTING ⓟ LCD ⓠ DATA Wheel ⓡ DATA Buttons ⓢ MOVE ENTER ⓣ EXIT ⓤ DISPLAY HOLD ⓥ MIXER ⓦ EQ ⓧ REGISTRATION RECORDING PLAYBACK ⓨ DEMO Edu MUSIC ⓩ RECORD Ⓐ VP PLAYER Ⓑ MUSIC PLAYER Ⓒ USB MEMORY Page 15 Page 38 41 Page 38 41 Page 36 37 40 Page 39 40 Page 39 40 Page 38 Page 22 Page 27 32 Page 35 Page 14 Page 21 Page 37 Page 48 Page 23 Page 44 Page 50 Page 52 Page 45 47 48 q w t e r 5 ⓐ ⓒ ⓓ ⓔ ⓝ ⓞ ...

Page 15: ... VOL Buttons ACC MUSIC VOL Buttons DAMPER PEDAL SOSTENUTO PEDAL SOFT PEDAL PEDAL INPUT AC INLET HEADPHONES LINE OUT MIDI IN OUT MICROPHONE SMART CONNECTIONS q w e r t y u i o p Page 15 Page 16 Page 17 Page 19 Page 19 Page 27 Page 27 Page 28 Page 29 Page 30 Page 31 u i y Page 11 Page 11 Page 11 Page 7 Page 7 Page 8 Page 9 Page 9 Page 8 Page 10 64 o p ⓠ ⓡ ⓢ ⓣ ⓤ ⓦ ⓧ ⓥ ⓩ Ⓐ Ⓑ Ⓒ ...

Page 16: ...voice when using the split feature C Split Point The point of division by which the keyboard is split when using split or auto accompaniment D Rhythm Current rhythm for the auto accompaniment E Tempo Current tempo for the auto accompaniment or metronome F Auto accompanimentChords Ex C Fm G G Auto accompaniment Mode Ex OFF FINGERED SINGLE F When a change occurs to the LCD the tempo of any ongoing a...

Page 17: ...uld like to stay on the menu press DISPLAY HOLD Your last choice for each group is retained even if you switch to another voice group It will be retained until the piano is turned off unless the KEEP SETTING feature is enabled in which case it is retained permanently Refer to page 56 for detailed information on the voices Piano Harpsichord Organ Strings Brass Bass Percussion Grand Piano 1 Grand Pi...

Page 18: ...e KEEP SETTING feature is enabled in which case it is retained permanently Layer Layer allows the player to sound two voices simultaneously when playing a key q Choose the desired main voice first Refer to page 15 for voice selection w Press LAYER e Choose the desired layer voice to be played simultaneously with the main voice Refer to page 15 for voice selection The default layer voice is Slow St...

Page 19: ... determines whether the effect of the sustain pedal is applied to the layered voice 1 LAYER VOLUME This determines the volume of the layered voice This also may be done by using the Mixer Refer to page 21 Split Split divides the piano keyboard into two sections and allows the player to assign different voices to each of the sections For example by using Split the melody part on the right could be ...

Page 20: ...ll restore the default value Keep a DATA button pressed to quickly run through the values After displaying a menu for 3 seconds the LCD automatically turns it off If you want to disable this and would like to stay on the menu press DISPLAY HOLD Press EXIT to exit the Split menu This does not turn off the Split feature itself Pressing SPLIT again while in Split Settings menu will turn off the menu ...

Page 21: ...ing TWIN PIANO The button will turn on The keyboard will be divided into two parts with nearly identical registers with D 4 as the point of division The button will turn off Reverb is enabled by default Reverb Reverb simulates the decaying reflections of sound as experienced in varying types of space making the piano sound feel more natural and realistic q Press REVERB The button will turn on to i...

Page 22: ...e ACC CHRD LEVEL 45 0 100 Reverb strength of the auto accompaniment chords ACC BASS LEVEL 40 0 100 Reverb strength of the auto accompaniment bass ACC DRUM LEVEL 40 0 100 Reverb strength of the auto accompaniment drums Pressing both DATA UP DOWN simultaneously will restore the default value Keep a DATA button pressed to quickly run through the values After displaying a menu for 3 seconds the LCD au...

