24
b1-b9
Bass tone control.
b1
-
b4
cut bass frequencies by –12dB, –9dB, –6dB, and –3dB
respectively.
b5
has no boost or cut.
b6
-
b9
boost bass frequencies by 3dB, 6dB, 9dB,
and 12dB respectively.
d1-d9
Midrange tone control.
d1
-
d4
cut midrange frequencies by –12dB, –9dB, –6dB, and
–3dB respectively.
d5
has no boost or cut.
b6
-
b9
boost midrange frequencies by
3dB, 6dB, 9dB, and 12dB respectively.
t1-t9
Treble tone control.
t1
-
t4
cut treble frequencies by –12dB, –9dB, –6dB, and –3dB
respectively.
t5
has no boost or cut.
t6
-
t9
boost treble frequencies by 3dB, 6dB,
9dB, and 12dB respectively.
Chorus/FX
The Chorus/FX model actually contains ten different modulation and pitch effects (described on
the following pages). Each effect includes nine settings which include a variety of configurations
that generally range from more subtle (lower settings) to more extreme (higher settings). The
Chorus/FX settings are:
OF
Chorus/FX effect is turned off
C1-C9
Dual Chorus
F1-F9
Flanger
P1-P9
Phaser
t1-t9
Tremolo
n1-n9
Panner
b1-b9
Vibrato
o1-o9
Octavider
E1-E9
Envelope Filter
Y1-Y9
YaYa
TM
A1-A9
AutoYa
L1-L9
Step Filter
S1-S9
SynthTalk
TM
d1-d9
Detune
H1-H9
Pitch Shift
h1-h9
Whammy
TM
Summary of Contents for BP-90
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