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13 

21. Effect selector 

Use this dial for selecting an effect preset.  

 
22. ST return  

This control allows you to adjust the level of the  
digital effect unit to the main (ST) bus. 

 
 
 
23. Aux  

The (stereo) output of the digital effect section is summed and  routed to the aux bus. This control allows 
you to adjust the channel’s level to the aux bus. 
 

24. PFL 

Allows you to route the output of the digital effect section to the PFL bus. 

 
25. EFX on/off 

This  switch allows you to activate the built in digital effect processor. 
 

26. Time 

This control allows you to adjust the delay or reverb time of the selected effect preset. 
 

27. Signal LED 

Indicates an audio signal is present at the output of the digital effect section.  
 

28. Clip LED 

Indicates the input signal is to high and causing the input of the digital effect section to clip. If this LED 
blinks or light continuously, lower the setting of the 

EFX Send (41)

 control. 

 

29. Phantom Power LED

 

This LED indicates when the phantom power is switched on for the microphone inputs. After switching the 
mixer on, the red LED should not light up. So both balanced and unbalanced microphones can be 
connected.  
 

Unbalanced microphones may be damaged if the phantom power is activated. However, unbalanced 
microphones are rarely to be found these days. 
 
Make sure to close the fader of the corresponding input channel or at least the MASTER controls before 
connecting any audio signal sources. This will save yourself, your audience, and your equipment from  
unnecessary stress resulting from plug-in noise. 
 

30. Phantom power switch 

Press this button to turn the phantom power +48V on. Do not connect any unbalanced microphones with 
the phantom power switched on. The red 

phantom (31)

 LED will light if the phantom power is activated. 

          

 

31. Aux return 

The signal of the (stereo) 

aux 1 return (54) 

inputs is summed  

together for a mono  signal and is routed to the (internal) aux  
bus. This control allows you to adjust the level of the internal  
aux bus to the (mono) 

aux send (60)

 output.

 

 

Warning: If you use the aux 1 return (54) input in combination 
with the aux send (60) output as an effect send return, make 
sure this control is set to its minimum position (fully 
counterclockwise) otherwise you will create a feedback 
loop. If you’re using this as an effect return you have to  
adjust the return level with the ST/sub (37) control. 

 

 

Summary of Contents for GIG-12

Page 1: ...GIG 12 ORDERCODE D2262 Highlite International B V Vestastraat 2 6468 EX Kerkrade The Netherlands...

Page 2: ...P Audio for more excellent audio products We design and manufacture professional audio equipment for the entertainment industry New products are being launched regularly We work hard to keep you our c...

Page 3: ...tructions 3 Operating Determinations 4 Return Procedure 5 Claims 5 Description of the device 6 Features 6 Overview 6 Front panel 7 Back panel 9 Installation 9 Functions 10 Connection Cables 18 Mainten...

Page 4: ...he system To maintain perfect condition and to ensure a safe operation it is absolutely necessary for the user to follow the safety instructions and warning notes written in this manual Please conside...

Page 5: ...y to reduce the input signal level by using the INPUT control To emphasize a frequency range you don t necessarily have to move its respective control upward try lowering surrounding frequency ranges...

Page 6: ...method to use Note If you are given an RMA number please include the following information on a piece of paper inside the box 1 Your name 2 Your address 3 Your phone number 4 A brief description of th...

Page 7: ...ternal input source It has inserts and low cut on the mono channels and selectable pre post aux send The stereo output is equipped with a contour function that will give your main mix extra body and a...

Page 8: ...ol range mic 0 40dB line 25 15dB 7 Low cut filter button mono channel 1 4 8 EQ hi control range 15 15 dB 9 EQ mid control range 15 15 dB 10 EQ low control range 15 15 dB 11 Aux 1 level control 12 Aux...

Page 9: ...33 Aux 2 return level control 34 Aux 2 to PFL button 35 Aux send level control 36 Tape in USB level control 37 Aux 1 to ST sub level control 38 Aux 1 to ST sub button 39 Aux 2 to ST sub level control...

Page 10: ...send output 62 Stereo tape in inputs 63 Stereo record outputs 64 Stereo phones output Back panel Fig 5 65 Power on off switch 66 IEC inlet 67 USB port Installation Remove all packing materials from th...

Page 11: ...can occur 4 Insert Insert for external device effect compressor etc The insert jack provides an output of the channels signal at line level At the same time the insert has an input at line level from...

Page 12: ...ou to adjust the channel s level to the Aux bus 12 Channel pre post The pre post button toggles the aux 1 signal to be taken pre or post fader 13 Channel effects The Effects control allows you to adju...

Page 13: ...room or phones output independent of the position of the channel fader 20 20 Channel fader The fader controls the volume of a single channel The channel faders should be positioned within the range o...

Page 14: ...ght up So both balanced and unbalanced microphones can be connected Unbalanced microphones may be damaged if the phantom power is activated However unbalanced microphones are rarely to be found these...

Page 15: ...aux 1 return 54 inputs to either the main ST bus or the sub bus depending on the position of the ST sub 38 button 38 Aux 1 ST sub Button Allows you to route the signal from the aux 1 return input con...

Page 16: ...that the mains plug is plugged in correctly If the LED still doesn t light up please contact your DAP Audio dealer 48 LED VU meter 49 Tape USB button This button allows you to assign the VU meter to t...

Page 17: ...you have to adjust the return level with the aux 2 ST sub 39 control 56 Stereo sub outputs Unbalanced 6 3mm jacks 57 Stereo control room outputs Unbalanced 6 3mm jacks 58 Stereo main outputs Unbalanc...

Page 18: ...Do not supply power before the whole system is set up and connected properly 66 IEC power inlet This connector is meant for the connection of the supplied main cord Connect one end of the power cord...

Page 19: ...s and twists when coiling them This gives the advantage of increasing their life and reliability Periodically check your cables A great number of problems faulty contacts ground hum discharges etc are...

Page 20: ...nnections are thoroughly dry before linking equipment or supplying electric power Troubleshooting DAP Audio GIG 12 This troubleshooting guide is meant to help solve simple problems If a problem occurs...

Page 21: ...x stereo return 10K CD Tape stereo input 10K Gain control Mono channels 50 dB Stereo channels 40 dB Aux FX 10 dB T H D 0 005 Any output 1Khz 14dBu 20Hz to 20Khz channel inputs S N 90 dB Frequency Resp...

Page 22: ...20 Appendix 1 GIG 12 Block Diagram...

Page 23: ......

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