Page 23: ... 0 100 SPLIT VOLUME 70 0 100 ACCOMP VOLUME 90 0 100 MUSIC VOLUME 80 0 100 MP3 VOLUME 30 0 100 Pressing both VOLUME UP and DOWN buttons simultaneously will restore the default value See below for the description of VOLUME buttons Keep an UP DOWN button pressed to quickly run through the values The VOLUME buttons include the MAIN LAYER SPLIT and ACC MUSIC UP DOWN buttons which are also the VOICE but...

Page 24: ...o 120 When a change occurs to the LCD the metronome may be temporarily slowed Metronome Settings Press and hold down METRONOME until the Metronome menu pops up Press MOVE ENTER to cycle through the fields and use the DATA buttons or DATA wheel to adjust the value Parameter Default Range Description BEAT 1 1 12 Metronome beats TEMPO 100 40 250 Metronome tempo FIRST BEAT VOLUME 100 50 100 Volume of ...

Page 25: ...ess PLAY PAUSE to play it The volume of the Demo Educational music recordings may be adjusted Adjusting Demo Edu Music Volume w Adjust the Demo Educational Music Volume Use the ACC MUSIC UP DOWN buttons to adjust the Demo Educational Music volume Alternatively repeatedly press MOVE ENTER until the cursor reaches MU then use the DATA buttons q Enter the Mixer menu Press MIXER The button will turn o...

Page 26: ...ssai Variations Ah Vous dirai je Manan Rondo in D major KV485 Sonate no 8 in c minor op 13 Pathetique Grave Allegro molto e con brio Sonate no 8 in c minor op 13 Pathetique 2 Adagio cantabile Sonate no 8 in c minor op 13 Pathetique 3 Allegro Arabesque No 1 in E major Suite bergamesque 1 Prelude Suite bergamesque 3 Clair de lune Petite Suite for piano 4 hands 2 Cortege Scenes from Childhood op 15 F...

Page 27: ...9 BYR 100 BYR 101 BYR 102 BYR 103 BYR 104 BYR 105 BYR 106 CZRN01 CZRN02 CZRN03 CZRN04 CZRN05 CZRN06 CZRN07 CZRN08 CZRN09 CZRN10 CZRN11 CZRN12 CZRN13 CZRN14 CZRN15 CZRN16 CZRN17 CZRN18 CZRN19 CZRN20 CZRN21 CZRN22 CZRN23 CZRN24 CZRN25 CZRN26 CZRN27 CZRN28 CZRN29 CZRN30 CZRN31 CZRN32 CZRN33 CZRN34 CZRN35 CZRN36 CZRN37 CZRN38 CZRN39 CZRN40 CZRN41 CZRN42 CZRN43 Beyer 76 Beyer 77 Beyer 78 Beyer 79 Beyer...

Page 28: ... STN01_1 STN01_2 STN01_3 STN02_1 STN02_2 STN02_3 STN03_1 STN03_2 STN03_3 STN04_1 STN04_2 STN05_1 STN05_2 STN05_3 STN06_1 STN06_2 STN07_1 STN07_2 STN07_3 STN08_1 STN08_2 STN08_3 STN09_1 STN09_2 STN09_3 STN10_1 STN10_2 STN10_3 STN11_1 STN11_2 STN11_3 STN12_1 STN12_2 STN13_1 STN13_2 STN13_3 STN14_1 STN14_2 STN14_3 STN15_1 STN15_2 STN16_1 STN16_2 STN17_1 STN17_2 Sonatines op 20 no 1 1 Sonatines op 20 ...

Page 29: ... will show the current value Pressing both TRANSPOSE UP DOWN buttons simultaneously will restore the default value 0 Music Transpose Music Transpose moves the pitch of the Demo Educational VP Player music recordings in semitone steps Use this when changing the key of demo recordings are required due to register issues of a singer or other instruments The LCD will show the current value Pressing bo...

Page 30: ...nt the responsiveness of ordinary acoustic pianos Default value Normal 2 HARD 1 HARD 2 HARD 3 These settings require the player to play quite hard to produce loud sounds and suits players thatpossessstrongfingersordesiremoredelicatecontrolofsoftmelodies FIXED VELOCITY Under this unique setting all notes are pronounced equally regardless of the player s finger velocity The LCD will show the current...

Page 31: ...reverb sound control ECHO TYPE 4 OFF 1 4 Types of microphone reverberation ECHO VOLUME 50 1 100 Microphone reverberation sound control VOICE CHANGER OFF OFF 1 9 Voice change settings V CHANGER VOL 100 1 100 Voice change sound control COMPRESSOR TYPE OFF OFF 1 9 Types of compressor EQ ON OFF OFF ON OFF EQ settings check EQ LOW 87 1 100 EQ lower register sound control EQ MID LOW 50 1 100 EQ lower mi...

Page 32: ...ser Tremolo and Rotary All types of effect have their own default values which may be adjusted by the user FX TYPE OFF CHR PHS TRM RTY Range Description FX PEDAL SWITCH OFF ON ON ON ON ON OFF Left Pedal Behavior FX LEVEL 0 70 70 70 100 0 100 Effect Strength FX RATE 0 37 59 32 0 0 100 Effect Rate FX DEPTH 0 100 50 100 0 0 100 Effect Depth Using Effect Press FUNCTION then press EFFECT Effect Paramet...

Page 33: ...TRL to call up the MIDI menu Use the MOVE ENTER button to reach the desired field then use the DATA buttons or DATA wheel to adjust its value Intended for MIDI users this setting is used mainly when connecting the piano to external devices like computers so as to use the piano as a MIDI input device Configuring MIDI Output Channels All MIDI devices use 16 channels to exchange MIDI signals These ch...

Page 34: ...res Press both DATA buttons simultaneously to restore the default value 0 Range 50 Default 0 q Press FUNCTION to call up the function menu w Repeatedly press the MOVE ENTER button to reach the desired field and use the DATAbuttonsorDATAwheeltoadjustitsvalue The LCD shows the current values Your last configurations will be retained until the piano is turned off unless the KEEP SETTING feature is en...

Page 35: ...system used for traditional Arabic music These tuning systems were created by combining the mean tone and Pythagorean systems in which each musical key possesses its own characteristic The Pythagorean system is constructed purely on the basis of octaves and fifths which produces the purest fifths and fourths but destabilizes thirds The mean tone system was developed to address this issue to fix th...

Page 36: ...ff regardless of the KEEP SETTING feature This determines the amount of unused time to wait before the piano turns off itself automatically Range OFF 30 120 240 minutes Press both DATA buttons simultaneously to restore the default value 30 This field retains its value even if the piano is turned off regardless of the KEEP SETTING feature Refer to page 8 for details on the Auto Power Off feature Di...

Page 37: ...ayed with damper pedal pressed This parameter determines the volume of this effect q Press PIANO SETTING to call up the Piano Setting menu w Press MOVE ENTER to reach the desired field then use the DATA buttons or DATA wheel to adjust its value e Press PIANO SETTING again to exit the menu The soundboard of an acoustic piano resonates along in reaction to the frequencies of the notes as they are pl...

Page 38: ...sic pitches disregarding the harmonic series Range ON OFF Default ON Press both DATA buttons simultaneously to restore its default value ON On acoustic pianos as the key is released there is the subtle sound of the dampers falling back onto their strings again The key off samples of this piano bring the subtle yet essential sensation of key release to life This parameter determines the volume of t...

Page 39: ... the values as desired 7 preset EQs including PIANO 3D PIANO CLASSIC DANCE ROCK HI FI LIVE CLUB are provided as well as a customizable USER setting Custom EQ In the EQ Settings menu press the MOVE ENTER button to call up the USER EQ window Then use the MOVE ENTER button to reach the desired frequency range low mid low mid high high and the DATA buttons or DATA wheel to adjust its value Frequency L...

Page 40: ...the menu press DISPLAY HOLD Your last configurations will be retained until the piano is turned off unless the KEEP SETTING feature is enabled in which case it is retained permanently Keep a TEMPO button pressed to quickly run through the values Range 40 250 bpm beats per minute Pressing both TEMPO buttons simultaneously will restore the default tempo 120 When a change occurs to the LCD the accomp...

Page 41: ...accompaniment starts its volume will gradually grow from zero until reaching the full volume upon which the FADE button will turn off Basic and Variation Patterns The auto accompaniment is based on a four measure long sequence of which there are two types the basic and variation Mixing up these patterns can greatly increase the impact of musical climax While an auto accompaniment is going on press...

Page 42: ...out The accompaniment may gradually fade out until its volume reaches zero Press FADE while an accompaniment is going The button will turn on and the accompaniment will fade away until its volume reaches zero upon which the FADE button will turn off Press FADE again if you wish to abort the fading out Adjusting the Split Point Split Point also determines the area of keyboard that is used for indic...

Page 43: ...t turn off the rhythmic accompaniment r Select the desired method for indicating chords When the ACCOMP button is pressed the LCD will show the list of available methods for inputting chords Use the DATA buttons or DATA wheel to select the desired method Default FINGERED t Start the auto accompaniment Press START STOP to begin the rhythm accompaniment see page 37 and indicate a chord using the sel...

Page 44: ...en all notes of the chord is played on the lower register determined by the Split Point It is the most commonly used method See page 36 Single Finger The single finger mode allows the user to indicate chords by playing 1 2 3 or 4 adjacent white notes on the lower register to play the major minor dominant 7th and minor 7th chords and is suitable for novices Full Keyboard The full keyboard mode dete...

Page 45: ...t 7th 5 C7 5 Suspended 2 Csus2 Major7thAugmented CM7aug 5th C 5 6th C6 Minor 6th Cm6 Add 9th Cadd9 Full Keyboard The full keyboard mode detects chords from all 88 keys Therefore there is no reserved area for chord indication your both hands are free to play on any register and the piano will take care of analyzing the notes and coming up with a chord This mode offers the advantage that there is no...

Page 46: ...STOP to begin recording If you want to mute track 1 while recording to track 2 press TRACK1 again to turn it off Recording will terminate if the piano is not played for a long time q Preparation Choose the voice s that you wish to use for recording and press RECORD The button will turn on and the TRACK1 button will begin flashing The Layer and Split features may be used for recording A flashing TR...

Page 47: ...ry menu Press the USB MEMORY button The LCD will show the USB memory menu The USB memory feature cannot be accessed while RECORD is active The use of the bundled USB memory is recommended The USB MEMORY button does not work if no USB memory is detected Do not try to force the USB memory in or out of the slot Do not remove the USB memory when it is being accessed Doing so may corrupt the data insid...

Page 48: ...G Press the MOVE ENTER button to reach the SAVE REC SONG option and use the DATA buttons or DATA wheel to write the filename If a file with the same name exists the filename cannot be used It takes about 10 60 seconds to recall data saved in the USB memory depending on the size of the saved data Do not remove the USB memory while data is being accessed Doing so may corrupt the data If a file could...

Page 49: ... below r Load the desired file Use the DATA buttons or DATA wheel to move the cursor around and press MOVE ENTER to select a file or a folder Once the loading is complete the RECORD button will turn on t Play the loaded song Press PLAY PAUSE to play the loaded song When a saved file has been loaded the tracks are overwritten with the loaded song All previous contents of the tracks are lost w Press...

Page 50: ...r registration memory bank Each bank consists of 4 registration memories allowing for a total of 16 registration slots The registrations saved in the piano memory may also be saved to USB memories as files which may be reloaded to the piano later Saving Registrations To USB q Insert the USB memory to the USB TO DEVICE terminal w Call up the USB memory menu Press the USB memory button The LCD will ...

Page 51: ...ill display an ERROR message followed by a return to the initial screen In this case the file is permanently lost e Select SAVE REG Press the MOVE ENTER button to move the cursor to the SELECT REGISTRATION option then use the DATA buttons or DATA wheel to call up the input dialog on the right q Insert the USB memory to the USB TO DEVICE terminal The registration files saved in the USB memory may b...

Page 52: ... to play the VP music If the bundled USB memory is lost or its data has been corrupted the VP music data must be installed again Since the USB memory must be formatted in order to do this it is recommended to create a backup copy of its contents Contact customer service for instructions on installing the data VP Player The provided USB memory that comes with the piano contains recordings of music ...

Page 53: ...on To play all pieces in the folder in succession press TRACK2 A The button will turn on and once a piece is over it will be followed by the next piece in the folder continuing until the end of the folder is reached Adjusting VP player volume Press MIXER to call up the Mixer menu then use the ACC MUSIC buttons to adjust playback volume Alternatively use the DATA buttons to adjust the volume MU Ava...

Page 54: ...opy the downloaded MP3 or SMF files in your computer to the USB memory e Use the DATA buttons or DATA wheel to select the desired file w Select the file to play Press the MUSIC PLAYER button shortly to see the list of MP3 files Press and hold down MUSIC PLAYER longer to see the list of SMF files The extension of SMF files are MID Most files with this extension should be playable Many SMFs are avai...

Page 55: ...o play all pieces in the folder in succession press TRACK2 A The button will turn on and once a piece is over it will be followed by the next piece in the folder continuing until the end of the folder is reached Adjusting music file playback volume Press MIXER to call up the Mixer menu then use the ACC MUSIC buttons to adjust playback volume Alternatively use the DATA buttons to adjust the volume ...

Page 56: ...MEMO MEMO 54 ...

Page 57: ...0 7 0 0 8 Piano1 Piano2 Piano3 Honky Tonk Electric Piano 1 Electric Piano 2 Harpsichord Clavinet 0 0 9 0 1 0 0 1 1 0 1 2 0 1 3 0 1 4 0 1 5 0 1 6 Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bell Dulcimer 0 1 7 0 1 8 0 1 9 0 2 0 0 2 1 0 2 2 0 2 3 0 2 4 Electric Organ Jazz Organ Rock Organ Pipe Organ Reed Organ Accordion Harmonica Bandonion 0 2 5 0 2 6 0 2 7 0 2 8 0 2 9 0 3 0 ...

Page 58: ...iTom2 808HiTom2 49 C 3 CrashCymbal1 808Cymbal 50 D3 HighTom RoomHiTom1 RoomHiTom1 ElecHiTom1 808HiTom1 51 D 3 RideCymbal1 52 E3 ChineseCymbal ReverseCymbal 53 F3 RideBell 54 F 3 Tambourine 55 G3 SplashCymbal 56 G 3 Cowbell 808Cowbell 57 A3 CrashCymbal2 58 A 3 Vibraslap 59 B3 RideCymbal2 60 C4 HiBongo 61 C 4 LowBongo 62 D4 MuteHiConga 808HighConga 63 D 4 OpenHiConga 808MidConga 64 E4 LowConga 808Lo...

Page 59: ...l 47 B2 TimpaniB GuitarSlide 48 C3 Timpanic GtCutNoise dw 49 C 3 Timpanic GtCutNoise up 50 D3 Timpanid DoubleBassSlap 51 D 3 Timpanid KeyClick 52 E3 Timpanie Laughing 53 F3 Timpanif Screaming 54 F 3 Punch 55 G3 HeartBeat 56 G 3 Footsteps1 57 A3 ConcertCymbal2 Footsteps2 58 A 3 Applause 59 B3 ConcertCymbal1 DoorCreaking 60 C4 DoorClosing 61 C 4 Scratch 62 D4 WindChime 63 D 4 CarEngineStart 64 E4 Ca...

Page 60: ...ST2 HL2 HL1 HL1 HL1 CHR CHR RTY RTY RTY RTY RTY PHS CHR PHS STRINGS ORCHESTRA STRG STR BRASS SLOW STRINGS SL STR BRASS PIZZ STRINGS SYNTH STRINGS VIOLIN CELLO CHOIR Strings OrcheStr Str Brss SL Strngs SL Str Br PizzStr SynthStr Violin Cello Choir HL2 HL2 HL3 HL2 HL2 HL2 HL3 HL1 HL1 HL3 PHS PHS PHS PHS PHS OFF OFF PHS PHS OFF BRASS FLUTE ALTO SAX TENOR SAX TRUMPET TROMBONE SYNTH BRASS1 SYNTH BRASS2...

Page 61: ...Volume 10 BnH0AHcc O X PanOut 11 BnH0BHcc O X Expression 64 BnH40Hcc O O DamperPedal 65 BnH41Hcc O X PortamentoON OFF 66 BnH42Hcc O O SostenutoPedal Control 67 BnH43Hcc O O SoftPedal Change 80 BnH80Hvv O X ReverbProg vv 00H 70H 81 BnH51Hvv O X ChorusProg 91 BnH5BHvv O O ReverbSendLevel 93 BnH5DHvv O O ChorusSendLevel 120 BnH78H00H O X AllSoundOff 121 BnH79H00H O X ResetAllController 123 BnH7BH00H ...

Page 62: ... u d e o p 1 0 n o 9 E t u d e o p 1 0 n o 1 0 E t u d e o p 1 0 n o 1 1 E t u d e o p 1 0 n o 1 2 E t u d e o p 2 5 n o 1 E t u d e o p 2 5 n o 2 E t u d e o p 2 5 n o 3 E t u d e o p 2 5 n o 4 E t u d e o p 2 5 n o 5 E t u d e o p 2 5 n o 6 E t u d e o p 2 5 n o 7 E t u d e o p 2 5 n o 8 E t u d e o p 2 5 n o 9 E t u d e o p 2 5 n o 1 0 E t u d e o p 2 5 n o 1 1 N o c t u r n e o p 9 n o 1 N o c...

Page 63: ...p 4 1 n o 2 M a z u r k a o p 4 1 n o 3 M a z u r k a o p 4 1 n o 4 M a z u r k a o p 5 0 n o 1 M a z u r k a o p 5 0 n o 2 M a z u r k a o p 5 0 n o 3 M a z u r k a o p 5 6 n o 1 M a z u r k a o p 5 6 n o 2 M a z u r k a o p 5 6 n o 3 M a z u r k a o p 5 9 n o 1 M a z u r k a o p 5 9 n o 2 M a z u r k a o p 5 9 n o 3 M a z u r k a o p 6 3 n o 1 M a z u r k a o p 6 3 n o 2 M a z u r k a o p 6 3 n ...

Page 64: ...P r e l u d e o p 2 8 n o 1 2 i n g s h a r p m i n o r P r e s t o P r e l u d e o p 2 8 n o 1 3 i n F s h a r p M a j o r L e n t o P r e l u d e o p 2 8 n o 1 4 i n e f l a t m i n o r A l l e g r o P r e l u d e o p 2 8 n o 1 5 i n D f l a t M a j o r S o s t e n u t o P r e l u d e o p 2 8 n o 1 6 i n b f l a t m i n o r P r e s t o c o n f u o c o P r e l u d e o p 2 8 n o 1 7 i n A f l a t ...

Page 65: ...5 7 2 A d a g i o K 4 5 7 3 M o l t o a l l e g r o P i a n o S o n a t a n o 1 6 i n C m a j o r K V 5 4 5 K 5 4 5 1 A l l e g r o K 5 4 5 2 A n d a n t e K 5 4 5 3 R o n d o A l l e g r o P i a n o S o n a t a n o 1 8 i n B f l a t m a j o r K V 5 7 0 K 5 7 0 1 A l l e g r o K 5 7 0 2 A d a g i o K 5 7 0 3 A l l e g r e t t o P i a n o S o n a t a n o 1 9 i n D m a j o r K V 5 7 6 K 5 7 6 1 A l ...

Page 66: ...c e s 1 B a l l a d e L i t t l e p i e c e s 2 N o c t u r n e L i t t l e p i e c e s 3 R e v e r i e L i t t l e p i e c e s 4 D a n c e P e t i t e S u i t e f o r p i a n o 4 h a n d s 1 E n B a t e a u P e t i t e S u i t e f o r p i a n o 4 h a n d s 2 C o r t e g e P e t i t e S u i t e f o r p i a n o 4 h a n d s 3 M e n u e t P e t i t e S u i t e f o r p i a n o 4 h a n d s 4 B a l l e ...

Page 67: ... e v u r z u t r g e n Z i e m l i c h l a n g s a m e m p f i n d u n g s v o l l v o r z u t r a g e n 1 6 E r s t e r V e r l u s t E t u d e s 6 I n W a l t z f o r m I l b a c i o T h e s w a n M y h e a r t a t t h y s w e e t v o i c e A s t u r i a s I b e r i a B o o k 1 1 9 0 7 1 E v o c a c i o n 2 E l P u e r t o V e n e t i a n i s c h e s G o n d e l l i e d o p 1 9 n o 6 V e n e t i...

Page 68: ...t e 3 A s s a i a l l e g r o P i a n o S o n a t a O p 2 4 N o 2 i n F M a j o r 1 A l l e g r o c o n s p i r i t o 2 A d a g i o 3 R o n d o A l l e g r e t t o c o n s p i r i t o T h e l i t t l e W i n d m i l l s S p i n n e r l i e o p 1 4 4 T h e F a i r O p 1 0 1 N o 8 A n d a n t e w i t h V a r i a t i o n s i n f m i n o r H o b X V I I 6 1 7 9 3 A n d a n t e w i t h V a r i a t i o ...

Page 69: ... n t i o n i n C m a j o r B W V 7 7 2 I n v e n t i o n i n c m i n o r B W V 7 7 3 C a n o n I n v e n t i o n i n D m a j o r B W V 7 7 4 I n v e n t i o n i n d m i n o r B W V 7 7 5 I n v e n t i o n i n E f l a t m a j o r B W V 7 7 6 I n v e n t i o n i n E m a j o r B W V 7 7 7 I n v e n t i o n i n e m i n o r B W V 7 7 8 I n v e n t i o n i n F m a j o r B W V 7 7 9 I n v e n t i o n i n...

Page 70: ... 8 0 6 t o B W V 8 1 1 S u i t e i n A m a j o r B W V 8 0 6 I P r e l u d e I I A l l e m a n d e I I I C o u r a n t e I V C o u r a n t e I I D o u b l e I I I V S a r a b a n d e V I B o u r r e e I I I V I I G i g u e S u i t e i n a m i n o r B W V 8 0 7 I P r e l u d e I I A l l e m a n d e I I I C o u r a n t e I V S a r a b a n d e V B o u r r e e I I I V I G i g u e S u i t e i n g m i n...

Page 71: ... e i n E f l a t m a j o r B W V 8 1 5 I A l l e m a n d e I I C o u r a n t e I I I S a r a b a n d e I V M e n u e t t V G a v o t t e V I A i r V I I G i g u e S u i t e i n E m a j o r B W V 8 1 7 I A l l e m a n d e I I C o u r a n t e I I I S a r a b a n d e I V G a v o t t e V P o l o n a i s e V I M e n u e t t V I I B o u r r e V I I I G i g u e P i p e O r g a n P r a l u d i u m u n d F...

Page 72: ... a n g M i n A p r i l R a i n A r i z o n a T r a i l A s c e n c i o n A u t u m n L e a v e s C a s s a n d r a C a s t l e s C e l t i c S k i e s C h a k r a C o l d H o r i z o n C o u n t r y C h a p e l D e s t i n y D r e a m s o n g E a s t o f M a u r i t i u s E l E s c o r i a l E v e n i n g B e l l s F a e r i e F a i r y t a l e s F a r A b o v e F u c h s i a G i a n t s G y p s y...

Page 73: ... T S 1 0 O S T S 1 1 O S T S 1 2 O S T E 0 1 O S T E 0 2 O S T E 0 3 O S T E 0 4 O S T E 0 5 O S T E 0 6 L o v e A f a i r E n n i o M o r r i c o n e A W i n t e r S t o r y R e m e d i o s K o r e a n f i l m D o n g K a m O S T L e e W o o k h y e n M a i n T i t l e F r o m R e t u r n o f T h e J e d i J o h n W i l l i a m s F o r r e s t G u m p m a i n t i t l e A l a n S i l v e s t r i T...

Page 74: ... m W i t h M a n y C r o w n s W i l l t h e C i r c l e B e U n b r o k e n I S a w T h e L i g h t J u s t A s I A m T u r n T u r n T u r n R o c k o f A g e s I S u r r e n d e r A l l O n w a r d C h r i s t i a n S o l d i e r s M i c h a e l R o w t h e B o a t A s h o r e S w i n g L o w S w e e t C h a r i o t M y S w e e t L o r d W i n g s o f a D o v e S a v i o r L i k e a S h e p h e...

Page 75: ...a n n e n b a u m L i n u s a n d L u c y J o l l y J i n g l e s C h r i s t m a s i s C o m m i n g A u l d L a n g S y n e F r o s t y t h e S n o w m a n H a r k T h e H e r a l d A n g e l s S i n g J i n g l e B e l l R o c k J i n g l e B e l l s J o y t o T h e W o r l d L e t i t S n o w R u d o l p h T h e R e d N o s e d R e i n d e e r S i l v e r B e l l s T h e F i r s t N o e l G o ...

Page 76: ...a s y t o L o v e P o r t e r C o l e I C o n c e n t r a t e o n Y o u P o r t e r C o l e I G e t a K i c k o u t o f y o u P o r t e r C o l e I L o v e Y o u A c c o m p a n i m e n t P o r t e r C o l e N i g h t a n d D a y P o r t e r C o l e Y o u d b e s o n i c e t o c o m e h o m e t o P o r t e r C o l e E a s y L i v i n g R a i n g e r F a l l i n g i n L o v e w i t h L o v e R o d ...

Page 77: ...o o n M i l e s B l a c k O n e W o r l d R e n e e R o s n e s O r i o n s B e l t R e n e e R o s n e s R o b i n R o n J o h n s t o n R o x y B r a d T u r n e r S i x t h S e n s e R o n J o h n s t o n S n a k e s L a d d e r s M i l e s B l a c k S o m e t h i n g L i k e M i l e s B l a c k S o n g f o r P J M i l e s B l a c k S u m m e r s e t M i l e s B l a c k T h e G i f t R e n e e ...

Page 78: ... M a m b o L a t i n S o n g o m a n i a S o n g o L a s G u a j i r i t a s G u a j i r a I n a G r o o v e 6 8 L a B a t i d o r a M e r e n g u e L a J e f a G u a r a c h a L a E l P a n a m e D a n z a M a m b o M u l a t o M a m b o L a t i n M i n o r D e t a i l s M a m b o L a t i n M i P a r t i d o P a r t i d o A l t o P a r t i d i d o F e l i c i d a d P a r t i d o A l t o S o n a n...

Page 79: ...i s s D u k e E l l i n g t o n A r t h u r s T h e m e B a c h a r a c h G e n t l e R a i n B o n f a L R a y s M o o d B l a c k M i l e s I l e f t m y h e a r t i s S a n F r a n c i s c o C r o s s c o r y B i l l B a i l e y C a n o n H E a s t o f t h e S u n B o w m a n I m W a l k i n B a t h o l o m e w M e l a n c h o l y B a b y B u r n N o r t o n M i s t y E r r o l l G a r n e r B ...

Page 80: ... r s H a r t W h e r e o r w h e n R o d g e r s H a r t B l u e s i n B b S i g e r s o n C E b b T i d e 2 V e r s i o n s S i g m a n Y o u m a d e m e l o v e m e I s h o u l d c a r e S t o r d a h l E v e r g r e e n S t r W i l l i a m s T a k e t h e A T r a i n S h r i s S i g e r s o n V e r s i o n S t r a y h o r n B T a k e t h e A T r a i n L a r r y F u l l e r V e r s i o n S t a y...

Page 81: ... y W a l k i n H o m e D o c F i n g e r s L u c k y S e v e n s B u t l e r H e n r y L u r c h i n D o c F i n g e r s N o W o r r i e s P a q u e t t e D E v e r y b o d y s H a v i n F u n B u t l e r H e n r y L a t e s t G o s s i p B l u e s B u t l e r H e n r y L e t M e B e B u t l e r H e n r y L i v i n g R o o m W a l t z B u t l e r H e n r y M i d n i g h t M a m b o B u t l e r H e...

Page 82: ...r o s p e r i t y R a g 1 9 1 6 J a m e s S c o t t Q u a l i t y A H i g h C l a s s R a g 1 9 1 1 J a m e s S c o t t R a g S e n t i m e n t a l 1 9 1 8 J a m e s S c o t t S u n b u r s t R a g 1 9 0 9 J a m e s S c o t t T h e S u f f r a g e t t e W a l t z 1 9 1 4 J a m e s S c o t t V i c t o r y R a g 1 9 2 1 J a m e s S c o t t C h e v y C h a s e 1 9 1 4 J a m e s H u b e r t E u b i e ...

Page 83: ... n e D o b y n s 1 9 0 7 R u s s i a n R a g R o c k i e s R a g b y G e o r g e L C o b b 1 9 1 8 S a p h o R a g b y J R u s s e l R o b i n s o n 1 9 0 9 S l e e p y H o l l o w R a g b y C l a r e n c e W o o d s 1 9 1 8 T h e B l a c k a n d W h i t e R a g b y G e o r g e B o t s f o r d 1 9 0 8 M a j e s t i c R a g b y B e n R a w l s R o y a l N e e l 1 9 1 4 T h e L i o n T a m e r R a g...

Page 84: ...theproduct 4 Thetreble bassvolumeissetto minimum 1 Increasethemastervolume 2 Disconnecttheheadphone 3 Properlyconnectthepower connectionjacktotheproduct 4 Increasethepartvolumes Therearenotable differencebetweenthe volumesofthe mainvoiceandthe secondaryvoice 1 Thesecondaryvoicevolumeissetto awrongvalue 1 Setthesecondaryvoice volumeproperly Randomnoiseisheard whenusingtheproduct 1 Otherelectricprod...

Page 85: ... 2 Fade Variation Features Layer Split Tune Transpose EQ Brilliance Pedals RegistrationMemory 16 DSP 7Reverbs 4Effects Metronome Yes Tempo Meter VolumeAdjustable Display GraphicLCD VPMusicBank Pedagogical Beyer Czerny Burgmülleretudes selectedSonatines Standard Classical Jazz Wedding Carol Ragtimeetc SMFPlayer SupportsSMF0 1 Recording Real timerecording 2Tracks About 9 000notespertrack VolumeContr...

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